The Springfields at Skegness – Photos

In the early sixties there were a lot of popular Folk Groups – such as the Kingston Trio, Clancy Brothers, New Lost City Ramblers and Rooftop Singers. They followed on from the Almanac Singers and Weavers and gave rise to Peter, Paul and Mary.

In Britain we had our own version with the Springfields. The Springfields included Dusty Springfield with her brother Tom along with Tim Field and then Mike Hurst.

Dusty went on to have a sizeable career.

They were on at Skegness so I popped in. The group were Mike Hurst and two young newcomers. They seemed to be having a good time.

Tribute Bands – The Upbeat Beatles at Skegness – Photos

I don’t like tribute bands. I don’t care how good they are. I think they are a negative experience. I can’t see why anyone talented enough to play that well would want to be so uncreative. Tribute bands are ruining Rock Music.

Now I can see the flaws in my feelings. It is creative to mimic another person so closely. It is no difference to performing in a play. A lot of bands cover other people’s songs. What’s the difference?

I don’t like them.

The Upbeat Beatles were good at what they did. John and Ringo really looked the part. George didn’t really look like George though. They played their part – though I found it irritating the way they referred to each other as if they were really Paul, John, George and Ringo. They focussed on the earlier Beatles of course. That was to be expected.

I just don’t like Tribute Bands. It’s mercenary.

The Crystals ft. Dolores La La Brooks at Skegness – Photos

Well Dolores La La Brooks certainly looked a bit different to the fifteen year old girl who’d sung D Doo Ron Ron and Then He Kissed Me back in 1963. There was no bee-hive hairstyle or flouncy dresses. She was dressed in a sci-fi rubber trouser suit and could sure kick ass.

Back in the 60s the R&B girl groups – like the Ronettes, Chiffons, Crystals, Marvelletes, Cookies and Supremes – had had a great influence on the British Mersey and Beat Bands. The Beatles and Searchers covered a number of their songs. Producers like Phil Spectre, with his Wall of Sound, propelled them into the charts.

It was great to see her still going strong – not so much as a girl group but more as an R&B powerhouse!

Dave Berry and the Cruisers – Skegness Photos

Back in the sixties Dave Berry had that peculiar stage act with all this slow motion movements like a stick insect on mogadon. He had a few hits and that was it. It was good to see that he is alive and well doing some great R&B and there is a lot more to him than those hits.

Swinging Blue Jeans at Skegness – Photos

Well they were now the Original Blue Jeans – at least Ray Ennis was. When I was fourteen/fifteen I used to love that band with their high energy Rock ‘n’ Roll with great covers of Chan Romero’s Hippy Hippy Shake and Little Richard’s Good Golly MIss Molly.

I really like You’re No Good too.

It felt strange to see them perform fifty odd years later. They did a powerful set.

 

The Kenney Jones Gang at Skegness – Photos

It was interesting to see Kenney Jones, though he did look a bit glum behind the drums. Jim Stapley is quite a frontman and they did some good versions of Smallfaces, Faces and Who numbers. Not quite the same as the real thing though.

 

Geno Washington and the Ram Jam Band at Skegness – Photos.

I’ve seen Geno Washington a number of times. He’s always good for a show with his pumped up Soul Music. Geno is a great genial energetic performer and The Ram Jam Band really churn out that high energy R&B/Soul.

The first time I saw Geno was at the Woburn Abbey Festival. He was unluckily on before Jimi Hendrix and the audience wanted him off. They were eager for Jimi (and I was too) and booed and threw stuff at him. Geno still gave a good show even though an outdoor festival is not the best venue for high energy Soul.

The brilliant Pretty Things at Skegness – Photos

It has been decades since I last saw the Pretty Things. During their psychedelic phase they used to play around the college circuit in London and I caught them a number of times. They were always great.

Back when they started out, and I was a mere lad of fifteen/sixteen I thought they were superb. Phil May’s hair was the longest and they were the ultimate rebel band. On telly they even put them in a cage. They were as big as the Stones to me. I loved those early singles – Rosalyn and Don’t Bring Me Down. They never disappointed. All those great R&B covers and the songs like Midnight To Six Man, Buzz The Jerk and great B-sides like Can’t Stand The Pain. I was always playing my stuff at maximum volume and my Mum used to keep shouting at me to turn it down. I used to, very unfairly I am ashamed to say, put that Pretty Things cover version of the Bo Diddley track Hey Mama, Keep Your Big Mouth Shut on the old Dansette and crank it up.

So when I saw they were on at Skegness I knew I just had to go. I wasn’t sure quite what to expect. Was it going to be the R&B stuff, the psychedelic or the progressive. I wasn’t disappointed. It was mainly R&B but with a bit of psychedelic and progressive thrown in.

Dick Taylor is brilliant. He was a founder member of the Rolling Stones – leaving in 1962 to form the Pretty Things. Just think what could have been.

So the Pretty Things were to blame for me spending a weekend with a bunch of strange Mersey Bands from my distant youth. Some of it was a bit twee but I had a good time and found a lot of it was good.

The highlight of the whole weekend was the brace of acoustic songs that Dick Taylor and Phil May performed as a duo. Muddy Water’s I Can’t Be Satisfied and Robert Johnson’s Come On In My Kitchen have rarely, if ever,  sounded better.

The Pretty Things Seduced Me!!!

The Pretty Things Seduced Me!!!

Yes!! I was seduced!! I went along to the Sixties Festival in Skegness. I blame it on the Pretty Things, PP Arnold, Geno Washington, Chris Farlowe, the Searchers and the Crystals featuring La La Brooks.

It seemed like a good opportunity to catch up with a number of blasts from the past. There were a lot of other acts on too!! – Mainly some of the Mersey Pop. It was like reconnecting with my fourteen year old self – a big dollop of nostalgia with Dave Berry, the Mindbenders, Swinging Blue Jeans, Merseybeats, Marmalade and other lesser lights.

I did go along with a little trepidation. The first thing I noted was that for a lot of people the festival presented an opportunity to dress up. They didn’t seem to go along to see the bands or listen to the music so much as put on some grotesque fancy dress. That was a little salutary. There were groups of Teds in colourful drape jackets and brothel creepers. Girls in 50s flouncy dresses. There were Mod Dolly girls in black and white plastic mini-skirts (demonstrating quite clearly that what looked stunning on a stick thin seventeen year old was not quite so coquettish on a rather plump seventy year old). There were men with long wigs and headbands wearing garish paisley loons. There were even guys in wizard hats, capes and a handful of Elvis’s.

I found all this rather sad and more than a bit disquieting but Liz told me off and said they were just having a good time – out for a bit of a life. Music’s a bit more important than that to me.

The second thing I noticed was that the sixties seem to have become equated with Pop. It seemed like the whole thing stopped in 1965 and was dominated by the early Pop of 1960-63. There was a tape loop that seemed to endlessly churn out Dion. Del Shannon, Roy Orbison, Shadows, Cliff, Chris Montez, Brian Hyland, Bobby Vee with a smattering of Merseybeat! Even the harder sounds of early Who, Stones and Kinks seemed to be treated with suspicion. But the punters were lapping it up.

I was wondering what I had let myself in for. What had happened to all those sixties Freaks? I was beginning to think that a good blast of Hendrix, Cream or the Grateful Dead would have finished half of them off!

Well as the Weekend progressed I was pleasantly surprised. Some of the bands were quite loud and beaty. Besides a fabulous acoustic cameo of Robert Johnson and Muddy Waters performed by Phil May and Dick Taylor made it all worthwhile. In the end I did not drown in Pop trivia. I enjoyed it.

What if? – An Alternative Possibility.

What if?

 

‘I’ve got us a gig on Saturday in Manchester,’ John informed them.

Nobody seemed that impressed.

‘How much does it pay?’ Pete asked.

‘Fifty quid,’ John said.

The atmosphere in the rehearsal room was pretty gloomy. Fifty quid hardly went anywhere in 1966. Once you’d put petrol in the van, bought a bag of chips and a pint you were left with ten quid each.

‘We were lucky to get that, lads,’ John said, trying his best to raise the spirits. ‘All the clubs are shutting down. Bloody cavern shut down last week.’

If he’d intended to raise them up he was failing badly.

‘Where are we going lads?’ he asked cheerily, attempting to urge them into their mantra of optimism. There was no ‘To the Toppermost of the Toppermost’ refrain. Nowadays they were just hanging in there rather than looking to break through.

‘Feels like the bottommost of the bottommost to me,’ Paul observed.

‘I’m thinking of packing it in,’ George said gloomily. ‘My Dad said he can get me a job as a cashier in the bank.’

Nobody said anything. They’d all been down that road. Doing casual labour to make ends meet was no fun. They could sense that the thing was falling apart. The energy had gone and audience sizes were dwindling. Nobody was interested any more. It had had its day. Perhaps it was time for them all to call it a day?

‘Who we on with?’ Paul asked.

‘The Rolling Stones again,’ John said.

‘They still doing that Blues stuff?’ Paul asked, plugging in his bass.

‘Yeah, Brian has it down to a t’ John said, ‘though they’ve not been the same since Mick left.’

‘I’ve heard he’s going into law,’ George reflected, plugging his guitar in.

‘Ha,’ John smirked. ‘I can just see him as a solicitor. He’ll be a judge before he’s through.’

‘Rory’s bunch have broken up,’ Paul remarked. ‘Ringo’s got a job as a redcoat at Butlins.’

‘The hurricane’s blown out then,’ John observed with a narrowing of the eyes. ‘I bet Ringo’ll go down a storm.’ He laughed mockingly.

‘Well at least he’s bringing in a pay packet,’ George pointed out.

‘Let’s get down to playing some Rock ‘n’ Roll,’ John suggested as an antidote to the gloom.

‘Why don’t we try something different,’ Paul suggested. ‘Rock ‘n’ Roll is old hat. Have you seen the charts? Cliff is number one again and Bobby Vee and Bobby Rydell are racing up. They’re all doing ballads. Charts are just full of American pop and ballads. We could try doing something a bit more poppy.’

‘I’m not doing any of that American shyte,’ John asserted firmly. ‘I hate that pop crap – all flashing teeth and Italian suits. I hate that lightweight rubbish. Give me good old Rock ‘n’ Roll any day. I don’t care what’s in the charts. They’re all shyte.’

‘Even Elvis is doing pop stuff,’ Paul reminded him. ‘All this leather gear is out. We’ve become boring old dinosaurs. Nobody’s interested any more. It’s all old fashioned. Teddy boys are a thing of the past.’

John glared at him myopically through slitted eyes. ‘I’m not playing pop shyte.’

Pete sat behind his drum kit and looked on. It was always like this. He never said much at the best of times. Now that his good looks were fast fading, as the beer was bloating him up, he was losing his popularity with the girls and in great danger of being kicked out of the band. Not that he was that bothered any more. None of them were very popular with the girls these days. Things had moved on. The days of screaming girls were long past.

‘We could try doing some of our own or doing more standards. They always go down well.’

‘We’ve been down that road,’ John said belligerently. ‘All that One After 909 and Love Me Do crap. Nobody was interested. It was crap. We’re never going to be as good as Buddy Holly or Chuck Berry, why bother?’ He glowered at Paul. ‘No. Let’s just stick to what we’re good at and play Rock ‘n’ Roll.’

Paul shrugged.

‘Perhaps we should have done what Brian wanted us to do?’ George suggested.

‘What?’ John turned on him angrily. ‘Had our hair cut and worn poncey suits? Played liked Bobby Vee?’

‘He offered to manage us,’ George insisted. ‘He said he could get us an audition with Decca.’

Pete did a drum roll.

‘Like hell he could,’ John sneered. ‘What did that posh git know about anything? He couldn’t even run a record shop properly. What did that smarmy ponce know about the music business?’

‘He said that if we smartened up and played the game he could have got us lots of gigs and an audition,’ George persisted.

‘Yeah,’ John scoffed, ‘and Decca would have signed us up and we’d conquer America and be bigger than Elvis. Yeah, poncey Brian Epstein would have done that, wouldn’t he? Who gives a fuck about British Rock anyway? Even Cliff couldn’t break America. They will never give a damn about the Brits. That’s a waste of time.’

‘Well, if you hadn’t laid him out,’ George suggested, ‘he might have managed us and we might have had a chance?’