What if? – An Alternative Possibility.

What if?

 

‘I’ve got us a gig on Saturday in Manchester,’ John informed them.

Nobody seemed that impressed.

‘How much does it pay?’ Pete asked.

‘Fifty quid,’ John said.

The atmosphere in the rehearsal room was pretty gloomy. Fifty quid hardly went anywhere in 1966. Once you’d put petrol in the van, bought a bag of chips and a pint you were left with ten quid each.

‘We were lucky to get that, lads,’ John said, trying his best to raise the spirits. ‘All the clubs are shutting down. Bloody cavern shut down last week.’

If he’d intended to raise them up he was failing badly.

‘Where are we going lads?’ he asked cheerily, attempting to urge them into their mantra of optimism. There was no ‘To the Toppermost of the Toppermost’ refrain. Nowadays they were just hanging in there rather than looking to break through.

‘Feels like the bottommost of the bottommost to me,’ Paul observed.

‘I’m thinking of packing it in,’ George said gloomily. ‘My Dad said he can get me a job as a cashier in the bank.’

Nobody said anything. They’d all been down that road. Doing casual labour to make ends meet was no fun. They could sense that the thing was falling apart. The energy had gone and audience sizes were dwindling. Nobody was interested any more. It had had its day. Perhaps it was time for them all to call it a day?

‘Who we on with?’ Paul asked.

‘The Rolling Stones again,’ John said.

‘They still doing that Blues stuff?’ Paul asked, plugging in his bass.

‘Yeah, Brian has it down to a t’ John said, ‘though they’ve not been the same since Mick left.’

‘I’ve heard he’s going into law,’ George reflected, plugging his guitar in.

‘Ha,’ John smirked. ‘I can just see him as a solicitor. He’ll be a judge before he’s through.’

‘Rory’s bunch have broken up,’ Paul remarked. ‘Ringo’s got a job as a redcoat at Butlins.’

‘The hurricane’s blown out then,’ John observed with a narrowing of the eyes. ‘I bet Ringo’ll go down a storm.’ He laughed mockingly.

‘Well at least he’s bringing in a pay packet,’ George pointed out.

‘Let’s get down to playing some Rock ‘n’ Roll,’ John suggested as an antidote to the gloom.

‘Why don’t we try something different,’ Paul suggested. ‘Rock ‘n’ Roll is old hat. Have you seen the charts? Cliff is number one again and Bobby Vee and Bobby Rydell are racing up. They’re all doing ballads. Charts are just full of American pop and ballads. We could try doing something a bit more poppy.’

‘I’m not doing any of that American shyte,’ John asserted firmly. ‘I hate that pop crap – all flashing teeth and Italian suits. I hate that lightweight rubbish. Give me good old Rock ‘n’ Roll any day. I don’t care what’s in the charts. They’re all shyte.’

‘Even Elvis is doing pop stuff,’ Paul reminded him. ‘All this leather gear is out. We’ve become boring old dinosaurs. Nobody’s interested any more. It’s all old fashioned. Teddy boys are a thing of the past.’

John glared at him myopically through slitted eyes. ‘I’m not playing pop shyte.’

Pete sat behind his drum kit and looked on. It was always like this. He never said much at the best of times. Now that his good looks were fast fading, as the beer was bloating him up, he was losing his popularity with the girls and in great danger of being kicked out of the band. Not that he was that bothered any more. None of them were very popular with the girls these days. Things had moved on. The days of screaming girls were long past.

‘We could try doing some of our own or doing more standards. They always go down well.’

‘We’ve been down that road,’ John said belligerently. ‘All that One After 909 and Love Me Do crap. Nobody was interested. It was crap. We’re never going to be as good as Buddy Holly or Chuck Berry, why bother?’ He glowered at Paul. ‘No. Let’s just stick to what we’re good at and play Rock ‘n’ Roll.’

Paul shrugged.

‘Perhaps we should have done what Brian wanted us to do?’ George suggested.

‘What?’ John turned on him angrily. ‘Had our hair cut and worn poncey suits? Played liked Bobby Vee?’

‘He offered to manage us,’ George insisted. ‘He said he could get us an audition with Decca.’

Pete did a drum roll.

‘Like hell he could,’ John sneered. ‘What did that posh git know about anything? He couldn’t even run a record shop properly. What did that smarmy ponce know about the music business?’

‘He said that if we smartened up and played the game he could have got us lots of gigs and an audition,’ George persisted.

‘Yeah,’ John scoffed, ‘and Decca would have signed us up and we’d conquer America and be bigger than Elvis. Yeah, poncey Brian Epstein would have done that, wouldn’t he? Who gives a fuck about British Rock anyway? Even Cliff couldn’t break America. They will never give a damn about the Brits. That’s a waste of time.’

‘Well, if you hadn’t laid him out,’ George suggested, ‘he might have managed us and we might have had a chance?’

Synchronicity – isn’t life strange?

I just posted my piece on Dragons and went to check my emails. I had 8 that had appeared. I opened the one marked Bands In Town to find that Imagine Dragons were touring.

I found that quite strange. What are the chances of that?

Lives in the Balance – Jackson Browne

Sometimes an old song takes on new resonance with the current situation. I always loved this song by Jackson. It summed up so much of the shadowy world of political manipulation, mega-bucks and war.

What is that mess all about? – Power and Wealth!!

I was playing it this morning while I was doing my exercise and these lines jumped out at me:-

‘They sell us the President the same way
They sell us our clothes and our cars
They sell us every thing from youth to religion
The same time they sell us our wars’

Too true. We don’t have a democracy. They sell us our politicians. It takes campaigns costing vast sums of money to get people or parties elected. It makes a mockery of democracy. This is the wealthy buying power and manipulating us. They scare us with terrorism, wars, financial collapse and fear stories. They buy us off.

What to do about it?

https://www.google.co.uk/search?ei=nT-AWrGhIqvagAb4mLKQCg&q=lives+in+the+balance+you+tube&oq=lives+in+the+balance+you+tube&gs_l=psy-ab.3..0i13k1j0i13i5i30k1.5397.7616.0.8833.8.8.0.0.0.0.124.746.6j2.8.0….0…1c.1.64.psy-ab..0.8.740…0j0i22i30k1j33i160k1j33i22i29i30k1.0.AzfxrnpF0Ww

Lives In The Balance – Jackson Browne

I’ve been waiting for something to happen
For a week or a month or a year
With the blood in the ink of the headlines
And the sound of the crowd in my ear
You might ask what it takes to remember
When you know that you’ve seen it before
Where a government lies to a people
And a country is drifting to war

And there’s a shadow on the faces
Of the men who send the guns
To the wars that are fought in places
Where their business interest runs

On the radio talk shows and the T.V
You hear one thing again and again
How the U.S.A. stands for freedom
And we come to the aid of a friend
But who are the ones that we call our friends
These governments killing their own?
Or the people who finally can’t take any more
And they pick up a gun or a brick or a stone
There are lives in the balance
There are people under fire
There are children at the cannons
And there is blood on the wire

There’s a shadow on the faces
Of the men who fan the flames
Of the wars that are fought in places
Where we can’t even say the names

They sell us the President the same way
They sell us our clothes and our cars
They sell us every thing from youth to religion
The same time they sell us our wars
I want to know who the men in the shadows are
I want to hear somebody asking them why
They can be counted on to tell us who our enemies are
But they’re never the ones to fight or to die
And there are lives in the balance
There are people under fire
There are children at the cannons
And there is blood on the wire

Younger Generation – John Sebastian

John Sebastian wrote this song about the generation gap, the attitude of the young to the old and the old to the young, back in the midst of the sixties revolution. We thought we were changing the world for the better. The bubble burst in violence, exploitation and morphine. Nothing much seems to have changed for the better.

It is good to look back at those times like they were a dream of great optimism and creativity. The world seems more cynical and controlled now. Rebellion is a consumer commodity.

Younger Generation – John Sebastian

Why must every generation think they’re folks are square?
And no matter where they’re heads are, they know mom’s ain’t there
Cause’ I swore when I was small, that I’d remember when
I knew what’s wrong with them, that I was smaller than

Determined to remember all the cardinal rules
Like, sun showers are legal grounds, for cutting school
I know I have forgotten maybe one or two
And I hope that I recall them all before the baby’s due
And I’ll know he’ll have a question or two

Like, hey pop. Can I go ride my zoom?
It goes two hundred miles an hour, suspended on balloons
And can I put a droplet of this new stuff on my tongue?
And imagine puffing dragons, while you sit and wreck your lungs
And I must be permissive, understanding of the younger generation

And then I know that all I’ve learned, my kid assumes
And all my deepest worries must be his cartoons
And still I’ll try to tell him all the things I’ve done
Relating to what he can do when he becomes a man
And still he’ll stick his fingers in the fan

And hey pop, my girlfriend’s only three
She’s got her own videophone
And she’s taking LSD
And now that were best friends, she wants to give a bit to me
But what’s the matter daddy? How come you’re turning green?
Can it be that you can’t live up to your dreams?

Last bit of Beefheart – Moonlight On Vermont

A bit of good old moon worship lunacy – acid drenched poetry – the old time religion. This is an old favourite of mine.

Moonlight On Vermont

Moonlight on Vermont affected everybody
Even Mrs. Wooten well as Little Nitty
Even lifebuoy floatin’
With his lil’ pistol showin’
‘n his lil’ pistol totin’
Well that goes t’ show you what uh moon can do
No more bridge from Tuesday t’ Friday
Everybody’s gone high society
Hope lost his head ‘n got off on alligators
Somebodies leavin’ peanuts on the curbins
For uh white elephant escaped from the zoo with love
Goes t’ show you what uh moon can do
Moonlight on Vermont
Well it did it for Lifebuoy
And it did it t’ you
And it did it t’ zoo
And it can do it for me
And it can do it for you
Moonlight on Vermont
Gimme dat ole time religion
Gimme dat ole time religion
Don’t gimme no affliction
Dat ole time religion is good enough for me
Uh it’s good enough for you
Well come out t’ show dem
Come out t’ show dem (repeat five times)
Gimme dat ole time religion (repeat)
It’s good enough for me
Without yer new affliction
Don’t need yer new restrictions
Gimme dat ole time religion
It’s good enough for me
Moonlight on Vermont

A Little Bit More Beefheart – Electricity

A timeless bit of magic. We all need to have some electricity to shine on us and ease our dread.

Shout your truth peacefully!

Electricity

Singin through you to me
Thunder-bolts caught easily
Shouts the truth peacefully
E-LEC-TRI-CITY

High-voltage man kisses
night to bring the light
to those who need
t’ hide their shadow deed

Go into bright, find
the light and know
that friends don’t mind
just how you grow

Bearded cowboy stains in black
and reads dark roads
without a map
seeking:
electricity, E-LEC-TRI-CITY

Light-house beacon straight
ahead, straight ahead
across blank seas to free
seeking:
electricity, E-LEC-TRI-CITY

High-voltage man kisses
night to bring the light
to those who need
t’ hide their shadow-deed
hide their shadow-deed (repeat)
Seek electricity………..

 

Yet More Beefheart – Ain’t No Santa Claus on the Evenin’ Stage

Beefheart on inequality – pulling back the curtain a little to sing about the hunger and desperation of people living in misery. There is nobody to come to their rescue. There is no help. People are working and dying in conditions that are beyond our imagination and nobody cares.

Ain’t No Santa Claus on the Evenin’ Stage

There ain’t no Santa Claus on the evenin’ stage
There ain’t no way t’ pull the curtain
‘N hide from hunger’s rage
There ain’t no town t’ stop in
There ain’t no time t’ stop in
There ain’t no straw for my horse
There ain’t no straw for my bed
There ain’t no comfort in cold boards
There ain’t no rumours or food for my stomach
‘N someday I’m gonna be saved
‘Cause I gotta eat ‘n drink ‘n breathe ‘n sleep
‘N I’m ah slave
Down in hominy’s grotto there’s ah soul die’n ‘n leavin’
Every second on the evenin’ stage
There’s ah soul die’n ‘n rottin’ ‘n pickin’
Some new kinda cotton
With his fingers broken ‘n his heart ‘n back forgotten
There ain’t no Santa Claus on the evenin’ stage

A Bit More Beefheart – Dachau Blues

The Captain tackling one of the most terrible stains on humanity – the holocaust and genocide of the Jews.

There are still people out there who deny it all took place.

Dachau Blues

Dachau blues those poor Jews
Dachau blues those poor Jews
Dachau blues, Dachau blues those poor Jews
Still cryin’ ’bout the burnin’ back in World War Two’s
One mad man six million lose
Down in Dachau blues, down in Dachau blues
The world can’t forget that misery
‘n the young ones now beggin’ the old ones please
t’ stop bein’ madmen
‘fore they have t’ tell their children
’bout the burnin’s back in World War Three’s
War One was balls ‘n powder ‘n blood ‘n snow
War Two rained death ‘n showers ‘n skeletons
Dancin’ ‘n screamin’ ‘n dyin’ in the ovens
Cough ‘n smoke ‘n dyin’ by the dozens
Down in Dachau blues
Down in Dachau blues
Sweet little children with doves on their shoulders
Their eyes rolled back in ecstasy cryin’
Please old man stop this misery
They’re countin’ out the devil
With two fingers on their hands
Beggin’ the Lord don’t let the third one land
On World War Three
On World War Three

 

Ruminating on Roy Harper – the Book – Photos for the cover.

Right – now I’ve almost completed the final edit I am beginning to turn my attention to the cover. Here’s a few photos that I’ve taken over the years. Which one do you think might be a starter – or none of them?

 This one would be great if Roy wasn’t a little blurry.

 

The ones of Roy and Tracy are nice. I’m not sure if they are appropriate. 

These ones are quite good.

There is something about this one that I like.

Or maybe none of them are appropriate.

Mark E Smith and the Fall in York 2014 – Photos