Leonard Cohen – Martin Burns Review for DPRP – Every Album, Every song

Martin Burns

Opher Goodwin has appeared in the pages before with four of his music books on, lets say more prog adjacent, acts. He covered Captain BeefheartThe BeatlesRoy Harper and Bob Dylan, all for Sonicbond. This new one covers the not-at-all prog, Leonard Cohen.

Leonard Cohen is foremost a poet who found an outlet for his work through song. He became the most unlikely star through not playing the typical folk or later rock star. What commends him to his audience is the quality of his song writing. Writing recognized classics like Sisters Of MercySo Long, MarianneSuzanne, and of course Hallelujah. With Cohen’s dour deep baritone voice being an acquired taste moving between the almost wearisome and the hypnotic.

I cannot imagine that Goodwin’s well-written, thoroughly researched On Track… book will appeal to the general readers of this site. Though I myself am a fan, though not a rabid one. I found that this book has encouraged me to investigate his later work following his return to recording and touring. My favourite and most played record of his is the politically charged, and seemingly in these times more relevant that ever, The Future.

Fans of Cohen should snap this book up, as Opher Goodwin’s opinions of the music and lyrics will generate good-hearted debate. For the curious its a good resource to guide the dipping of toes into Cohen’s long, but not intimidatingly so, back catalogue.

Leonard Cohen On Track: Every Album, Every Song: Amazon.co.uk: Goodwin, Opher: 9781789523591: Books

Nick Harper: The Wilderness Years – Hardcover, Paperback & Kindle

I first met Nick when he was a young child and over the years he has become a close friend.

This book illuminates the genius that I feel is Nick Harper and is designed to accompany ‘The Wilderness Years’, a trilogy of vinyl albums.

Nick talks candidly about many aspects of his music and career. I include, with Nick’s permission, the lyrics of all the songs featured in the trilogy. There are also many photos dating from his childhood to the present day.

Roy Harper – China Girl and Goldfish

‘China Girl’

The opening track of Roy’s career is remarkable. People expecting some type of folk song were about to be amazed. This song is much rockier than they would’ve expected – not Roy with a guitar, but Roy with a whole band.

   This was only 1966 but listen to that phasing as Roy makes the music into a psychedelic masterpiece. This was the very dawn of psychedelia, and Roy was riding it.

   The song was written about a beautiful Chinese girl he used to see in Soho. The lyric’s willow patterns, dragons and sunsets, create a magical landscape. It is an example of the way Roy was merging his poems with music.

   The track set the tone for the rest of the album.

‘Goldfish’

In contrast to ‘China Girl’, ‘Goldfish’ has a catchy tune and is a much simpler acoustic number. It starts with a basic melody plucked out on guitar, the vocal then mirroring it – the song changes at the chorus, with the backing growing in symphonic effect.

   Written for Roy’s baby son Nick, ‘Goldfish’ is a fine example of a contemporary folk song. The deft poetic touch makes it much more than a lullaby. The second guitarist on this track is Lon Goddard.

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