Never has there been a song written with such scope and meaning. It is veritably the greatest ‘classical’ track of popular music – a piece that is so intricate and complex, both lyrically and musically, that it propels Rock Music to another level.
The song has a number of movements starting with a poem. This is about the journey of mankind from the neolithic to the present time. It is a poem based on opposites and delivered with panache and some great production effects.
The central sections, featuring the mesmeric genius of Jimmy Page’s guitar work, is based on the image of Geronimo that was presented to Roy by James Edgar (responsible for Hipnosis who did the artwork for Roy and Pink Floyd). Roy took a tab of acid and got into the head of a man who was a relic from the stone-age – a man who still lived in harmony with the land; a man who knew the harshness of nature and felt the passion and fury of life in an untamed world. Each line is a poem in itself to ponder.
The last section was a song that Roy melded on. It brings us back to Roy and modern life and hopes for the future. Is it too late?
This is not a poem to be taken lightly. It has to be studied and thought about. It has so much crammed into it that it makes you shudder with sudden realisation. The music, with its repetitive riff, is mesmeric and develops with such intensity that it ensnares you. To think that a work of this immensity had its genesis in the roots of Jack Kerouac, Jack Teagarden and Elvis Presley – unbelievable.
This must be the peak of poetry and music fused into something beyond the bounds of mere popular music.
This is a masterpiece.
The Lord’s Prayer – Roy Harper
There once was a man from the old stone age And he used to follow the weather But now he’s got hung up on filling a page Upon whether to go or together And he’s been around for so damn long With his whooping and wailing Crushing questions between right and wrong And impaling The best he can hope and the worst he can fear On the solstices of an illusion A massive erection of pushy defence Up the whole of the prosecution Great solace the wound, great relish the pain To be loosing the reins of a poem To bleed from the tip of my tongue yet again That part of my heart that is showing These children conceived in the womb of this crash To be the sponsors of nothing much more Than rearguard directions of cross fingered sections Of purpose pot – looking for nothing But what is this last desperate vestige of heart over head But another conjecture No more the tomb of the martyred dead Than the ghost of our parting gesture And a hundred billion crystal balls Represent a remarkable failure To swell the song each moment long At the counterpoint of nature As four thumbs flick the tarot deck And two tongues fork eight aces Maybe sixteen fingers feel The fool lives in two places Where rosy lee can read this tea And leave me living the story A white dove with a hawks’ head And an open mind before me To sail for a land where life is a high Not a word to be heard or be spoken But the soul – woven web of the endless touch Of a child who could never be broken Who plays a new world on the brink of the ebb As the fish cats prowl in the harbour And now soars high on the beckoning tides’ long arm To weigh his last anchor And the sou’westers sing as the lifeboat bells ring In the heads on the faces of changes The heavens collage on Excalibur’s edge The star in his movie converges With fate, in his task, and doom on his brow And a ship in his eye in a bottle Who speeds, to force, to want, to have, To find, to further fortune, Who comes from the north, west, south and east Of the passions of a spirit With all the flight of the wildest beast To ever spurr a stirrup, Whose pulse is the master of action Whose heart is an everlasting secret Whose arms are desire Whose lips are welcome Whose eyes tell stories Whose head is a journey Whose hands unfold Whose feet fly Whose face is the stained glass window of a continuous orgasm. Whose being is mine Whose wounds are precious Whose poem is a flower Whose gentleness is the devil Whose identity is naked Whose magic is a gift Whose power is the transparent tapestry of history Whose stamp is a freak Whose wits are battles Whose cousin is dog Whose times are well fought for Whose stone age is clever Whose poets know Whose music is barbarian Whose artists are helpless spherical mirrors spinning on the horns of a tidal wave Whose information is belief Whose complexes become religion Whose foundation is spread Whose word is god Whose books are projectiles Whose message is must Whose excuse is holy Who passed it down to me; Whose enemies are landmarks Whose fear is himself Whose hope is lust Whose wish is fresh Whose position is wary Whose mottoes are covers Whose name is hidden Whose nose is suspicious Whose technology is a tangent Whose strategy is dissent Whose thoughts are games Who shares his lot Whose ace is death Whose fingers invent Whose tales weave Whose knots are tied Whose mouth is open Whose ears pierce Whose direction is out Who is aware of disease Who feels the need to cleanse his soul Whose style is disguise Whose dream is innate Whose woman is soothing Whose little children are the delicate blossom of an orchard of electricity Whose spell is for conflict Whose quest is strength Whose war declared Whose suicide is noticed Whose shadow is cast Whose vibes you feel Whose pedigrees are haunted Whose age is unknown Who takes under his wing Whose freaks are real Whose reality is hunger Whose words are jagged Whose tears are shed Whose sick hang Whose weak are kicked Whose cities are bad shelters Whose sanctuary is an idea Who sat round a fire Whose teeth chew Whose faith is change Whose old age comes quickly Whose youth burns Whose systems are white sticks tapping walls Whose prize possession is the planet; Whose wildest lust is escalation Whose cul-de-sacs are feelers Whose main route is massive Whose run is a dance Whose vehicle is fantasy Whose home is high Whose role continues Whose bearing is savage Whose saints are dead Whose sons bark Whose daughters play Whose strength is against Who grows in the sun and sleeps in the moon Who roams deserts, plateaux, mountains, forests and plains with vast armies Who am I The spirit of those who were not here And never knew it Who left this prayer to elope A lover’s journey through it So children leave your windows open Across the sea Join our hands across the many land You and me Never grown old Seeing without ever being told Something to say Shut away Blackboard so grey Anyway I’m dreaming Out along the back row Out the window Cast away Be free with me Today Great heart mean streak Spare part speed freak I set myself a problem when I built myself a wheel I got myself another when I rode a horse to feel The plains underneath my reins As fast as running water And the big lady I’m playing with Has played a game of poker With me and cat and this and that Until she scored my joker Now we ride in chariots By the side of one another Her soft side My rough ride, Nothing to fear The unknown soldier’s grave is already here Is it too late To create A world made with care Is it there Or fleeting Here today and gone Tomorrow’s child Looking so wild and free Are we a choice With no voice Can it be Great heart, mean streak Spare part speed freak
I first met Nick when he was a young child and over the years he has become a close friend.
This book illuminates the genius that I feel is Nick Harper and is designed to accompany ‘The Wilderness Years’, a trilogy of vinyl albums.
Nick talks candidly about many aspects of his music and career. I include, with Nick’s permission, the lyrics of all the songs featured in the trilogy. There are also many photos dating from his childhood to the present day.
In the realm of singer songwriters, few have been as influential as Neil Young, whose music has always been creative and relevant throughout six decades. Neil is a chameleon for whom boundaries of genres do not exist. He has delved into folk, country, r&b, rock ‘n’ roll, grunge, hard rock, electronic and pop and made them his own. But the sixties were his launch pad. This book follows his music through that seminal period when he played with The Squires, Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash and Young, Crazy Horse and The Stray Gators. During this seminal period, Young wrote or co-wrote some of his greatest songs, including ‘I Am A Child’, ‘Southern Man’, ‘Helpless’ and – most importantly – ‘Ohio’. It is the story of how one of the most seminal artists of the last fifty years learned his trade – every band, every twist and turn and every track.
One of my favourite tracks. An incredible sound. I’ve heard him do this so many times live – such power!! Just listen to that guitar!!
One Man Rock and Roll Band
In the zoo that was once on the top floor of Harrods Roy introduced himself to one of his more serious girlfriends by saying that he was a one man rock and roll band. It seems highly appropriate given the immense sounds that Roy can generate by just himself and an acoustic guitar.
The track starts with Roy’s unique electrified acoustic guitar style tuned to DADGAD which is why it feels rather Indian in style. The picking, chords and rhythm are distinctive. His voice calls over the top of the strident guitars. With the heavy guitar sound Roy really creates a one man rock and roll band.
This is an anti-war song. The sixties was the time of the Vietnam War, a most unpopular war with soldiers returning home to an antagonistic reception.
There are references to the First World War. This was supposed to be the war to end all wars – yet many wars later the clamour for war continues.
The song also refers to the huge peace rally outside the American embassy in Grosvenor Square when the usual thugs turned up to turn a peaceful protest into a violent riot. Roy is suggesting how much more effective it might have been if the marchers had walked behind medal-wearing First World War veterans in a united and peaceful demonstration against an unjust war.
It culminates with a crash of piano reminiscent of the Beatles on ‘A Day In The Life’ before fading out on a drone along with noodling guitar.
Roy mixed this song blind by covering up the board and just following what sounded right! He achieved a stunning piece of music, poetry and production.
Leonard has a reputation for being a bit of a dour man. That is largely because he deals with issues and writes about what’s real.
The politicians give us just enough to stop us rioting; they give to the rich and keep the poor down. The world is intentionally unequal. It is being run that way.
The selfishness and greed continues apace as the planet is torn apart and not a care is given for the future – just as long as we get ours!
The viruses are mutating and no one is investing in the anti-viral drugs.
It’s a bit like being on the titanic and heading for the ice-berg but if you point it out you are being a miserable git who should lighten up.
Society deals with trivia, Simon Cowell, celebrity and froth.
Leonard is a poet. He sees it, feels it, writes it and pulls no punches! This is a great song!
“Everybody Knows”
Everybody knows that the dice are loaded Everybody rolls with their fingers crossed Everybody knows that the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That’s how it goes Everybody knows Everybody knows that the boat is leaking Everybody knows that the captain lied Everybody got this broken feeling Like their father or their dog just died
Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose Everybody knows
Everybody knows that you love me baby Everybody knows that you really do Everybody knows that you’ve been faithful Ah give or take a night or two Everybody knows you’ve been discreet But there were so many people you just had to meet Without your clothes And everybody knows
Everybody knows, everybody knows That’s how it goes Everybody knows
Everybody knows, everybody knows That’s how it goes Everybody knows
And everybody knows that it’s now or never Everybody knows that it’s me or you And everybody knows that you live forever Ah when you’ve done a line or two Everybody knows the deal is rotten Old Black Joe’s still pickin’ cotton For your ribbons and bows And everybody knows
And everybody knows that the Plague is coming Everybody knows that it’s moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there’s gonna be a meter on your bed That will disclose What everybody knows
And everybody knows that you’re in trouble Everybody knows what you’ve been through From the bloody cross on top of Calvary To the beach of Malibu Everybody knows it’s coming apart Take one last look at this Sacred Heart Before it blows And everybody knows
Everybody knows, everybody knows That’s how it goes Everybody knows
Oh everybody knows, everybody knows That’s how it goes Everybody knows