Extract – In Search of Captain Beefheart – A Rock Music Memoir – teaching the next generation

teaching the next generation

Somehow in life you have to leave a legacy. There comes a time when you have to leave off doing things and pass them along to the next generation. I’ve just come in from cutting down a big broken branch on our large cherry tree. It involved climbing up to the top of the tree with a saw and cutting through the large split bough that was dangerously dangling. I couldn’t help but notice that at approaching the age of sixty five I was not quite as nimble as I had been as a young cub-scout. It did give me a brief moment of pleasure to find that I can get just as dirty with green lichen as ever. Liz will have a moan about me being in my best jumper and jeans. What the hell. Things don’t change.

Yet they do.

We get old and cease to function as well. The eyes go. The ears deteriorate and the words and memories do not flow as easily as they once did.

Soon I won’t be heading for the front.

Soon I won’t be heading anywhere at all.

My kids had it tough. They found it quite hard to rebel during those troublesome teenage years – though they all seemed to manage in their own sweet way. Whatever music they might want to get to like their old man had it in spades. My collection was extensive.

Hester responded by not really getting into music at all.

The two older boys got into Hip-Hop and break-dancing. It was all the trend when they were little. They carried a little square of rolled up lino around with them and practiced doing robot dancing, moon-walking, turtles and spinning on their head. I think they thought the back-streets of Hull were synonymous with the Bronx. They also figured that as I hated all the post-punk synthesiser crap it was good to get into the pretty-boy Pop of Duran Duran.

Dylan did go on to appreciate Harper and a range of decent music and Barnaby really got into the Madchester sound of Stone Roses, Ian Brown and then the grunge of Nirvana. Sadly I was sceptical of all of those but later began to really appreciate them. He didn’t have such bad taste after all.

Henry, probably because he was the youngest, was the one who appreciated my tastes the most. I took him to his first Roy Harper gig at the age of six and he has grown up with both Roy and Nick Harper. When he was in his late teens I started to try to give him a sound education.

I took him to the Love gigs which he thought were brilliant. He actually ended up going back to the hotel room with Arthur Lee and spending time with him. I took Henry to see the Magic Band and he pronounced that they were the best live band ever. He went to loads of their gigs and took all his friends along. After long years of driving them crazy in the car with endless tapes of Beefheart he had finally come to see the genius of it.

I then took him along to see some good old Rock ‘n’ Roll before all the old guys died off. We went to see Chuck and Jerry Lee in Bradford. They were both still great in their seventies. Chuck was still duck-walking and doing his stances. Jerry wasn’t quite so flamboyant. He no longer climbed on his piano or stood and shook his hair so violently but he did kick his piano stool away in one number and was still pounding those keys.

The strangest one of all was taking Henry to a Little Richard gig again in Bradford. It was a weird one. Little Richard looked as if he was showing his years. He shuffled more than rocked, but he still had the voice and did do some great Rock ‘n’ Roll. He was the master when he got going. The weird stuff was all the evangelical Christianity. I really don’t get this American fanaticism with Jesus. They must have cottoned on that there isn’t going to be any second coming – it was all just another Middle Eastern sect – one of many. Little Richard dispensed these books on Christianity to everyone. I think I threw mine away. The other strange aspect was all the very camp gay bit. Somehow it did not quite all gel together. What a strange mix that was – bawdy Rock – cloying Christianity – and camp gay posturing. We then went round the corner for the capitalist bit and paid a princely sum to get a poster signed. But hey – we got to see a legend!

Recommended Albums – Roy Harper – Stormcock

Recommended Albums – Roy Harper – Stormcock

537 Essential Rock Albums cover

It would be great if we were to share our best albums. So if everyone put forward a view of what they love. I’ll put them up here for everyone to share. I’ll have a page of recommended albums (with connections to You Tube where possible).

Now it just so happens that I’ve already done this with my book 537 Essential albums. It was also a bit of synchronicity that Andrew suggested Stormcock as Stormcock is also my number one album of all time.

https://read.amazon.co.uk/kp/card?preview=inline&linkCode=kpd&ref_=k4w_oembed_00Sdv7H7SBfPyC&asin=1502787407&tag=kpembed-20

So that is a good place to start (This is an extract from my book 537 Essential Albums). This is my number one recommended album.

  1. Roy Harper – Stormcock

Roy Harper is the greatest British song-writer and poet. There is no one who even gets close. His acerbic lyrics and social commentary are unsurpassed. He rivals Bob Dylan as the greatest songwriter of all time and is greatly undervalued. This is not surprising as he has constantly shot himself in the foot and sabotaged his own career. He remains the foremost British dissident and commentator on the human condition. His epic songs are legendary and the music sublime.

Stormcock is arguably his best album but is strongly pushed by both HQ and Lifemask. I would place at least ten of Roy’s albums in my top 400 albums. He’s that important to me.

The Stormcock album features only four tracks but the album is one of his masterpieces. It consists of brilliant songs with poetic imagery and wide canvasses that challenge your imagination. The music and musicianship was innovative and of an excellence that puts this album top of my top ten thousand. It is one of four Harper albums that would make it into my top ten albums of all time. I have a penchant for great meaningful lyrics put to brilliant music and this hits the spot. I never tire of hearing these songs and simply cannot understand why Roy has not been lauded from on high. I love the depth and insight he brings to bear and the risks he takes in developing his ideas through epic songs. Few people can match it. Roy’s shorter songs are also great but these four songs show how Roy has matured and taken his art to another level. ‘Me and my woman’ is one of the very best tracks ever recorded. The scope is immense and Roy was at the top of his game. I am fully aware that not everybody shares my opinion. I can see that it is never going to be commercial. Roy’s work is thought-provoking, intelligent and musically intricate. You have to concentrate. It’s not your catchy pop song – fortunately! But it is well worth the effort. For me Roy is the James Joyce of music as opposed to Simon Cowell’s Barbara Cartland.

Catch ‘Me and My Woman’ on You Tube:

https://www.youtube.com/watch?v=QC5gebGthAs

This is ‘Same Old Rock’

https://www.youtube.com/watch?v=KlBr1eVYq90

OK – Now it’s your turn. I’ll put out some more of these. But I want to hear from you with your favourite albums, a reason why and if possible a You Tube connection.

That will be fun and interesting – Looking forward to hearing from you!

Extract – Bob Dylan Bringing It All Back Home: Rock Classics – Paperback 

We have to go back a little further to see what else induced this full-throttle burst into rock, back to where The Beatles burst onto the scene, revitalising rock, reawakening it and bringing it back from the dead.

   The Beatles had taken the UK by storm in 1963. ‘Love Me Do’ was released on 5 October 1962 and reached a modest number 17. However, ‘Please Please Me’, released on 11 January 1963, then ‘From Me To You’, followed by ‘She Loves You’, all raced to the top of the charts. A sold-out tour sent the young girls screaming hysterically, and by October 1963, Beatlemania had been born in the UK, a phenomenon that was unlike anything witnessed before.

   The United States was a little slower to catch on. Those early Beatles singles were not released in the States. The Americans were blasé. The US was the seat of all genres of popular music. Hardly anything of worth had come from outside the States. The hysteria of Beatlemania was viewed with amusement from afar.

   Then, the dry tinder caught. The vacuum in rock music created by the payola scandal of the late fifties, with its subsequent clampdown on rock ‘n’ roll, had left an empty gap. Rock had become soft. It was all soft rock and pop with clean-cut pop idols. It had lost its rebellious edge. With the release of ‘I Want To Hold Your Hand’ on 26December 1963, The Beatles shot to number one and that gap was filled. Their subsequent tour started on 7February 1964. It featured an incendiary slot on the highly influential Ed Sullivan Show, which helped to shoot them to the very top. All across the country, families tuned in to see what the fuss was all about. The kids were instantly smitten. Beatlemania took off in the States with a vengeance, with radio stations playing non-stop Beatles tracks and The Beatles dominating the American charts. The British invasion had begun.

https://www.amazon.co.uk/Bob-Dylan-Bringing-Back-Home/dp/1789523141/ref=sr_1_7?crid=1IQJK3U80JLOM&dib=eyJ2IjoiMSJ9.X2h5T2sBJuz1L0MLrvKGwqT_PtRi5SB5vSOKNa9SB_tPobVYImf0Bv1Jo9R8vIyiSaPBs-zQUC4NP3wG2xLW_URXfAnutGotmOgzDFAJDtmhUucFr18PASArdW0tgvbEsoA5VlUpJC8VQKvUXKjbbi97REDKB27B6-Z5VnvtGfhxO9zY28wX4et51EsD2oPuTSYaCFA40-pY5utsXNIRQ43PyownPoaCoFGmc3HwYM4.HaeD8i9S4oeynDXh7RNCn28psoKFpKq9-PikNWSNEcU&dib_tag=se&keywords=opher+goodwin&nsdOptOutParam=true&qid=1732025958&sprefix=opher+goodwin%2Caps%2C131&sr=8-7

Grateful Dead in San Francisco!

Furthur away!!

We headed into San Francisco at the end of December 2012. It was chilly with quite a breeze blowing off the bay. We clung on to the streetcars and hit the Coit Tower, the Golden Gate Bridge & Park and City Lights bookshop. There was ice cream to be eaten at Ghirardelli’s and a stroll round Haight Ashbury. It was all a bit of nostalgia for the old folks.

Furthur – San Francisco 2013

We’d rented this cosy little room in a rundown but friendly hotel. I was sorting out a cup of coffee and talking to the nice lady who was packing up Christmas things and putting them away. It seemed a bit early to be putting the Christmas things away and I asked why the rush.

‘I have to pack them away,’ she explained. ‘Because all the weirdoes are gonna come out of the woodwork for that concert tomorrow.’

‘Oh,’ I replied, all innocently. ‘And who is playing?’

‘It’s that band Furthur,’ she replied peevishly. She obviously did not approve. ‘They’re the Grateful Dead. They play every New Year. Every Pot-head in the universe descends on us!’ The lady thought that the owner should deny access to all those damn Pot-head Dead-Heads.

Without more ado we headed off to the Bill Graham Auditorium to investigate. Sure enough Furthur were on and they had tickets. It was only two minutes’ walk from the hotel!

As soon as we walked in to the huge auditorium the heady aroma of pot hit you. You didn’t need to smoke any you just had to breathe. That lady had been right! Every Pot-head in the country had congregated here. All around there were pipes and spliffs. It was like being back in 1967 all over again.

The band was awesome. They did a three hour set with incredible lightshow and it was all vintage Grateful Dead. Wow!!!

The Clown and the Carnival. The Snake-Oil and Misinformer!

We’re in for a ride to nowhere fast!

Hey Guys – I really could do with some help here!

Some good honest reviews for my books on Amazon would really help!!

Cheers!

Looks like trouble!!

Mr Orange Hate-Mouth is already stirring the pot!! Another bout of Proud Boys and insurrection on the cards?? The Fascists are being mobilised!!

Captain Beefheart On Track: Every Album, Every Song – Paperback 

Captain Beefheart (Don Vliet) was undoubtedly the creator of the most bizarre and wonderful music. A child prodigy sculptor, he applied his artistic approach to music, creating ‘aural sculptures’. He befriended Frank Zappa in High School, collaborating on a teenage rock opera and sci-fi/fantasy film entitled Captain Beefheart vs The Grunt People. It was from this film that Don took his name. Of course, a magic character had to have a magic band. The Magic Band started out as a blues band in the mid-sixties but soon, with lysergic propulsion, surreal poetry, free-form jazz, polyrhythms and African beats, they were at the forefront of West Coast Acid Rock. A series of hugely inventive albums, including the infamous Trout Mask Replica, established them as the foremost avant-garde rock band with legendary live performances. The author was there for their first concert at Middle Earth and that night changed his life. Few Bands are as influential. The Beatles, The Fall, PJ Harvey and Tom Waits all pay homage, While The Magic Band have inspired a myriad of tribute bands and created a mythology like no other. This book sets the history of the band in context, analysing every track and interpreting the music with its poetic content. It is essential reading for diehard fans and the Beefheart-curious alike.

Neil Young 1963 to 1970: Every Album, Every Song (On Track…) Paperback 

In the realm of singer songwriters, few have been as influential as Neil Young, whose music has always been creative and relevant throughout six decades. Neil is a chameleon for whom boundaries of genres do not exist. He has delved into folk, country, r&b, rock ‘n’ roll, grunge, hard rock, electronic and pop and made them his own. But the sixties were his launch pad. This book follows his music through that seminal period when he played with The Squires, Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash and Young, Crazy Horse and The Stray Gators. During this seminal period, Young wrote or co-wrote some of his greatest songs, including ‘I Am A Child’, ‘Southern Man’, ‘Helpless’ and – most importantly – ‘Ohio’. It is the story of how one of the most seminal artists of the last fifty years learned his trade – every band, every twist and turn and every track.

Opher Goodwin Books on Rock Music – Sonicbond Press Site – Burning Shed

Phil Ochs book available there soon!

https://burningshed.com/index.php?route=product/search&filter_name=Opher%20Goodwin&filter_sub_category=true

Signed books are available from myself!