Jack Kerouac – What he meant to writing, life and the sixties.

 

Jack opened a door and let a new stream of light come flooding in. It swept the old dull formula away.

Before Jack there was a structure and form. Everything had its place. There were rules, procedures, format and sequence. It was staid. It was dull. It was controlled.

Jack opened a valve in his head and the steam of ideas, words and stories gushed forth in one long screaming roar.

Jack put his words into life as if he was playing a never-ending saxophone line. They wailed, parped and spouted out in uncontrolled frenzy. They streamed along in a great torrent that gathered you up and bore you along with it.

There were no rules. There was no formula. It was a raging waterfall that cascaded along with a madness, exuberance and all the spontaneity of now. It wasn’t so much telling a story as relating the moment, describing now.

And what a now!

It was a now teeming with desires, madness and a thirst for life that could not be contained, had no limits, and was bursting to explode out of the confines of the shackles society puts on us.

Jack was too alive to sit still, too wired. He had to let loose. He sought fellow freaks to travel, open up new horizons and explore possibilities; rapping endlessly as they delved the depths of possibility – ecstatic on discovery. Discovery of self, of possibility, for awe and wonder, to wrestle the demons, open up the senses, to let go; to give rein to all the sensations possible and experience life. There was sex, drugs, fast cars, laughs, kicks, craziness and exaggerated, heightened possibility. There was meaning, purpose and kicks to be screwed out of the drabness.

Jack was in awe of the emancipated black culture and its propensity to let its hair down; its sensuous sexuality, unloosed vitality and wondrous creativity. The black culture was rich and thriving where white culture was constrained and uptight. He wanted to be as loud, as natural and as in touch with his inner self and let all that bottled up energy out. In the black clubs with the black music it was GO GO GO GO GO – crazy man. There were no limits. You went for it.

Despite all the racism and poverty the black American culture had style, had class and knew how to let it hang out. When you’ve got nothing, you’ve got nothing to lose. They burned. They grasped every second and knew how to extract the kicks out of it. It was wild. It was real.

After Jack how could one go back to living an ordinary life? To writing manufactured stories? – To following an ordained pathway into a career, a home and a life of tedium. This was a plastic culture of concrete and control. It was as dead as the dodo.

Jack had defied the cosmos and sought satori in the majesty of being.

How could you mow the grass and catch the eight thirty to the office?

Without Jack could we have had that sweeping liberalism of the sixties that swept the dowdy conformism away? Or would we be living in our little boxes, locked up inside as repressed as the society that spawned us?

Jack was the great liberator. Once the door was open then was no holding back the current. The dam gave way. The sixties was the flood that Jack unleashed.

I was swept along in that tide. Who could deny the energy and excitement? The freedom?

Allen Ginsberg howled and Jack roared down the highways of life. They both opened minds.

 

Extract from Rock Routes – List of Stiff Label essential tracks.

The new book, Rock Routes, is in production. The kindle version will be available soon. It is a run-through of the entire Rock Scene from the 1920s Country Blues through to 1980 Post-Punk. Every genre is described with its inter-relationships to others and each has a list of the genres essential tracks.

This is an example of the lists: The Stiff Label New Wave from the late seventies:

Artist Stand out tracks
Elvis Costello Alison

The angels want to wear my red shoes

Miracle man

Welcome to the working week

Blame it on Cain

I’m not angry

Waiting for the end of the world

Pump it up

Little triggers

(I don’t want to go to) Chelsea

You belong to me

Lip service

This years girls

Lipstick vogue

Oliver’s army

Accidents will happen

Senior service

Watching the detectives

Goon squad

Two little Hitlers

Busy bodies

Sunday’s best

I can’t stand up for falling down

Men called uncle

5ive gears in reverse

Beaten to the punch

I stand accused

Black and white world

Motel matches

New Amsterdam

Secondary modern

Clubland

A good year for the roses

Almost blue

Ian Dury Sex and drugs and rock ‘n’ roll

Billericay Dickie

What a waste

Sweet Gene Vincent

Wake up and make love to me

Hit me with your rhythm stick

Reasons to be cheerful pt 3

Plaistow Patricia

Clever Trevor

I’m partial to your abracadabra

My old man

Inbetweenies

Quiet

Don’t ask me

This is what we find

There aint half been some clever bastards

Lullaby for Francis

Common as muck

I want to be straight

Sueperman’s big sister

Pardon

Delusions of grandeur

Yes and no (Paula)

Hey, Hey Take me away

Oh Mr Peanut

Fucking Ada

That’s not all

You’ll see glimpses

Spasticus Autisicus

Really glad you came

Wreckless Eric (I’d go the) whole wide world

Reconnez Cherie

Semaphore signals

Be stiff

Personal hygiene

Take the cash

I wish it would rain

Veronica

A Popsong

Mickey Jupp Old Rock and Roller

Pilot

Lene Lovich Lucky number

Say when

I think we’re alone now

Bird song

Rachel Sweet B-A-B-Y
Kirsty Kirsty MacColl There’s a guy works down the chip shop swears he’s Elvis

They don’t know

A new England

Days

Miss Otis Regrets

What do pretty girls do

Don’t come the cowboy with me sonny Jim

Fairy tale of New York

Jona Lewie You’ll always find me in the kitchen at parties

Stop the cavalry

 

All my other books are available on Amazon: http://www.amazon.co.uk/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1436346637&sr=1-2-ent

Pete Brown – the forgotten hero of Cream.

Pete Brown

A band is only as good as the material it plays. If the songs are poor quality then no matter how good they are the band will be mediocre.

Cream were exceptional.

Not only did they bring together three outstanding musicians in Eric Clapton, Jack Bruce and Ginger Baker but they operated with a clear philosophy. They knew the sound they wanted to capture and they did. Together they produced ground-breaking music that fired up the likes of Hendrix and raised the bar. None of them ever got close to the level they were at when they were together. Their brand of power-blues with Jazz improvisations and extended solos was unique at the time and startlingly brilliant. It has never been bettered. They were the ultimate power trio.

What is not so well documented or commented on is that it was Pete Brown who brought the power of his words to bear to create masterpieces such as Politician and Sunshine of Your Love. The collaboration between the Beat inspired poetry of Pete Brown and the musicianship of Jack Bruce created the backbone of Cream’s original work.

Pete’s lyrics were flowing with imagery and poetic nuance. They added that piquancy that took them that extra yard.

Pete needs to be lavished with praise for his contribution.

Nick Harper – Nix review

If there was any justice Nick would be a superstar!! He not only is the best acoustic guitarist I have ever seen but has a great voice and writes incredible songs.

There are many reasons why Nick is not a massive commercial success. The main reason is that he is simply too good for the mindless music business and vacuous audience that supports it. He does not play that game.

This then is Nick’s ninth album aptly titled Nix. (If you haven’t fathomed out the reason for the title then this is probably not the album for you).

If you like your Nick Harper raw and unadorned then this might be just up your street. This is Nick with his guitar and a batch of great new songs. They are, as usual, full of intelligence, insight, lyrical ingenuity and melodic beauty.

The album contains a range of styles but all are adorned with the distinctive crispness of that wonderful guitar-work. Nobody can play a guitar like that! The voice soars. The stories unfold. The melodies unfurl.

The mind becomes engaged on many levels as the appreciation of such talent mesmerises you. This is Nick unencumbered by production. His imagination continues to invent on a level rarely achieved by others.

Nick is one of England’s gems. Support him and buy this great album. you won’t regret it! This is another wonderful album!

If you like this you might be interested in my books:

Bob Dylan – Opher’s World plays tribute to a genius

There has to be more to Rock Music than trite Pop anthems about teenage love. There is. It is because Bob Dylan single-handedly propelled Rock towards a mature phase with intellectual integrity.

In the early years of Rock ‘n’ Roll in the fifties we had a visceral rebellion driven by the raucous swaggering performances of such as Little Richard, Bo Diddley, the Elvis of Sun Records and Chuck Berry. It was fast loud and explosive. It was the sound of a new post-war generation who wanted something different to the bland lives of their parents. Those early Rock ‘n’ Rollers belted out their brash new philosophy to blow the cobwebs out of the establishment.

A knife came down and cut off the connection. A whole generation was adrift from its roots with a new home-grown philosophy summed up by the Lee Marvin line in response to the question:
‘What are you rebelling against?’
‘What you got?’
That post-war generation wanted excitement, fun and adventure. The idea of following their parents into the blandness of suburbia with its neatly trimmed lawns and the American Dream was death by boredom. They wanted life in the fast lane with all its sex, fast cars and violence. The risk gave it an alluring edge. The colours were brighter; the feelings stronger and the pace full of adrenaline.

It was a revolution for a new age and though short-lived provided the basis for the Beatles and Stones to carry it forward.

There it would probably have been incorporated into the capitalist ethos of the Music Industry and decayed into Pop trivia if Bob Dylan hadn’t crashed into the scene with the force of an H-Bomb. The debris was flung into the air to be imbued with his poetic imagery, social and political content and a world of possibility. Bob had taken the song structure by the scruff and shaken it to pieces. The two and a half minute Rock song, with it’s theme of love and standard middle eight, was blown to bits. Anything was possible. You could tell stories. It could be twenty minutes long. You could have real meaning, real passion and something beyond mere teenage love and angst. It could deal with real issues.

Bob Dylan revived and transformed the rebellious impetus of the youth rebellion and provided it with substance.

Rock Music gained complexity, scope and social importance. It was no longer confined to teenage angst and sexuality. Bob had married its energy to a cerebral dimension that was allied to social and political sensibilities. Grown-up issues such as Civil Rights and the anti-war movement were central to the themes of Rock Music. The words were now of greater importance and value. There was a poetic eloquence that demanded to be taken seriously.

The awareness and sensibilities of an entire generation were stimulated and that led to the birth of an idealistic counter-culture that was to dominate the latter part of the sixties and give rise to a wealth of liberalising elements in the Women’s Movement, Peace groups, Environmental groups and Civil Rights Movements.

The establishment called him ‘The Voice of a Generation’. It was a label and pressure that Bob despised. He was not the voice of a generation. He was much more than that. He did not mirror the thoughts and ideals of sixties youth so much as awaken them and propagate their growth. He planted the seeds into the grey fertile soil of the cortex and fed them with the nutrients of wisdom so that they exploded to illuminate the skulls of a receptive generation. He gave them all freedom beyond his own dreams.

A million minds were awakened and imbued with the freedom of all possibility.

I wonder where the world would now be without him? Would we have had those years of protest through which so many of our civil liberties and liberalised society were wrested from the establishment’s reactionary grasp? For Bob not only reinvigorated Rock Music and propelled it to new dimensions he also fundamentally changed the society we all live in.

Thanks Bob – you were always so much more than a ‘Song and Dance’ man. You opened my mind and horizons.

If you enjoyed reading this why not purchase my books on Rock Music – you might enjoy them.

Or check out all my other books on Amazon

Rock Music – What makes a great song, band or performer?

What is quite clear is that it is not all about talent or ability. Some of the best Rock songs have been very basic, not requiring any great virtuosity, such as ‘Louie Louie’ by the Kingsmen.
Some artists, like Joe Satriani, are so incredibly talented and so technically proficient on the guitar that you can marvel at their skill in much the same way as you would any classical musician yet I find them uninspiring.
The best Rock guitarist I have ever seen (and I’ve had the pleasure of seeing Jimmy Page, Peter Green, Keith Cross, Pete Townsend, Eric Clapton, Rory Gallagher, Paul Kossof, Dave Gilmour and Jack White up close) without a doubt is Jimi Hendrix. Nobody come close. The sounds and melody that Jimi could squeeze out of a guitar were extraordinary. He could make it talk with his elbow better than most good guitarists could with their hands. Jimi would weave in feedback, distortion and effects to create new complex melody that was never boring.
Jimi was the consummate Rock guitarist. His limitations were the extent of his imagination. He could conjure up any sound, feeling or rhythm.
An important element of Rock music is the showmanship and ability to create excitement through the power of performance. When a band like Cream, Free, early Pink Floyd, Stiff Little Fingers, Hendrix, Lee Scratch Perry, The Who, Elvis Costello, Led Zeppelin or White Stripes let rip there was a pulse of energy that surged through the audience and created a synergy of excitement.
Some bands did not rely so much on power as the creation of a mesmerising sound that melted you away to get lost in its complexity and melody such as Traffic, Neil Young and Crosby, Stills, Nash and Young.
Sometimes that power of performance is melded with complexity to create something powerful and mesmeric. The best gigs I have ever experienced were Captain Beefheart and his Magic Band and Jimi Hendrix. Both of them merged the power and drive with complexity and skill into an unbeatable magic.
For me the words have always been an important element. When a truly gifted poet, such as Roy Harper, Leonard Cohen and Bob Dylan, entwine their poetry to music it creates something far greater than the parts. It provides another dimension that engages the intellect as well. That propels the music to greater heights that stimulates the cerebral cortex in a more consuming, and satisfying manner.
I like my Rock having content that makes me think, a social or political thread, a spiritual element, a comment or purpose.
The best acoustic guitarist I have ever seen, from a large field including Davey Graham, Leo Kottke, Bert Jansch, John Fahey, Stefan Grossman and John Renbourn, is undoubtedly Nick Harper. He crafts his incredible guitar skills to varied brilliant songs full of imagery, meaning and love.
Then there are the giants like the Beatles, Rolling Stones and Love who were simply majestic. Or the sheer exuberance of the early Blues of Robert Johnson, Son House, Elmore James, Howlin’ Wolf and Muddy Waters and Rock ‘n’ Rollers such as Chuck Berry, Bo Diddley, Elvis Presley, Little Richard and Jerry Lee Lewis.
I can take my Rock basic and raw or intellectual and profound, depending on my mood, but I like it real, not over-sanitised by the record labels, not reduced to satisfy the lowest common denominator, not processed for mass public consumption, not devoid of content for fear of offending. I want my Rock to challenge. It is not the music of the establishment. It is always the stuff of rebellion. As soon as it is adopted, clichéd or restricted it is dead!

Find out what I think the most essential 537 albums are in my book available on Amazon:

Or read about the story of my life in music:

Or the times when Rock was at its peak in the counter-culture of the sixties:

Rock music has been the backdrop to my life. It has informed my views and philosophy. I am who I am because of it!

Christmas present ideas! Why not go for something different and buy an Opher Goodwin book?

Yes. The ideal solstice present that will make your family fume and think – why not get them an Opher Goodwin book?
It is something special, something different, something unique. It’ll get the brain cells firing.
The ideal present for everyone!
Help change the zeitgeist. Make the world positive. THINK.

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Stiff Little Fingers – Brilliant gig at Welly Hull – Photos

Stiff Little Fingers with the original line-up, played a storming set at the Welly in Hull. The power and intensity of their songs was spot on.
The lyrics are the most powerful of any punk band!!
The guys were great – really friendly!!
Loved it! They haven’t lost anything in all those years!
Here’s a few photos:-IMG_9372

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Some more in Blog!!

James Varda – Chance and Time – brilliant album of lyrical and musical beauty in the face of great adversity

I haven’t stopped playing this album. It is so intimate and deeply honest. This feels like a creative man baring his soul as he tries to put his whole life and illness into some positive perspective. It is an artistic achievement that is immense but it is the sheer honesty and integrity that cuts into you. I’ve never heard anything like it. It is a cathartic eulogy for life. Everything is chance yet out of that random element comes beauty.
James has poured every last drop of his talents into this. It has essence about it.
I’ve never heard a tumour being compared to the big bang. All life pours out of it. The world, born of chance, is a chance event producing a paroxysm of incredible wonder.
It sounds, from the colour of this album that James has terminal cancer and this is his response. If that is the case I hope that something wonderful happens and James recovers. It happens. Where there is life there is hope. If that is not to be then this album is great addition to the lexicon of human accomplishment. It captures so many emotions that usually go unspoken and probably unfelt. James articulates them perfectly. This is a wonderful life we are living. The natural world is so incredible. This is an apt legacy.
I feel I am sharing something so personal we rarely get the opportunity.
This is an album about death but it is also a celebration of life and love. We are here for such a short time. It is our duty to live and love and delight in the glory around us in the fleeting moments we are here.
I don’t know what James’ partner feels about this outpouring. The love is raw.
Life should be about love not hatred and violence …….. if only!
There is nothing we can do in the face of chance and time but stand up to it and appreciate the sheer scope of beauty we are living amidst.
We live with what we have, without hope, and drink in the awe and majesty of the moment. There is nothing we can do but appreciate the world around us.
We have a duty to preserve this jewel of a planet and pass it on.
Thank you James. We will pass it on. There is something. We will pass it on……….

Graham Beck – Photos from Arthur Brown Concert in Hessle

Graham gave a great performance!! Very quirky and zany!! Loved it!! Here’s a few photos!!IMG_7321

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Hope you enjoy him as much as I do.