Captain Beefheart changed my life and cost me millions!

captain beef

Back in 1967 I had a friend called Mike who went to York University. He had long black hair and was trying to grow it as long as he could. He did not comb or brush it in case it broke the ends off. All he did was run his fingers through it.

I was still doing A Levels and Mike was in his first year at uni. We met at Lyons bakery. We did the night shift on Friday night. It was the 6.00 pm to 6.00 am shift getting the bread out for the weekend.

Mike introduced me to American West Coast Acid Rock. He idolised the Doors, Country Joe and the Fish and Captain Beefheart. I loved them all. That Captain Beefheart first album never left my turntable. Abba Zaba, Electricity and Yellow Brick Road were spellbinding. This was 21st century Blues!! It was Howlin’ Wolf on Lysergic overload.

Then, just before my 19th birthday, Captain Beefheart was due to play at Middle Earth. It was too good to be true!!  I had to see them!!

The trouble was that I lived out at Walton on Thames and I knew that if I went into London I wasn’t going to get back home until three in the morning. But what the hell – it was only school the next day!

Except that ‘only school’ was the middle of my A Level exams. I had a place at Uni in London and I needed to get the grades. I had aspirations to be a doctor. Still, they liked me. They’d offered low grades. I knew I could get them. But I hadn’t done a shred of revision.

Not to worry – the Biology exam was a week away. One night was not going to make a lot of difference. Besides – it was a once in a lifetime gig – Captain Beefheart. The best band in the known universe! I did not have a choice. You would have to be mad to pass that up!

I went to the gig. Unfortunately Rockette Morton was ill and they postponed. They put on Aynsley Dunbar Retaliation instead. I quite liked Aynsley but he wasn’t my favourite Blues Band – and even Fleetwood Mac would fall short of Beefheart!! It was a huge disappointment.

However, all was not lost.

The good news was that they were going to do the gig the following week. The even better news was that it was going to be a double header with John Mayall and he was a firm favourite of mine.

The bad news was that it was the night before my essential Biology exam; the exam that was to determine my whole future; the exam that would determine my career; the exam that would determine my future earning power, where I lived and my standard of life. Everything hung on getting that grade.

I weighed it up. If I went I would not get back until at least 3.00 am and my exam started at nine. It was hardly good preparation. There would be no freshness of mind, last minute revision or period of reflection. I would arrive harassed, tired and ill-prepared.

On the other side of the coin – It was a one-off opportunity to see the incredible Captain Beefheart!!! (With the relatively minor addition of seeing John Mayall with Mick Taylor – I’d seen him with Clapton and Green and I’d heard that Mick was roasting – but I could see them at any time!).

It was no contest.

The concert rates as one of the best I have ever seen. That band was weird. I can still visualise Don with his big stove-pipe hat, weird sunglasses, goatee beard, scarves and long jacket. The band were similarly attired. Nobody dressed like that. It was as if Martians had landed. They were the weirdest outfit on the planet. Outrageous. It sent my heart pounding. Then the music – WOW!!!  Acid drenched blues from the desert of the imagination!!  Nothing came close. The guitars played off each other, the bass was unbelievable, drums scorching. The rhythm was like Bo Diddley on amphetamine through a mincer. Then the voice boomed over the top. Electricity was blasting through your brain and scorching your neurones. I rode that tarrotplane through the Abbas, Zabbas and Candy Korn. They were all yellow, blue, red and green. The Lightshow crashed your senses. This was Howlin’ Wolf in the asteroids!

It was the most astounding body experience I had ever experienced – the gig of a life-time (Only exceeded by their 1973 Rainbow performance and possibly Jimi Hendrix). I was outta my head!!!

I couldn’t even remember the Mayall performance. I didn’t come down for a week.

I got home at 3.30. I was buzzing.

I got up and went in for my exam but I don’t think my mind was quite into it. I was still up there round Saturn and Jupiter.

Needless to say I failed my Biology by one grade and missed out on my uni place. I worked out later that the loss of that one grade could have cost me between £5,000,000 and £7,000,000. But it was one hell of a gig!!!  Worth every last penny!!

Besides, I got in at a poly to study Biology and got to live in London during the sixties Underground, where I completed my education!! But that’s another story.

PS – I chose the poly I ended up at because there was a poster inside the door for a Roy Harper gig that Saturday. I went to that college and that gig was the first gig I went to in the place!  What an initiation. I knew it boded well!!

Poetry – The Music that Moves Mountains – an ode to sixties music!

Vice and Verse cover

The Music that Moves Mountains

The sixties ushered in huge social change that altered the fabric of society and set in motion a chain reaction. It inspired me, shook me, stirred me up and set me flying. The music filled my veins with fire, my head with realisation; it opened my eyes, made me think and poured energy through my ventricles.

I thought I’d play about with a few words. It’s not great poetry but it made me smile!

 

The Music that Moves Mountains

From Dylan to the Doors,

Beatles to the Stones,

I dreamt the thoughts

That matched the tones.

Harper and Cohen,

Ochs and Guthrie,

Gave me the words

To match my own melody.

My neurones soared

With the feedback

As my thoughts set out

On a new tack.

Beefheart and Young

Sent me reeling.

While Joni and Joan

Filled my head with feeling.

For we’ve got the Traffic

And the new Family,

Floyd in the stars,

As Hendrix set me Free

Country Joe was so Grateful

As the Airplane flew

From Buffalo with Invention

As that feeling grew.

Love flew like the Byrds

While the Velvets walked the streets

It was all Canned Tomorrow

That Broughton cosmic feats.

For we’re all Sunshine Supermen

On a journey across the universe

Floating on those cosmic wheels

From verse to verse.

Music’s my inspiration

As my consciousness flows

Along those golden strings

As the syncopation grows.

 

Opher 15.8.2015

My book on Rock Music – Rock Routes – the Cover!

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I based the cover for my book on this photo I took in San Francisco in January 2013.

I was off on a tour round the world. Liz and I drove down from San Francisco to Los Angeles going over the old route that we hitched along in 1971. It was great to revisit and catch up with a few old friends.

We were only in San Francisco for two days but found we’d arrived at exactly the right time. Furthur (The remains of the Grateful Dead with Phil Lesh and Bob Weir), named after Ken Kesey’s psychedelic painted truck, were playing at the Bill Graham Auditorium. We got tickets.

Going into the place the sweet smell of marijuana was overpowering!! It set the tone.

The band were brilliant and just like seeing the Dead at their best. I got a triple album of the show that was distributed half hour after the show finished! It was perfect!!

I took this photo, among a lot of others, of the band with their great light show. I thought it made a great book cover.

The Greatest West Coast Acid Rock Band of all time. This one is hard!!

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Right here goes :-

Vocals – I suggest three working together – Don Van Vliet (Captain Beefheart – the best vocal in the whole Rock arena), Country Joe McDonald (Crystal clear tones from Country Joe and the Fish) and Grace Slick (The female oomph of Jefferson Airplane) – blimey – I’ve had to leave out Jim Morrison and Janis Joplin – never mind.

Lead guitar – Zoot Horn Rollo (A hero of mine – I still find myself beaming when I think of that Rainbow Concert in what 1973?) – missed out Garcia and Barry Melton but what the hell.

Slide Guitar and rhythm – Robbie Krieger – I love that sound he got with the Doors.

Bass Guitar – Rockette Morton – the pogoing driving force behind Captain Beefheart.

Organ – Ray Manzarek – Such scintillating runs

Drums – Greg Elmore from Quicksilver Messenger Service – great drums on the Bo Diddley numbers (But I’m missing out John French and Robbie Densmore?? – still you have to make choices).

Songwriting – Jim Morrison, Don Van Vliet, Grace Slick

The warmth of Vinyl. Is it merely nostalgia?

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The warmth of Vinyl. Is it merely nostalgia?

There is a big ongoing debate concerning the benefits of the attributes of vinyl compared to digital.

Is it merely nostalgia or is there a noticeable difference?

Well I started collecting vinyl singles in 1960 when I was eleven. My older friend Clive sold on his Buddy Holly and Adam Faith singles to me and I played them endlessly on my old Dansette. Then I started on the albums. I’ve still got all my old Beatles, Stones and Roy Harper albums in my collection. I’ve got four thousand albums so you could say I’m a vinyl junkie.

I used to have eleven thousand vinyl albums. But I sold a lot back in the eighties. I still regret that.

However I also have ten thousand CDs and a huge wadge of MP3s.

I like music!

I am happy to sing along at the top of my voice to an old Rock classic on the radio, played with limited range through tinny speakers in the car. I like listening to old bootlegs and Blues recordings from the 1930s that were created on very dubious equipment. Quality of sound is not the foremost attribute of the music to me; it is the quality of the music that comes first.

There is the factor of ears to take into account. My ears are so worn, due to the pounding they’ve taken from a thousand loud gigs, a million loud albums and the odd other loud extraneous noise, which I doubt I can still discern too much either way.

So, being a scientist, I decided to do an experiment. I took a number of my favourite albums and compared CD, vinyl and MP3. This is what I found:

I like all three formats.

The CD has great clarity on acoustic numbers and separation.

The MP3s have far less separation of instruments.

The vinyl has more ‘warmth’ and genuine vibe – though a number of crackles. I don’t mind the crackles; they add to the ambience.

Of the three I did prefer the sound of the vinyl.

 

You can check out my journey through Rock Music in my classic book – ‘In Search of Captain Beefheart’. It is a memoir of my journey and search for the holy chords.

Country Joe & the Fish – An Untitled Protest – best anti-war lyric ever.

This song was sung with Joe McDonald’s crystal clear voice over a oscillating organ dirge. The effect was mesmeric; the words chilling.

Back in the sixties the Vietnam War was raging and the younger generation did not think it was a valid war. They were being conscripted into an inferno because of the US foreign policy. It was a civil war that was turned into a confrontation between the superpowers China and the US. The concept mooted was that of the domino effect. There was a terror of communism (that still exists to today). The Viet-Cong used guile and terrorist tactics. The Us used Agent Orange, Cluster bombs, Napalm and millions of tons of TNT. They dropped more bombs than were used in the whole Second World War in an attempt to blow the Vietnamese back to stone-age.

The younger generation thought there was a better way. This was the age of peace and love.

Too many people were traumatised by war, killed or maimed; too many innocent civilians were caught up in the mayhem. The result was to create even more opposition to the US.

The perception was that it was the blacks and poor who got conscripted. The rich found ways to become exempt.

The anti-Vietnam War movement created social division between the young and old. It brought into relief, politics and patriotism. There was a different attitude towards people from other cultures, races and countries.

Country Joe and the Fish were an Acid Rock band who epitomised that new political stance.

Country Joe & The Fish – An Untitled Protest Lyrics

Red and swollen tears tumble from her eyes
While cold silver birds who came to cruise the skies
Send death down to bend and twist her tiny hands
And then proceed to target B in keeping with their plans
Khaki priests of Christendom, interpreters of love
Ride a stone Leviathan across a sea of blood
And pound their feet into the sand of shores they’ve never seen
Delegates from the western land to join the death machine
And we send cards and letters.

The oxen lie beside the road their bodies baked in mud
And fat flies chew out their eyes then bathe themselves in blood
And superheroes fill the skies, tally sheets in hand
Yes, keeping score in times of war takes a superman
The junk crawls past hidden death its cargo shakes inside
And soldier children hold their breath and kill them as they hide
And those who took so long to learn the subtle ways of death
Lie and bleed in paddy mud with questions on their breath
And we send prayers and praises.

Rock Routes – another sample from the book – A list of Essential West Coast Acid Rock tracks from the sixties.

Rock Routes

beefheartmagicband

This is a list of what I consider to be the outstanding West Coast Acid Rock tracks from the sixties. The book Rock Routes goes into a lot of detail about this and every other genre. It makes for an interesting informative read!

Artist Stand out tracks
Captain Beefheart & his Magic Band Abba Zabba

Grow Fins

Yellow brick road

Safe as milk

Electricity

Drop out boogie

Zig Zag wanderer

Ah feel like ahcid

Safe as milk

Trust us

On tomorrow

Gimme that harp boy

Moonlight on Vermont

Dachau Blues

Ella Guru

The blimp

Steal softly through snow

She’s too much for my mirror

Veteran’s day poppy

Hobo chang ba

Smithsonian Institute Blues

Jefferson Airplane Somebody to love

White rabbit

Let’s get together

Plastic fantastic lover

She has funny cars

The ballad of you and me and Pooneil

Crown of creation

Lather

Triad

We can be together

Volunteers

Good shepherd

The son of Jesus

Blue Cheer Summertime Blues

The hunter

Mothers of Invention Help I’m a rock

What’s the ugliest part of your body

Who are the brain police

Brown shoes don’t make it

Call any vegetable

Concentration moon

Who are the brain police

You’re probably wondering why I’m here

Plastic people

Call any vegetable

The idiot bastard son

Let’s make the water turn black

Take your clothes off when you dance

Harry you’re a beast

The way I see it Barry

My guitar wants to kill your mama

Willie the pimp

Lonesome cowboy Burt

I’m the slime

Dinah-Moe Humm

Debra Kedabra

Muffin man

Sam with the showing flat top

Poofter’s Froth Wyoming plans ahead

Titties and beer

Cosmic debris

Don’t eat the yellow snow

Quicksilver Messenger Service Mona

Who do you love

Happy trails

Buffalo Springfield For What its worth

Mr Soul

Expecting to fly

Broken arrow

Rock ‘n’ Roll woman

Bluebird

Flying on the ground is wrong

Burned

Nowadays Clancy can’t even sing

Hung upside down

Rock ‘n’ Roll Woman

Expecting to fly

I am a child

Bluebird

Doors Love me two times

Moonlight drive

The crystal ship

The end

Gloria

Back door man

Break on through (to the other side)

Soul kitchen

Strange days

You’re lost little girl

People are strange

Unhappy girl

When the music’s over

My eyes have seen you

Hello I love you

Love street

The unknown soldier

Not to touch the earth

Five to one

My wild love

Wild child

Wishful sinful

Shaman Blues

The soft parade

Maggie McGill

Peace Frog

Waiting for the sun

The changeling

Love her madly

Crawling kingsnake

Grateful Dead Goodmorning little school girl

Sitting on top of the world

Born cross-eyed

St Stephen

Cosmic Charlie

Dark star

The eleven

Uncle John’s band

Casey Jones

Sugar Magnolia

Truckin’

Box of rain

Playing in the band

Big Brother & the Holding Company Piece of my heart

Ball and chain

Down on me

Summertime

I need a man to love

Country Joe & the Fish Janis

Grace

I Feel like I’m fixing to die rag

Who am I?

Magoo

Untitled protest

Not so sweet Martha Lorraine

Porpoise mouth

Superbird

Bass strings

Pat’s song

Colors for Susan

Susan

Rock & Soul music

Bright Suburban Mr & Mrs Clean Machine

Byrds 8 miles high

I wasn’t born to follow

Dolphin smile

So you want to be a Rock ‘n’ Roll star

Chymes of freedom

All I really want to do

Mr Tambourine man

Turn Turn Turn

Lay down your weary tune

He was a friend of mine

5D (fifth dimension)

John Riley

Everybody’s been burned

My back pages

The girl with no name

Have you seen her face

Artificial energy

Triad

Tribal gathering

Goin’ back

Change is now

Dolphin’s smile

Space odyssey

Draft morning

Nothing was delivered

This wheel’s on fire

Deportee

Ballad of easy rider

It’s all over now baby blue

Lover of the bayou

Positively Fourth Street

Love Alone again or

My little red book

Mushroom clouds

My flash on you

A message to pretty

Signed D.C.

7 and 7 is

Stephanie knows who

Orange skies

She comes in colours

Alone again or

A house is not a motel

Andmoreagain

Live and let live

The daily planet

Bummer in the summer

You set the scene

Singing cowboy

Crosby, Stills Nash & Young Wooden ships

Ohio

Teach your children well

Suite: Judy blue eyes

Chicago

Woodstock

Guinevere

Helplessly hoping

Long time gone

Carry on

Almost cut my hair

Helpless

Our house

Just a song before you go

The lee shore

4 + 20

Wasted on the way

Find the cost of freedom

Janis Joplin Kosmic Blues Band/Full Tilt Boogie Band Kozmic blues

Try (just a little bit harder)

To love somebody

Mercedes Benz

Me and Bobby Mcghee

Cry baby

 

http://www.amazon.co.uk/Rock-Routes-Opher-Goodwin/dp/1514873095/ref=sr_1_2?s=books&ie=UTF8&qid=1436440071&sr=1-2&keywords=opher+goodwin

New definitive book on Rock Music from its roots – Rock Routes – out now in paperback for £9.57.

I spent years writing this and have been holding it back. I decided to release it now. I don’t know why.

If you like Rock Music you will adore this! It gives you my personal take on all the genres and their major exponents and essential tracks. It’s informative and readable. It sheds light and is a great guide. Why not give it a try?

Blurb

This charts the progress of Rock Music from its beginnings in Country Blues, Country& Western, R&B and Gospel through to its Post Punk period of 1980. It tells the tale of each genre and lists all the essential tracks. I was there at the beginning and I’m still there at the front! Keep on Rockin’!!

Rock Routes – complete with cover photograph of the Grateful Dead in San Francisco that I took in 2013, is now available in Kindle on Amazon for £2.45.

Why not give it a try?

If you are a fan of Rock Music or simply want to find out more then this may be right up your street!!

A Tale Of Harps and Hearts

Trust Ian to simultaneously come up with a great piece on the Captain! Check out his great site https://eeyorntails.wordpress.com
This is a great piece.

A self portrait by Don van Vliet

A Tale Of Harps and Hearts

I was up at the crack of dawn, as I often am, a couple of days ago when this old tune from my early teenage years started playing in my head. It continued playing for much of the day as I desperately searched to see if I had the album from which it came. The song had been recorded by a white Californian, but you could have been forgiven for thinking it was a black man singing raw Delta Blues, and the singer was indeed compared very favourably with Howlin Wolf, who was one his main musical heroes.

Donald Glenn Vliet was born in  1941, and was the son of a Dutch American. Don would often claim that one of his ancestors was a close friend of Rembrandt, who was a major inspiration for him. He was a precociously talented artist and sculptor as a young child.

He is said to have begun drawing and sculpting at the age of four. His subjects reflected his obsession with animals, particularly dinosaurs, fish, African mammals and lemurs. At the age of nine he won a children’s sculpting competition organised for the Los Angeles Zoo in Griffith Park by a local sculptor, Agostinho Rodrigues. This led him to become a student of Rodrigues for several years. During this time, Vliet received several offers of sponsorship from local businesses, including one from a local creamery which would have allowed him  to go and study marble sculpture for 6 years in Italy. He is said to have turned all these offers down, largely due to his parents intense disapproval of art in general, which they associated with homosexuality. His relationship with his parents became very strained as a result, and from his early teenage years onwards he would remain locked in his bedroom, only emerging each day to go to school. During this time, he became friends with another boy at school called Francis, who had a similarly strained relationship with his parents, and the two of them would spend hours together locked in Donald’s bedroom listening to old Delta blues records by Robert Johnson and Son House, Chicago blues by the likes of Howlin Wolf and Muddy Waters, along with Jazz records by  Ornette Coleman, John Coltrane and Thelonius Monk.

Francis started to play the drums and studied orchestral drumming for a time and played drums with a few local bands, before switching to electric guitar later. He became interested in avant-garde music after hearing of a local record shop who had boasted of having such a wildly eclectic stock of records, that they had recently even sold a copy of ‘The Complete Works of Edgar Varese, Vol 1′. Francis was so intrigued by the claim that he spent the next year trying to find another copy of the album, which he eventually did, and this led him to eventually discover Stravinsky, Schoenberg and other avant-garde composers all of whom would remain major inspirations to both youngsters in their later musical careers.

Donald had had major difficulties at school, being severely dyslexic throughout his life, and yet he was a prolific poet and largely self-taught artist, and managed to teach himself to play the harmonica, saxophones and clarinets while being unable to read music. And despite his severely withdrawn personality, with Francis’s encouragement,  he eventually overcame his shyness and found that he was in possession of a very powerful 5-octave range singing voice.

Both lads would go on to become acknowledged as major musical creative geniuses.   Francis recorded over 60 albums  and achieved some considerable commercial success, despite his strongly held and forcefully voiced anti-establishment views, his penchant for bitingly satirical lyrics and his off-the-wall Dada-esque stageshows. Donald made just 13 records before retiring from music to devote himself to painting and sculpture and living as a recluse in the Mohave desert where he had lived in his later childhood. His paintings and sculptures command very high prices these days. During his musical career however, he was perpetually broke and notorious for paying his band peanuts if they got paid at all.

Francis would shorten his name to Frank, and form the ‘Mothers of Invention’  before eventually going solo. Donald became Don Van Vliet, but adopted the persona of a character written for him in one of Frank’s early plays as his stage name – Captain Beefheart. He joined a group of accomplished musicians as lead vocalist playing blues covers, before stamping his authority on them and making them his backing band and musical collaborators which played exclusively van Vliet compositions.

Captain Beefheart and the The Magic Band

Captain Beefheart and the Magic Band – Gimme dat Harp, Boy
http://www.youtube.com/watch?v=2jFiMh6d-hs

Harp Boogie
http://www.youtube.com/watch?v=bt70hrY9Fuk

John Peel’s documentary tribute to Beefheart
http://www.youtube.com/watch?v=dBa8bS_vZkM

Wiki entry
http://en.wikipedia.org/wiki/Captain_Beefheart

Website
http://www.beefheart.com/

Don van Vliet, artist, composer and singer 1941-2010