The Pleasure of an Album

The Pleasure of an Album

 

The excitement of anticipation as the heart rate speeds,

The eyes narrow at the eagerness of anticipation.

Sifting through the racks with narrowed eyes;

Lifting a discovery for closer inspection of the cover,

Flipping to check the track listing;

Gathering a selection with contained fervor;

An assortment of possibility from which to choose.

Then the angst of decision –

Followed by the despondency of loss

As the discarded are replaced with many a reflective vacillation.

Clutching the winner there is now impatience pervading the purchase,

As the money is paid and the album professionally wrapped within its paper wrapper and sealed with sellotape.

The return home is hurried and filled with nervous indecision.

Was the choice correct? What about the other fish?

Within the sanctum the treasure is unwrapped and the prize clutched and reexamined.

It is time to perform the ritual and extract the paper sleeve from within its cardboard resting place.

The black vinyl disc is extracted from the inner sleeve,

Held reverently, by its rim with two hands, up to the light to inspect the sanctity of the grooves, and approved.

When satisfied the disc is lowered so that peg and hole are aligned in erotic summary preparing for consummation.

The arm is raised with delicate concentration and deferentially lowered to apply needle to the outer blank vinyl, so carefully.

Breath is released as the success – a click followed by a satisfying hiss.

Then to sit back as the faint noise wends into the sound

And as it fills the room to immerse oneself in its thrall;

To study the artwork,

To flip the cover and read the track listing, then the liner notes.

To lose oneself, to submerge, to examine, to breathe in, to absorb the full package of art, information and sound as it embraces you in its multisensory, concentrated reverie.

For this is the pleasure of an album.

 

Opher 8.3.2018

It Was Fifty Years Ago Today – a poem about the loss of good times.

It was Fifty Years Ago Today

 

It was fifty years ago today

Revolution took to the streets

In Grosvenor Square and Paris

Students sang to different beats.

 

In Prague too they were coming alive

Digging the jive as establishments swayed,

Responding with an iron fist

As those rebellious songs played.

 

They used tanks against the Czechs

And armed guards in Ohio

Tear gas in London

And swung clubs in Chicago

 

Give Peace a Chance

For the Street Fighting Man

As the Unknown Soldier

Asked what was the plan in Vietnam?

 

Fifty years on from that protest and change

Now the psychedelic colours are muted.

What is the legacy of the great revolution

In simple terms that can’t be refuted?

 

Environmental movements and Women’s Lib?

Or just fashion, music and wind?

The establishment’s firmly back in control

And revolution’s been binned.

 

Opher 2.1.2018

 

 

Yes it’s like the sixties never happened.

All across the world there was a new vibe. The young were up in arms protesting. They turned their backs on the greediness and warmongering of their establishment thugs. They reached across oceans to unite in the building of a new world. Nations did not matter. Race and colour did not matter. Money was not the be all and end all. We wanted something more meaningful, more tolerant, more compassionate, more real and less hypocritical.

All you needed was love.

When we met up we found we could all get along. Differences melted like summer snow.

There was a vibe of peace and love. There was no need for violence and conflict. We were all people. We all felt the same. We shared, laughed, grew, talked and learnt.

We cared about the planet. We demanded equality. We demanded rights and freedoms. We demanded that we be allowed to enjoy life.

There was a sexual revolution. A drug revolution. A political revolution. A music revolution. A social revolution.

But they bought it off. They took over. They sold us out. They undermined. They misrepresented. They made their profits. They took back control. And our idealistic dream was bought and sold, betrayed and soiled.

Now the fascists are in control and it’s like the sixties never happened.

Tear the Fascists Down – Woody Guthrie

In this dark time with the rise of fascism all around it seems that we need a new generation of brave men like Woody Guthrie to stand up against those who would cause division and hatred.

We have a cyberspace full of abusive bullying trolls, fascists marching on the streets again and hard right leaders in power.

Time to tear these fascists down! The fight is still going on around the world tonight.

Tear the Fascists Down – Woody Guthrie

There’s a great and a bloody fight ’round this whole world tonight
And the battle, the bombs and shrapnel reign
Hitler told the world around he would tear our union down
But our union’s gonna break them slavery chains
Our union’s gonna break them slavery chains

I walked up on a mountain in the middle of the sky
Could see every farm and every town
I could see all the people in this whole wide world
That’s the union that’ll tear the fascists down, down, down
That’s the union that’ll tear the fascists down

When I think of the men and the ships going down
While the Russians fight on across the Don
There’s London in ruins and Paris in chains
Good people, what are we waiting on?
Good people, what are we waiting on?

So, I thank the Soviets and the mighty Chinese vets
The Allies the whole wide world around
To the battling British, thanks, you can have ten million Yanks
If it takes ’em to tear the fascists down, down, down
If it takes ’em to tear the fascists down

But when I think of the ships and the men going down
And the Russians fight on across the Don
There’s London in ruins and Paris in chains
Good people, what are we waiting on?
Good people, what are we waiting on?

So I thank the Soviets and the mighty Chinese vets
The Allies the whole wide world around
To the battling British, thanks, you can have ten million Yanks
If it takes ’em to tear the fascists down, down, down
If it takes ’em to tear the fascists down

source: https://www.lyricsondemand.com/w/woodyguthrielyrics/tearthefascistsdownlyrics.html

What did the Sixties mean to me?

I was eleven when the sixties started and twenty one when they ended so the sixties were my formative years and boy what formative years they were.

The 1940s were the war years – a time of death, tragedy, loss and destruction. Our cities were blasted to hell. Our economy was wrecked and we were in debt to the USA.

The 1950s were the dark days of trying to rebuild; days of austerity, rationing and immense poverty but also days of reunion and attempting to rise out of the ruins. It was the era in which we lost our empire. But there was a gleam of light at the end of that tunnel with Rock ‘n’ Roll and Skiffle.

Then came the sixties.

I think my parents had grown up in a class-ridden, conservative, very uptight culture, sexually repressed and very hypocritical. Lip-service was paid to church. There was a national anthem played every night on the radio and at the cinema. For males like me every step of life was mapped out from short trousers into long, from bachelordom to marriage, kids and work. Girls were brought up to be wives, mothers and housewives.

First there were the Beat groups riding on the coattails of first the Beatles and then the Stones and we started to breathe. We grew our hair and lived music. There were girls, fashion and style. We wore our tight jeans with winkle-pickers, long sideburns and quiffs. Then it was flares, an explosion of colour, motorbikes, scooters, long hair and a new language straight out of hip black America and beatniks. There were parties, alcohol and later spliff.

At fifteen I was reading Kerouac, listening to Dylan, the Kinks, Woody Guthrie and the Blues. I was digging the Who, Yardbirds, Smallfaces, Them, Animals, Downliners Sect, Stones, Beatles and a host of other bands.

By eighteen I had hair to my shoulders, was looking into Beat poetry, Eastern religions, psychedelia, Acid Rock, Burroughs, Ginsberg and grooving to Country Joe and the Fish, Captain Beefheart, the Doors, Jefferson Airplane, Frank Zappa, Pink Floyd, Hendrix, Cream, Traffic, Family, Roy Harper, Dylan, Beatles, Stones and Fleetwood Mac.

For me and my friends the rule book went out the window. We did not want the safe, boring lives of our parents; we wanted excitement, adventure, discovery and travel.

We wanted a new world. There was a general rebellion against the greed and selfishness of society, the meaningless of life, the violent warmongering, the repugnant racism, elitism and class system, and the destructiveness of the consumer society with all its environmental damage. We no longer bought into it. The rat-race, with its chasing of money and status symbols was not alluring. We wanted something better, something more meaningful and fulfilling, something deeper, less violent and destructive, and we thought we could do it. We really thought we could build a better society and drop out of the death machine. The dream was something simple, self-sufficient and more in harmony with the planet. It was the days of simplicity.

Those were also the days of optimism spent gabbing through the night in great earnest wonder, talking philosophy, talking politics, talking spirituality, talking music, talking about a new society founded on different tenets without all the possessions and greed. Those were days of sharing and listening to music.

It was naïve and unrealistic. But we were living a revolution. They were the days when civil rights, feminism, environmentalist and fashion were spawned. They were the days of fun and laughter, friendship and joy; days spent listening to music, going to gigs and free festivals, grooving; days of sex and hedonism.

That was our revolution. We made our own clothes, instruments and pleasures; we hitched around and travelled continents. We had hugely different horizons and dreams to that of our parents.

They were days of discovery of philosophy, art, literature, dance, music, ideas, creativity, political awareness, social awareness, love and travel.

It was short-lived but it burned. I packed so much into a few short years. It was mind-expanding, enlightening and full of idealism and dreams. And that’s what the sixties meant for me.

I took that energy and positivity forward into my life and my creativity. It informed my philosophy of life, my family, my career and my writing.

The sixties gave me an unlimited set of horizons.

 

Julie Felix at the Adelphi in Hull

I wasn’t quite sure what to expect. To start with Julie was seventy nine. Secondly I had this lightweight image of someone singing ‘I’m going to the Zoo’ (not my normal preference). But I was interested. She had been there through the good times of the Sixties.

I needn’t have worried. She was amazing – lithe, full of youthful energy and with some good tales and brilliant songs.

Julie told how she’d come across to Europe in the early sixties and ended up on the Greek island of Hydra with Leonard Cohen – playing the bars for small change.

She sang a few songs for Leonard – including Bird on a Wire and a touching tribute version of ‘Hey That’s No Way To Say Goodbye’. She did a couple of Dylan songs too including a great version of ‘Masters of War’ and then a few Woody Guthrie – the stand out being ‘Deportee’ which had great resonance due to her Mexican lineage.

This Land is your Land was also rather good.

Julie did a couple of Mexican songs and some of her own, she got people signing along and generated a great atmosphere.

I was glad I’d gone – even the couple of verses of ‘going to the zoo’, delivered with a wearisome apology – seemed OK.

The Top Ten Albums of all time! Number 1! Roy Harper – Stormcock!

Ian Cropton nominated me to put forward my top ten albums of all time.

That’s good. I enjoy that.

This is Number 1!!

  1. Roy Harper – Stormcock

 Image result for stormcock roy harper youtube

In my opinion Roy Harper is the greatest British song-writer and poet. There is no one who even gets close. His acerbic lyrics and social commentary are unsurpassed. He rivals Bob Dylan as the greatest songwriter of all time and is greatly undervalued. This is not surprising as he has constantly shot himself in the foot and sabotaged his own career. Even so he remains the foremost British dissident and commentator on the human condition. His epic songs are legendary and the music sublime.

Stormcock is arguably his best album but is strongly pushed by both HQ and Lifemask. I would place at least ten of Roy’s albums in my top 400 albums. He’s that important to me.

The Stormcock album features only 4 tracks but the album is one of his masterpieces. It consists of brilliant songs with poetic imagery and wide canvasses that challenge your imagination. The music and musicianship was innovative and of an excellence that puts this album top of my top ten thousand. It is one of four Harper albums that would make it into my top ten albums of all time. I have a penchant for great meaningful lyrics put to brilliant music and this hits the spot. I never tire of hearing these songs and simply cannot understand why Roy has not been lauded from on high. I love the depth and insight he brings to bear and the risks he takes in developing his ideas through epic songs. Few people can match it. Roy’s shorter songs are great but these four songs show how Roy has matured and taken his art to another level. ‘Me and my woman’ is one of the very best tracks ever recorded. The scope is immense and Roy was at the top of his game. I can see that it is never going to be commercial. Roy’s work is thought-provoking, intelligent and musically intricate. You have to concentrate. It’s not your catchy pop song – fortunately! But it is well worth the effort. For me Roy is the James Joyce of music as opposed to Simon Cowell’s Barbara Cartland.

Thank you for Purchasing my Books!!

Thank you all for purchasing my books! I greatly appreciate it!

Please leave a review on Amazon if you enjoyed reading them. I would be very grateful.

If you would like to buy one of my books please check below. I am an indie writer who writes in many genres. My books are available in both paperback and digital. I will put forward a selection for your perusal :

In the UK:

My Author page:

Sci-fi

  1. Ebola in the Garden of Eden

2. Intergalactic Rock star

3. Sorting the Future

4. The Gordian Fetish (under the pen name Ron Forsythe)

5. Green

ROCK MUSIC

  1. In Search of Captain Beefheart

2. The Blues Muse

In The USA :

My Author Page:

Sci-Fi

  1. The Gordian Fetish – (Under the pen name Ron Forsythe)

2. Sorting the Future

3. Ebola in the Garden of Eden

4. Green

Rock Music

  1. In Search of Captain Beefheart

2. The Blues Muse

That should give you a little bit of choice to be going on with. I hope you find something you will enjoy. I can assure you that they are different, highly readable, fun and thought provoking.

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The Searchers at Skegness – Photos.

After the Beatles and Big Three the Searchers were probably the best band to have come out of the Mersey scene. They were different.

They started off with the standard R&B covers – Farmer John, Tricky Dicky, Love Potion No. 9, Sweets for my Sweet, Do Do Ron Ron, Money and Twist and Shout – all delivered at speed with a distinctive high pitched vocal. But they also covered Folk songs with songs like Where Have All The Flowers Gone and What Have They Done To the Rain.

Those Folk covers were really important because their developed that electric jangly guitar sound that was later developed by the Byrds. You could say that they were the band that created Folk Rock.

Their quality created a longer chart life than the other Mersey Bands. While Billy J, Gerry and Freddy were blasted out by the harder sound of the Stones, Kinks, Downliners Sect,  Pretty Things, Them, Yardbirds, Who and Animals, the Searchers persisted and further developed their sound.

Back in 1964, when I was fifteen, I thought they were quite cool. Like all those early 60s Beat Groups (apart from a few) they were blown away by the later sixties psychedelic Underground explosion.

If only they had developed the ability to write their own material they might have been as big as the Who.

This was the first time I had seen them (or at least two of the originals) and I enjoyed it. The only fault I can find is that they are frozen in time.

The Merseybeats at Skegness – photos

The Merseybeats were another of those bands to come out of Liverpool. They seemed to specialise in soft melodic love songs such as I Think of You, It’s Love That Really Counts and Wishing And Hoping (a little incongruous for seventy year olds). But there was a lot more to the Merseybeats than that. Their EP with it’s harder R&B edge on numbers like Bo Diddley’s You Can’t Judge A Book By It’s Cover and Little Richard’s Long Tall Sally showed the power of their live performance.

That R&B energy was seen in Skegness where Tony Crane, Billy Kinsley et all put on a good show.  It was a bit strange for me to see a band that I used to like a lot when I was fourteen.

Other Sixties Bands at Skegness – Vanity Fare, Steve Ellis, Dozy, Beaky, Mick and Tich, and Cliff Bennett and the Rebel Rousers

It seems strange that all these minor sixties bands were still going and making a living on the sixties circuit. I think a lot of people like the simple pop songs of the early sixties rather than the more complex, sophisticated and deeper music of the later sixties Progressive and Psychedelic scene.

I found it interesting to have a look at the bands I was listening to when I was fourteen and fifteen but I would not want to do it again for the great majority. I prefer something I can get my teeth into.

I stopped for a few minutes to check out Dozy, Beaky, Mick and Tich (now incongruously in their 70s?), Vanity Fare, Cliff Bennet & the Rebel Rousers (not sounding or looking too rebellious) and Steve Ellis from Love Affair, but I didn’t stay.

Vanity Fare & Steve Ellis. Cliff Bennett & the Rebel Rousers

Dozy Beaky, Mick and Tich