Anecdote – New York in 1971 at the end of the Hippie dream

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New York in 1971 at the end of the Hippie dream

I finished college in summer and we immediately embarked on our big adventure. We were heading off to discover the rest of the planet. The USA seemed an obvious place to start. I wanted to have a look at the New York City scene and get across to the West Coast and savour the atmosphere. After that it was Mexico, back home and then Africa, India and South America. Only it didn’t quite work out as planned.

We’d saved up to get the flights to New York and lied through our teeth to get visas that would enable us to work for three months. We had to state that we had $500 each, surety of $5000 and a flight home, and two contacts in the States of people who would vouch for us and take us in if we fell on hard times – oh and health insurance. We had none of that. When we finally stood on the sidewalk marvelling at the huge size of the cars and cops on these weird motorcycles with three oversize tyres, we had fifty dollars between us and a telephone number of a person a friend of us knew in Boston scratched out on a scrap of paper.

Entry had been laughable. We stood in line, had our passport and visas checked and then stood behind a line until we were beckoned forward by a stern man with a lectern on which was a very large thick black book.

‘Are you a communist?’ he asked staring at me suspiciously. I could not help thinking that if I had been a communist intent on entering the United States with the intention of overthrowing the government I would be highly unlikely to answer yes. I answered no, even though those hard glassy eyes of his made me feel like a communist.

‘Have you ever been a communist?’ – ‘No’.

‘Have you been to communist meetings or joined any affiliated group?’ – ‘No’.

‘Do you know any communists?’ – ‘No’.

Finally, though obviously not entirely satisfied with my answers, he suspected I was a communist, he turned to his big black ledger. Looking at the name on my passport he ran his finger down the list of names. If my name was there, for whatever reason, perhaps a casual conversation with a communist in a café, a march or sit-in, I would be denied entry. I certainly felt like a communist. It even made me feel like rushing straight out and joining up. But I wanted to get in and he seemed to be taking forever. My heart was pounding despite having no real reason. He made it obvious he did not like long-hairs. My name wasn’t on the list and he grudgingly waved me through.

Welcome to America – land of the free.

He processed Liz a little quicker.

We found ourselves standing on the sidewalk in New York with our good friends Pete and Julia. Our flight had included a hotel for the night so we checked in and went for a stroll. The four of us seemed a bit out of place with our long hair and colourful clothes in the midst of a crowd of grey commuters streaming mindlessly along the sidewalks, avoiding eye contact and intent on getting somewhere quick. We had time.

We strolled down the concrete and glass canyons heading for Greenwich Village, looking at the American flags flying everywhere. America sure liked to remind itself of who it was.

Pete had been before and took us into a hotdog bar. It was mindblowing. I wasn’t particularly keen on hotdogs. In England you got a sausage, made of some congealed and rather bland plastic that bore no resemblance to meat, in a soft bap with a dollop of stewed greasy onions and a choice of tomato ketch-up or mustard. It just about made the trade descriptions act of passing for food but was hardly nourishing. This place was different. There were at least fifty different types of sausages all with utterly unpronounceable German names. I had no idea what the difference  between a snitchleweinerwurtzle and sniedersnitcherwurze was. So I pointed. It was a different experience!

We walked past a pizza place, a hamburger joint and then an ice-cream parlour boasting 53 flavours. 53 flavours!

We take it for granted now. We have all of it everywhere, But back then life in Britain was still in the post-war greyness. We had three flavours of ice-cream and Wimpy’s. It was dire.

This was exotic.

Greenwich Village was a fading relic. We wandered around Bleeker St and visited the Café Whaa?, Bitter End, the Big Fat Pussycat and Gaslight. There was nobody on that I wanted to see. The days of John Lee Hooker, Dylan, Dave Van Ronk and Phil Ochs passing the hat were long gone. It was already history. But a bit of the atmosphere was still there. There were lots of long hairs playing guitars, sharing and laughing. It had a carefree feel to it. People were laughing, colourful and friendly, even if there were a lot panhandling, playing for the tourists who had come to gawk at the hippies (there were actually coach tours going by with straights rubber-necking out of the windows as the guide pointed out the hippies – that was us!) and some dubious characters who were latching on. It had become seedy.

The sixties was over but none of us wanted to let it go. We were holding on to that dream for dear life.

We talked to a few people and asked what there was to eat that was cheap. We were told to try knishes. We did. They were cheap and delicious.

We wandered back to the hotel in the early hours. The bustling streets were completely empty. Our footsteps echoed. Only taxis careered past and disturbed the steam coming out of the gratings. What is that steam all about? Is it just a New York effect? I’ve never encountered it anywhere else. It was a little nerve racking. These were the streets of the notorious muggers. All the punters kept to the busy and highly lit up Broadway and Times Square. Only the British were nuts enough to walk down the darkened streets. But then we had nothing to rob and that must have been obvious.

Not having been killed once we arrived back.

Tomorrow it was off to Boston and the contact on our scrag of paper.

Poetry – Naive Dreams – A poetic review of the Sixties.

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Naïve Dreams

The idealism of the sixties was subverted from inside and out, its naïve dream exposed as a pipe-dream. But the philosophy that originated in those idealistic days lives on. It sowed the seeds for the Environmental movement, the Women’s movement, Civil Rights, anti-war and an era of liberalism, tolerance and equality.

There is much to oppose and while a dream of a new society is still a long way off much of the philosophy was good, pragmatic and liberating.

I think society is all the better for it.

Looking back you can see big business and the establishment moving in to take their profit. You can see the rich kids donning the costume and looking to muscle in and make a buck or two.

What started as community, street-culture, became fashion and mainstream.

I still live by the idealism of my youth. I do not trust the establishment and I value my freedom.

They were very positive, enthusiastic days. I’m glad I was part of it.


Naïve Dreams

 

A naïve dream of innocence

Flowing downstream

Towards the rocks

Of reality.

 

Those that run

The business

Exploited

The essence of Alice

In her Wonderland

And made it very small.

 

Pretentious posers

From Public Schools

Preening and pandering

To re-impose

The establishment

From the inside

To prove

The world is not run on

Equality.

 

Opher 30.10.2015

Dark Matter becomes weirder than Sci-fi.

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Dark Matter becomes weirder than Sci-fi.

It appears that only 4% of the universe is visible, the rest is made of Dark Matter. That’s right – 96% of the known universe is made of something we can’t see.

And as for Dark Energy (DE to us buffs), that accounts for 70% of all the energy in the known universe and we haven’t a clue what it is.

All the ‘ordinary’ matter in the universe is made of atoms and all atoms are made of quarks. Everything is made of the same building blocks.

But Dark Matter (DM to us authorities on the subject) is made of something else. It does not appear to be quarks. So I will deign to name them prior to their discovery. I want it noted that the subatomic particles that make up the ‘atoms’ (or Goodwins, as they are now termed) of Dark Matter are to henceforth be known as Ophers.

I predict that there will be a number of different Ophers just as there are with quarks. Rather than calling them upward, downward, strange and charm as with quarks I want them named after my favourite Rock stars. So, depending on how many we later discover, in descending order, I want them named Roys (after Roy Harper), Dylans (after Bob Dylan) Beefies (After Captain Beefheart), Jimis (After Jimi Hendrix and Woodys (after Woody Guthrie). If there are more discovered then I would like them called Elmores (after Elmore James) and Nicks (after Nick Harper). Hopefully we’ll eventually discovered loads more and we can deploy Howlins (after Howlin Wolf) and Muddy’s (after Muddy Waters) as well as Beatles and Countrys (after the Fab Four and Country Joe and the Fish).

The interesting thing about Dark Matter is that it is probably all around us but we cannot see it or feel it. It is only detectable by its gravitational effect. There is a whole world out there made of Ophers all constructed out of Roys, Dylans, Jimis, Beefies, Nicks, Elmores and Woodys. There are people just like us moving through us right now having a conversation that is a conjecture about what the other 4% of their Dark Matter might be made of.

I told you it was weirder than imagination.

The Sixties – My favourite films from back then.

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The sixties was one of those immensely creative and different periods. It felt to me like a butterfly emerging from a cocoon. We had the war and then the austere fifties where Britain was still full of rationing and catching it’s breath. Then we had the colour and liberalisation of the sixties – full of vim and vigour, where anything was possible.

The music scene was the most obvious expression of those times but then there were the fashions, comedy/satire, politics, newspapers and film.

My favourite films included:

2001 – A Space Odyssey. Arthur C Clarke/Stanley Kubrick masterpiece. I do not think it has been bettered as a Sci-fi film.

A Lion in Winter – incredible Historical drama.

Easy Rider – Peter Fonda and Dennis Hopper masterpiece of motorbikes, drug deals and the schism created by the counter-culture.

Blow-up – a romp with a photographer, dolly birds and a murder.

Romeo & Juliette – Olivia Hussey – She could break your heart.

Solaris – The Russian 2001.

Far from the madding crowd – Thomas Hardy meets Julie Christie

A Clockwork Orange – Stanley Kubrick masterpiece of an Anthony Burgess book – Banned for a long time because of the copy-cat gangs. A futuristic drama with philosophical shades. A Malcolm McDowell special.

Women in Love – D H Lawrence’s genius coupled with Alan Bates, Glenda Jackson, Jennie Linden and Oliver Reed.

Alice’s Restaurant – featuring a very young Arlo Guthrie and based on his epic song.

The Knack – came out early and had a big effect on me. I painted everything in my bedroom white!

If – a story of public school and youth rebellion with Malcolm McDowell again.

Get Carter – The epitome of Michael Caine Northern Gangster movie.

There were a lot more but that will do for now. They seemed to catch a bit of the rich tapestry of the sixties.

The Times and tales of a Sixties Freak – The Blurb

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This is a book I wrote a long time ago. This is the coffee table version. I am just republishing it as a standard size. The coffee table one costs about £14 but the new one will only cost around £5. If you cannot wait here is the link:

BLURB

I wrote this a long time ago. It is a memoir of my early Hippie days back in the sixties when everything was possible.

This is a document of those times, the things that happened, the things we believed in and the things that were going on around us.

Those were good days.

The music was great, friends were brilliant and there was magic in the air.

We really felt we could change this juggernaut of a society and make the world a better place.

We wanted an alternative to the greedy, shallow, warmongering, selfish and incredibly boring life we saw everyone being channelled into.

We created an alternative culture.

We wanted fun, meaning, purpose, and some way of life that was more sustainable in the long term.

We wanted colour and closeness, love, sex and communion with the natural world.

That’s all!!

Not much to ask for.

Then it burst apart. We were all bought off, sold down the river and consumed.

Now we live on the scraps and fight a rearguard action against that monstrous vision of the future.

Opher 23.7.2014

 

PS – I had to remove all the lyrics that I’d illustrated this with. They are copyrighted. You get sued.

The music used to be shared! Now it’s owned!

The Times and Tales of a Sixties Freak – The epilogue

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This is the epilogue to the book I wrote a long time ago. I’ve just put it out to publish again in a smaller format – the coffee table size was about £14 – too big and too expensive. This new one should be around £5 and be a standard size.

LOOKING BACK

So what happened to all that idealism, counter-culture, and the new world we were building? What happened to all the new societies? What happened to the dreams, hair, colour and freedom? – All that dropping out?

We grow old. A lot of it was obviously silly, man, affected, pretentious. We did change the world, briefly and in some ways permanently.

Well some are dead. They maybe didn’t have long enough to sell out. Jim Morrison, Janis Joplin, Jimi Hendrix, even, maybe John Lennon. I often wonder what Hendrix would be doing now. Would he be doing cabaret stuff like Clapton? I like to think not.

Then there were so many who seemed to drift into happy clappy Christianity. I guess they needed it – some purpose. I guess that upbringing is hard to overthrow – But Country Joe McDonald? Roger McGuinn. It makes you fucking wonder.

Some were obviously Acid Casualties – Syd Barrett and Pete Green. Maybe, to some extent we all are.

Some – like Harper and Beefheart went on with their poetry and painting and stayed true to most of it.

Some veered off into Right wing politics – Dylan and Young? – for a while but seemed to get it back together.

Some went for the cash – Clapton, McCartney, Dylan, and just about everybody? – Jerry Rubin included.

Some just got disenchanted with trying to do anything about the monster that is the global society we are all subscribing to.

Some became the ultimate in posers – Bowie but then he always had been.

Still there are those who plug away to make things better, freer, fairer, less violent and destructive, those who value love, friendship, peace, creativity, music and building a world based on equality and wonder. There are those who smile a lot, enjoy themselves, see nothing wrong in sex or getting a little stoned occasionally and would value experiencing a little awe and wonder through whatever means instead of greed, cruelty, possession, power and abuse.

Perhaps it’s too late to change it.

Extract from Life and Times of a 60s Freak – Beat Generation

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Beat Generation

The Beat generation was where it all started. They were 50s generation that began the process of rejecting the American Dream and looking for some alternative zen. Wasted and beat wading through the streets of America, talking Black jive, digging cool Jazz, smoking dope, taking peyote, careering through the highways of probability, scrawling poems on the inside of the skull.

Kerouac invented stream of consciousness and became the principle recorder of what was going on – raising the status of the hipness of black culture with its wild jazz and existential attitude. Seeing the horrors of American society, its conformity, war lust and seeking a crazy journey through zen into the cosmos beyond, in search of meaning, questioning existence. Kerouac whose tales of fire watching on mountain tops while seeking sartori and bumming round on boxcars or else storming around in cadillacs with crazy amphetamined lunatics, goofing on jazz, buzzing on marijuana and rockin’ in Mexican brothels, painted a new canvas of possibility for a whole generation. From the dull picture of conformity and the drabness of a lifetime of mind numbing work to a colourful alternative of wildness and crazy. Life could be as exciting and meaningful as the wailing saxophone solo of some black jazz musician who was reaching down to his very soul for inspiration as he blew. After Jack we all knew that there could be a different beat to life. That there was fire and craziness was fine, and there was a possibility of some greater rhythm behind reality, a rhythm that you could seek and connect to. From the constraints of his catholic upbringing he reached out to Zen. It’s true that he later fell back to the security of his mother, Catholicism and alcohol and died rejecting the son he had brought into the world. But that’s just sad.

 

A friend gave me a copy of ‘On the Road’ and I read it when I was eighteen. I wanted a car to roll around those back roads of Mexico. I wanted to ball around on speed, smoke marijuana in the heat, fuck and laugh with Mexican senoritas in bawdy bordellos, get pissed and yell and whoop to loud, loud jazz. The technicality of not actually greatly liking jazz was irrelevant. I was in love with the idea of it and what it represented.

Then Dharma Bums captivated me. I immediately wanted to get into Zen like Japhy. I wanted to ball around on boxcars, climb mountains, seek solitude and write poetry. I wanted to crack that code of life. Fuuuuuck!!!

Then Ginsberg, subject of obscenity charges for scrawling graphic homosexual imagery in Howl. Howl – the first poem that brought me back to poetry after school had destroyed it. And Ginsberg, an American Jew, writing great clouts of tirade against the monolithic state of America, the futility of civilisation, and the bankrupt souls of Western culture; Ginsberg, an outsider, daring to point fingers and show us an alternative way to live.

 

 

I was watching the best minds of my generation in the process of being destroyed. Where was the excitement? The possibility? The exploration of life, the soul and reality? They were being bored to death! We were being stifled before we had learnt to see. We were being locked in straitjackets, blinkered and taught what to think. Religion, education, society, careers, and our place. Suddenly there was a poem that was shrieking out loud about it. They were holding me down with a pillow over my face and suffocating the questioning out of me. Then along came Ginsberg and you were not alone in living under some fiery firmament that didn’t make sense. That the cosy church services did not make sense of. That it was a possibility to investigate reality and go crazy. That craziness was more sane than the insanity of this cosiness. The pillow was lifted and you could breathe a heady mix of uncharted stimulation. It was all up for grabs. You were well off the highway heading down the trails to the wilderness.

Ginsberg rescued poetry. It was again something that you could relate to purposefully. It spoke to my generation again. It wasn’t something you had to learn by rote and recite at request or suffer a detention.

And what of Burroughs who shot his wife through the head playing William Tell with an apple and wrote the naked Lunch and Junkie on an exploration through junk, peyote and yage. So far outside the cosy security of what my life seemed to have mapped out for me. Here were the squalid dreams, hallucinations and existence of a junkie. It was a totally different perspective on reality. Maybe not one you’d choose to pursue but one that had as equal a validity as anything else. That was what was important. We had broken out of the grey room. There was a universe out there and nobody understood it. Not only that but nobody seemed at all interested in exploring it. Everything was too safe! Yet there was no safety. The only thing you could be certain of was that you were going to die. At least these outsiders were fundamentally involved with grappling with the issues.

 

 

The eyes were opened to Corso, Ferlinghetti, Snyder and hundreds more. So where were our poets? Where were our equivalent of the American Beat Poets? Surely there had to be some British maniacs? Some British explorers of the soul and advocators of craziness? But Horrozitz, Pete Brown and Roy Harper were still a way off in the future and Adrian Henry and McGough were not far out enough to really compete.

Crazy outsiders and social misfits, explorers and seekers after different ways. That’s what was essential. Those were the credentials. Straight society might have its preoccupation with money, status and power through orthodox careers, status symbols, and your place in society, but we were looking to play a different game with entirely different rules. To play this game you could not use your present hand of cards. Those numbers did not add up. This was a hand of hip jokers. These cards won regardless of the others hand. Social position? Wealth? That wasn’t where it was at. The world was turned upside down. You aspired to be a black minstrel telling it as it was or a beat poet riding the blinds and seeking sartori, wild music, wild women and crazy stonedness in equal measures. The rules had changed.

 

The smokey Jazz cellars developed into the early 60s Folk scene. The hip talk, the dope and poetry were allied to Civil Rights, Anti-war and Socialism.

Dylan was adopted by Allen Ginsberg, who can be seen in the famous Subterranean Homesick Blues clip. The philosophy of beatness and Zen spilt through into the lyrics and life-styles. Dylan epitomised this. In his early incarnations he was a commentator on social, racial and political issues. He raised awareness of the senseless brutality and futility of war, of the racist suppression of blacks and the vagaries of the class system and social justice. In a slightly later incarnation he was a hip surrealist poet, amphetamine crazy, spouting and snarling Beat poems over a pounding, weaving background of strident rock.

In Britain poets like Roy Harper developed from Jazz poetry to acoustic guitar and contemporary acoustic word pictures. I wouldn’t even dare to insult it by calling it Folk. It may have come out of the Folk scene. It may have used the Folk scene. But this was a new thing. Dylan, Harper and hundreds of others were melding together poetry inspired by the Beats and modern day issues into a new type of music.

In New York Beats like Ed Sanders took it into street theatre and formed the Fugs. They staged happenings, like trying to levitate the pentagon. They took political stances. They used satire and send-up. They were sexually explicit. More importantly they were completely crazy and were not in the business of producing product for mass consumption and exploitation. What was more important was to express what you felt, connect with other like-minded people, have fun, and change the world in the process.

Out of the Beats grew the 60s underground, a linear progression. Not a fashion but a complete rejection of the social values and attitudes that straight society adhered to. Fuck the rat race. Life could have room to fuck, chill out, create, feel, express, love one another, seek mystical communion, experience reality and get stoned. It was alright. Fuck the Puritanism. It was time for new, more liberal rules.

If anybody is interested in this book I’ll put up the link.

That is the coffee table size.

I’ll do a new publishing at a smaller size which might work out cheaper! I know you’ll be dying to get your hands on it and can’t wait though.

Sixties – My favourite TV from the late sixties.

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I wrote up my memories of the sixties in this book. It really catalogues what was going on from my perspective.

I don’t have a great deal of time for TV and I’ve never been avid about too much. When I left home to go to college in 1968 we did not have a TV at all and I did not miss it one bit.

The four programmes I had time for were:

The Prisoner – a series starring Patrick McGoohan. It was a surreal programme set in the most amazing background of Portmerion with its futuristic architecture. It was loosely concerned with a secret agent who tried to resign and a village that he was held prisoner in, guarded by a huge bubble called Rover. He could trust no one and could not escape as they tried to reintegrate him to society. In fact it was an allegory on the pervasive techniques of the establishment. Very rebellious. Roy Harper used it as inspiration for his fabulous McGoohan’s Blues.

Marty Feldman – who had a hour directly after the Prisoner of the zaniest comedy. He was very funny and socially motivated. Unfortunately, after appearing in a couple of Films (The Young Frankenstein being one) he died.

Monty Python’s Flying Circus – always coming from Left-field in the tradition of the Goons.

Not only…. But also Peter Cook and Dudley Moore – another zany and wild comedy act that poked fun at everything.

That’s all I can think of that I got into. Probably some of you can jog my memory on a few more.

The Sixties, Hippies, Beatniks and Psychedelics

The Sixties, Hippies, Beatniks and Psychedelics

The big difference between the Beatniks of the Fifties and the Hippies of the Sixties was the drugs of choice.

The fifties Beat Poets used marijuana (tea) and alcohol (as well as some amphetamine and heroin). The sixties Hippies used marijuana and Hash (Pot, weed, bush, spliff) with psychedelics like LSD and Mescaline (there was also a lot of speed but junkies were generally looked down on). The prevailing attitude of the sixties was that these psychedelics and pot were harmless. Indeed there were many who saw them as brain vitamins and a necessary way to augment a musical event complete with lightshow, a film (like 2001 a Space Odyssey) or the creative process. Many bands were producing long drawn out improvisations geared to an audience on psychedelics.

The Hippies thought that pot and LSD were much safer than alcohol and nicotine, and that the older generation were being hypocritical. It is only later with the psychosis and depression created by the drugs that there is perspective. They are not as harmless as they seemed.

For the Beatniks satori was to be aspired to by meditation in the traditional Zen manner. It took years and had to be mastered.

For the Hippies it was as simple; you just dropped a tab of acid and an hour later you were there – instant nirvana.

But were they talking about the same thing?

For straight society it was all very worrying whichever way you looked at it. All this desire to attain a mystical union with the cosmos was disturbing. It was wacky, weird and most unwelcome.

The abiding question of the time was were you hip or were you square? Were you straight or were you cool? Did you opt in or did you drop out?

The Sixties – What it was for me.

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The Sixties – What it was for me.

Time gives you perspective.

I was born in 1949 so the sixties was my era. It was the period of time that formed me.

The sixties for me represent freedom, questioning, optimism, assuredness, discovery, adventure and experimentation.

If you never try you’ll never succeed. If you never fail you’ve never tried. Failure is a learning experience.

This was the time I left home. I had my mind full of Kerouac, Beatles, Downliners Sect, Bob Dylan, Roy Harper, Captain Beefheart and Ginsberg. I was discovering literature and reading DH Lawrence, Steinbeck, Mailer, Jerry Rubin, Hemingway, Henry Miller, Robert Heinlein, Arthur C Clarke, Vonnegut, Hesse and Sheckley. I was travelling around. At fourteen I spent the summer hitching round France, at twenty I was hitching round the States – New York Greenwich Village over to San Francisco and LA, camping in Big Sur.

I was at college and meeting all kinds of interesting people – up rapping and hanging out. There were gigs to go to, places to stay, to see, to hear, to read – minds to be expanded.

I looked at mystical teachings, American Indian philosophy, Eastern mysticism and Buddhism. I looked at nuclear physics and Art. I discovered surreal and infinity.

It was a time of growth, wonder and huge pleasure.

I was in love. I was wild and had no obligation. There was a world to discover. There was a mind to furnish.

Back then I looked at my parents and saw them in a rut of work, suburban life and boredom. I promised myself I was going to do more with my mind, my life and my future. I might burn out but I’d go down blazing.

I saw my parents following the rules. But this was the new age. There were no rules. I did not want to be part of that society with its selfishness, greed and war-mongering. I wanted a life based on different principles: – equality, freedom, exploration, fairness, openness and love. I wanted to see those other cultures and find what they were about.

I tore up the rule book. I’d make my own. I knew what I wanted. I knew what was right. I did not aspire to wealth, status or the hypocrisy of religion. I wanted something mystical and meaningful, exciting and wonderful.

I thought the new world of love and simple living, sharing and equality was worth more.

This was the height of the Hippie era and although I did not think I was one of them I was in tune with the idealism and ethos.

Of course, life caught up with me and compromise was the order of the day. But there were values I kept sacrosanct. The idealism of the sixties was subsumed and faded along with the casualties. But it left a great rebellious legacy that has changed the world and informs me to this day.

I took all that with me in my journey through life. I still do not trust our leaders. They are just people. I see them as part of a corrupt, hypocritical system. I still do not trust religion. I see it as man-made and power seeking. I still look for that world of meaning and creativity and see life as one long exploration, a journey of fun friendship and love. I still believe in openness, fairness and freedom. I took that into my teaching. Teaching is about relationship. You open up and give of yourself and you get ten times as much back. Honesty and genuine openness. I still play my music and read avidly. I still think we can build a better world. All the ordinary people I’ve met all over the world are good, kind, caring and helpful. There’s a minority of brutal thugs, selfish bastards and exploiting megalomaniacs. Why do we keep electing them?

Life is about opening your mind to the universe and letting it in. My mind is rich and full. I’ve loved it all. What a life!

I cannot imagine a better time to have lived!