Featured Book – The Blues Muse – The Introduction

Introduction

 

This is a novel. This is the often told story of Blues and Rock Music but like it has never been told. My character is the man with no name, the muse, the witness, who has been there through it all. We see it through his eyes. My character is fictional but he’s as real as the day is long. I’ve taken liberties with some of the events, and a few of the timings, but the spirit is as real the day is long. It’s more real than it was when it happened.

This is Blues and Rock. I have taken the main characters, the important scenes and stepping stones and brought them to life by painting the picture around them, filling in the background, embellishing the stories. What we have is not real, not history, not just dry facts. This is more an impressionist painting than a photograph. But often you can get more reality from an impression that a stark record.

Each scene is a vignette that is self-contained. The timing is by necessity approximate. While my man is a spirit he cannot physically be in two places at once. All I ask is that you suspend your credibility and give full rein to your imagination. If you do that I will take you there and show you what was really going down. There was a social context, an establishment response, a rebellion and new youth culture that accompanied that rhythm. It meant a lot to the people who lived through it. I was one of them. It gave us hope. It gave us a new way of looking, raised our awareness and gave us sight of a different future. Through the excitement there was a fraternity that crossed race, national boundaries and creed.

That music was new and it was ours.

Music is elemental. It was created right back in the dawn of time; it is in the DNA of man. When that first percussion created that initial beat, that first voice found its range, something was released that has never died.

Africa was our home and where that beat was first invented. Maybe as a backdrop to aid substance to a religious ceremony? Maybe as a unifying force to raise the courage for war? But maybe, I like to think, as a celebration, to dance to, lose yourself in and become as free as the wind.

That beat is centred in our body and our mind, built on our heart-beat, generating emotion and excitement, liberating and elevating.

Who knows when the first instruments were invented, the first harmonies, choruses? Certainly a long time ago. Music is in our blood and has permeated our lives.

Back in the early twentieth century it was revitalised and reinvented. The black slaves in America reached back to their roots, pulled out that rhythm and created the Blues, Gospel, Jazz and Soul. They married it to the white country jigs, reels and barn-dance, to the Cajun and Creole, to electricity and came up with Rock ‘n’ Roll.

The winds of the Blues blew straight out of Africa, straight from our ancestors, to talk to us through our genes. They stir our spirits, our passions and raise up our minds. The young recognise its power and are moved by it.

The world has felt its power and the establishment has been shaken by the hurricanes it releases.

It was first mentioned by W C Handy in his memoirs. He claims he was sitting on the station in Tutwiler Mississippi, where a black man was playing the blues using a penknife to create the sound on the guitar strings and singing a plaintive refrain. He said it was the weirdest sound he had ever heard but it stirred his imagination and caused him to change from playing Sousa to performing and popularising the blues.

Tutwiler is where our story starts.

The wind from the Blues is a spirit that blows through us, in us and out from us into the world. It is transformational.

This is the story of that spirit. It’s a spirit that lives in all of us. This is the story of Blues and Rock told through the eyes of that spirit, that essence. It is there in all of us and was there throughout, witnessing, inspiring and creating energy, change and emotion. It has the power to move mountains and bring down nations.

This is the muse of the Blues, the story of Rock.

It hasn’t stopped blowing yet!

 

Opher 1.10.2015

If you would like to purchase a copy in either paperback or digital please follow the links below.

 

In the UK:

 

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_4?ie=UTF8&qid=1532104422&sr=8-4&keywords=The+Blues+Muse

 

In the USA:

 

 

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Featured Book – The Blues Muse – The Cover

I made the cover of the book out of a photo I took of Arthur Brown at a gig in Hull.

Arthur Brown is an amazing performer with a really tight band. His voice is still as good as it ever was and he is such a showman – never a show to disappoint. He is not merely the God of Hellfire – there’s more strings to that bow.

It seemed a nice colourful photo for the cover. Arthur exudes that kind of energy that the book is all about. It tracks the whole history of Rock Music through a character who was there and part of it all. I don’t think there’s been a novel like it.

If you would like to purchase a copy in either paperback or digital please follow the links below.

 

In the UK:

 

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_4?ie=UTF8&qid=1532104422&sr=8-4&keywords=The+Blues+Muse

 

In the USA:

 

 

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Featured Book – the Blues Muse – Cover Notes

I wrote this book two years ago. It is actually a novel that spans the whole history of Rock Music. You get to hang out with all the stars, live it and smell it. My man with no name was there!

I don’t think there has ever been a book quite like this – certainly not in the realm of Rock Music.

These are the cover notes:

I was in conversation with a good friend who, like me, is a Rock Music fanatic. We have both been everywhere, seen everyone and have had our lives hugely affected by music. However it is not who you have seen but what you failed to catch that you dwell on. I said to him that it would be brilliant if we had a time machine and were able to go back and see all the major events in Rock history; Robert Johnson play in the tavern in Greenwood, Elmore James in Chicago, Elvis Presley in the small theatres, The Beatles in Hamburg, Stones in Richmond, Doors in the Whiskey, Roy Harper at St Pancras Town Hall…………….. and a thousand more. Then I realised that I could. I knew it all, had seen much of it first hand, and had the imagination to fill in the gaps. All I needed was a character who worked his way through it, was witness to it, part of it and lived it; someone to tell the story and paint the picture. I invented my ‘man with no name’ and made a novel out of the History of Rock Music. This is that novel. It starts in Tutwiler Mississippi in 1903 and finishes in Kingston upon Hull in 1980. On this journey you will breathe the air, taste the sweat and join all the major performers as they create the music that rocked the world and changed history.

If you would like to purchase a copy in either paperback or digital please follow the links below.

 

In the UK:

 

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_4?ie=UTF8&qid=1532104422&sr=8-4&keywords=The+Blues+Muse

 

In the USA:

 

 

Thank you for your purchase and please leave a review.

 

The Blues Muse – Belfast – Stiff Little Fingers – Rebellion

The Blues Muse works his way through Punk in Ireland with rebellion and the troubles.

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Belfast

If ever Punk had been invented for a reason then Ireland was surely it. The ‘Troubles’ had been rumbling on since the turn of the century, had their roots back with Cromwell and even before with William of Orange and then way back to 1609 with the imposition of Protestant Scots into Ireland. In the seventies it had reached the height with bombings, knee-cappings, killings and an insurmountable war waged between the IRA, who wanted a united Ireland under Irish rule, and the British government who wanted British rule for Ulster and the protestant North. As an outsider I looked at it with amazement. It seemed incredible to me that Ireland was suffering such sectarian violence when the people were always so nice and friendly. But then I wasn’t Irish.

I walked through Belfast and it was scary with its barbed wire, bricked off roads, brutal grey despair only brightened by political slogans and defiant gaudy murals celebrating victories, hunger strikes and militia. It looked and felt like a war-zone.

But this was the environment that the kids had grown up in. Segregated, threatened, strip-searched, frisked and with the constant threat of violence and death from all sides.

It was fertile soil for a Punk Band and Ireland had a rich musical history. The wonder is that only two bands really emerged. While the Undertones were good and produced that brilliant ‘Teenage Kicks’ which was one of John Peel’s favourites, they never really dealt with the politics. They left that up to the other of Peelies favourites – Stiff Little Fingers.

I could only imagine the bravery of those young lads as they bellowed their fury at both sides and hit out at the stupid violence, repression and threats that they were subjected to. They made no distinction. Nobody has put it better.

It took guts to stand up to the IRA and tell them they had a suspect device, to harangue the British Army for their disrespect and disdain and to ignore the very real threats and warnings. They literally took their life in their hands for their music and held out for a vision of a better future.

Where the Sex Pistols talked of ‘No Future’ they sang about an ‘Alternative Ulster’. Instead of joining in with the politics of separation and hatred they sang about ‘Barbed Wire Love’ and hit out at racism in ‘White Noise’. This was my kind of music. It hit the heart, head and glands. It had substance, balls and quality. Punk didn’t come much better.

I watched them play in Belfast. They had ignored threats from the IRA, talk of a bust by the Brits and carried on through a bomb threat. I couldn’t take my eyes off them. They were young kids but they played their hearts out and Jake’s voice was hoarse and in ribbons by the end, the young kids in the hall packed it out and threw themselves around with gusto. Stiff Little Fingers were putting all their frustrations and anger into words and power chords. Nobody did it better.

This was what Rock music had always been about – rebellion!

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

https://www.amazon.co.uk/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1479943367&sr=1-2-ent

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_1?s=books&ie=UTF8&qid=1479943367&sr=1-1&keywords=opher+goodwin

In the US:

https://www.amazon.com/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1479943510&sr=1-2-ent

https://www.amazon.com/Blues-Muse-Opher-Goodwin-ebook/dp/B01HDQEMQ6/ref=sr_1_1?s=books&ie=UTF8&qid=1479943567&sr=1-1&keywords=opher+goodwin+blues+muse

https://www.amazon.com/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_2?s=books&ie=UTF8&qid=1479943578&sr=1-2&keywords=opher+goodwin+blues+muse

For all other countries please check out your local Amazon outlet.

The Blues Muse – The cover and title.

 

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The cover for the Blues Muse was a photo I recently took of Arthur Brown when he played Hull. I thought there was something forlorn in the expression that juxtaposed against the bright psychedelic colouring. It resonated with me as it seemed to capture some of the elements of Rock Music and the emotion that is in it.

I struggled with the title for the book. The title Blues Muse does not conjure up the feeling of Rock Music. Although it started with the Blues it progressed into many other forms and this did not capture it. Although I tried many different titles I kept going back to this one. In the end I decided that it was the one I should go with.

If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

https://www.amazon.co.uk/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1479943367&sr=1-2-ent

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_1?s=books&ie=UTF8&qid=1479943367&sr=1-1&keywords=opher+goodwin

In the US:

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https://www.amazon.com/Blues-Muse-Opher-Goodwin-ebook/dp/B01HDQEMQ6/ref=sr_1_1?s=books&ie=UTF8&qid=1479943567&sr=1-1&keywords=opher+goodwin+blues+muse

https://www.amazon.com/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_2?s=books&ie=UTF8&qid=1479943578&sr=1-2&keywords=opher+goodwin+blues+muse

For all other countries please check out your local Amazon outlet.

The Blues Muse – West London – If it ain’t Stiff

In the wake of Punk the Independent labels flourished. This was a break from corporate control. It was as if the music was unleashed. There was a flurry of creativity and energy. The Stiff Label led the way.

West London

When Jake Riviera told me that he was setting up business with Dave Robinson and did I want to come in on it I was interested. I knew Dave Robinson had previously worked with Jimmy Hendrix. In my book anybody who worked with Jimi had to be OK. Not only that but Jake had been manager of Dr Feelgood and instrumental in the whole of that seventies Pub Rock scene and Wilko Johnson was one of my favourite characters. He was an original. I’d seen Chuck Berry do his machine gun stance but Wilco had taken that a stage further and his robotic, head jerking, staccato movements, complete with bulging eyes and open mouth belied an amazing guitar ability.

I soon found out I’d be working with Nick Lowe as a producer. Things just got better and better.

I asked Jake just what he was intending to do. He told me that he was the garbage collector. They were looking to get all the rejects that nobody else wanted and give them the production they required and turn them into stars. They were going to call the label STIFF because they were dealing with the dead, they were the undertakers to the business.

On the face of it this did not appear to be much of a business plan. Most of the rejects were that way because they had no commercial potential or expertise. But then I had faith in Jake. If anyone could pick out talent it was him. Besides the rules had changed. This was a different ballgame. Punk had blown the old game out of the water and whenever there’s a sea-change the big corporations were slow to adapt. I had a feeling that this was Decca letting the Beatles slip through their fingers all over again.

Perhaps Stiff was just the place to be. I was in.

That is how I got to meet Ian Dury, Elvis Costello, Wreckless Eric and a host of others.

I connived to go out on the Live Stiffs tour with Ian, Elvis and Wreckless. It was a package tour in the nature of the old Rock ‘n’ Roll packages. It might have lost money, I don’t know, but the publicity and mayhem more than made up for that. When you’ve got a busload of characters you’re going to get a riot. Every night they rotated the headlining act but all came together for a finale of Ian’s Sex and Drugs and Rock ‘n’ Roll. That about summed it up.

I’d stand at the side and watch the mixture of genius, hilarity and pandemonium take shape. It made me feel proud to be associated with an independent label. If the corporations had got their mits on Elvis and Ian they would have sanitised them into oblivion. Fortunately they’d kicked them out. Talent like that deserved the best and they got it. I’ve always rated those guys as among the greatest. The music they unleashed had all the power and fury of Punk coupled with intelligence and originality – just how music should be.

Working for Stiff was always different. They did things that no big label ever would like the release of the 12” entitled ‘The Wit and Wisdom of Ronald Reagan’ which was blank on both sides.

I’ve still got my ‘If it ain’t Stiff it ain’t worth a Fuck’ badge.

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

https://www.amazon.co.uk/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1479943367&sr=1-2-ent

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_1?s=books&ie=UTF8&qid=1479943367&sr=1-1&keywords=opher+goodwin

In the US:

https://www.amazon.com/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1479943510&sr=1-2-ent

https://www.amazon.com/Blues-Muse-Opher-Goodwin-ebook/dp/B01HDQEMQ6/ref=sr_1_1?s=books&ie=UTF8&qid=1479943567&sr=1-1&keywords=opher+goodwin+blues+muse

https://www.amazon.com/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=sr_1_2?s=books&ie=UTF8&qid=1479943578&sr=1-2&keywords=opher+goodwin+blues+muse

For all other countries please check out your local Amazon outlet.

The Blues Muse – Nellcote – The South of France.

This is a patchwork of a novel that meanders through space and time to tell the story of Rock Music and put it in context with the world around it. It breathes excitement.

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Nellcote – South of France

That was when Mick contacted me. They were splitting. Things were not at all good. I listened as he rambled on. He seemed very down and disturbed. They were still reeling from the Altamont fallout. The press had pointed the finger at the Stones, accusing them of being decadent, arrogant and stupid; as if they were to blame for Meredith’s death and the end of the sixties counterculture dream. It hurt. Marianne Faithful had nearly died from an overdose and, although they were estranged, it had affected Mick a lot. Then there was the constant harrying by the establishment in Britain and the obnoxious sniping British press. It looked like they were targets. The Redlands bust was still at the front of his mind. He thought it was brewing again. They were out to nail the Stones. It was a matter of time. On top of that they had managed to break away from Allen Klein and his empire of devious deals but it had cost them and there were still ongoing disputes about the rights to their music. It was going to rumble on. The upshot was that they had no money, they were sick of the hassle; they thought everyone was against them so it was the Stones against the world and – FUCK YOU. They were going.

Keith had a big old mansion that he’d rented in Nellcote, outside Ville Franche in the South of France. They were going to be tax exiles for a year or two. It should solve the financial problems. They’d be free of tax and they were going to record an album there. It was a huge mansion – idyllic and ideal for this project

Did I want to come along and help set it up?

I didn’t need asking twice.

I arrived at the Villa Nellcote and stood in wonder of it – a big rambling place sat like a palace, all windows, patios, trailing plants and beauty. It looked like the ideal place to me.

Outside, the mobile recording studio was already parked up.

Inside it was like I’d walked in on a party. Music was blaring out at full volume, scantily clad girls, wandered around, there was cocaine in a bowl on the table, joints doing the rounds and a big bottle of brandy. Keith was sitting on the balcony with an acoustic, guitar and cigarette in his mouth playing to himself and totally focussed. Though how he could hear anything over the noise was beyond me. Charlie had a big tumbler in his hand and seemed content to be knocking it back. Anita Pallenberg was sitting in an armchair looking totally spaced out.

Nobody seemed to pay the slightest attention to me. It was open house. People walked in and out. Anything went.

I found Mick with Jimmy Miller in the basement. It was hot, dank and claustrophobic down there but that was where they had decided to set up and record. It was cavernous but divided into lots of sparse, dingy rooms, some with swastikas daubed on them from when the Nazis had occupied the house during the war.

Mick Jagger was trying to supervise. Bill was morosely setting up his bass in one of the rooms. There was a drum kit in another and wires, microphones and guitars all over the place. The coordination looked to be a nightmare. I could see why he’d wanted me on board.

I set to work helping organise and set up.

Downstairs in that basement was like a different world. It was overpowering, stark, sweaty and basic. Upstairs it was light airy and one continuous party that went on without pause month after month.

It all centred round Keith. Much as Mick tried to instil some organisation it was Keith whose free and easy approach set the tone. He was impervious to Mick’s cajoling. He and Anita Pallenberg would spend days in a heroin haze. Then he got some songs together, absorbed himself in producing a riff or two and we were away. Charlie Watts put the bottle aside, Bill Wyman, who seemed to spend a lot of the time bemoaning the fact that he couldn’t get his Bird’s custard, Branston pickle or piccalilli, and that his PG Tips did not produce drinkable tea because of the bloody French milk, took up his bass. Mick Taylor drifted in from wherever he’d secreted himself, and they were away.

The continuity wasn’t helped by what was going on all around. It may have been Rock ‘n’ Roll heaven but it wasn’t exactly conducive to recording an album. After a few weeks Mick decided to marry Bianca in nearby St Tropez and bring the entourage back for a honeymoon in the mansion, Gram Parsons turned up with Gretchen and hangers on and immediately resumed as heroin buddies with Keith. I could see Mick boiling with frustration and the tensions mounting.

Dubious Mafiosi from Marseille would wander in with deliveries of heroin, cocaine and hash to keep the supplies topped up. Various musicians, friends and free-loaders would wander through. The party rumbled on. At one point seven guitars walked out – probably as a result of an unpaid drug bill to the Marseille underworld.

In the midst of this chaos the recording proceeded in fits and starts. It was free and easy, ragged and raw, lowdown and dirty. Somehow it was bearing fruit and sounding brilliant. I’d not heard them play so raunchy in a while. Mick Taylor certainly added some creative rawness and brought the best out of the others. His excellence made them respond.

It had to come to an end and it did. There was only so much that the authorities could turn a blind eye to. Ville Franche resonated to the roar of their non-stop Rock, night and day.

Eventually the bohemian dream was brought crashing to an abrupt end and they were busted.

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

In the US:

For all other countries please check out your local Amazon outlet.

The Blues Muse – A unique novel on the development of Rock Music – The Gaslight

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I thoroughly enjoyed writing this book. It flowed from my mind. All the stories and anecdotes gelled together to create one long novel that told the whole story. It was like a tapestry unfurling. It was fun.

I hope you enjoy it half as much as I did writing it.

The Gaslight

Churches were burning in the South. Attempts to get black voters registered were meeting heavy resistance. This wasn’t just the Klu Klux Klan, this was the Mayors, the Sheriffs and the authorities. They were actively undermining all efforts. People were being killed and ending up in the bayous. Marches, sit-ins and attempts to break segregation in eating places, buses and schools were being met with intimidation and violence.

The black leaders were under constant threat. Their lives were in danger.

Then Medgar Evers was shot. He’d been active in the movement. He had driven home to his family, parked his car in the drive and some cowardly sniper skulking in the bushes had shot him in the back.

Emmett Till was a young fourteen year old boy from the North who was visiting family in the South. He did not appreciate the way the south worked. On visiting a grocery store he had talked to the white store-owners wife in a casual way that was judged to be flirtatious. A group of men grabbed him off the street and took him to a barn where they beat and tortured him for hours. His piteous screams were ignored. They ended up shooting him in the head and throwing his body in the river like a bag of trash.

The injustice had been going on for an age. I was in the Gaslight Club in Greenwich Village. Mississippi was a long way off. Yet on that evening those events became a lot closer with a greater urgency to do something about it.

Sitting in the corner was a young couple. The girl was pretty with laughing eyes and long light-brown hair. The boy was fresh-faced, scruffy with a light brown jacket, checked work-shirt and shock of dark wavy hair. They were in a world of their own, laughing and joking.

When Bob Dylan was called to the mic a wave of expectation went round the room and a burst of applause. I watched with curiosity. I had heard the name Dylan mentioned in awed tones but I’d never seen or heard him play.

Bob shuffled to his position, looking round nervously blinking and grinning at the packed room. He adjusted a wire harmonica holder round his neck, strummed and tuned his guitar. He glanced round nervously with jerky mannerisms like a down and out Charlie Chaplin. When he was happy with the way the guitar sounded he started strumming. His head tilted to one side. The fun dropped from his face and he began to sing ‘The Ballad of Emmett Till’. As those words tumbled out a chill went through my blood. He was telling it as it was. He was putting it into words that exploded in the middle of my head. Glancing round the room I could see that it was the same for everyone else.

Then Dylan started talking about how he was going to do a bunch of songs that said a bit more than I love you and you love me lets raise a happy family. He then launched into a number called ‘Blowing in the Wind’

By now I was on the edge of my seat and straining forward to catch every word. How many roads did we have to walk down?

Bob did a couple of Woody numbers and an old Blues number before launching into ‘Only a Pawn in the Game’.

The goosebumps rose on my arms. I’d never heard anything like this. The words were bullets. This was music but it was music plus. Dylan was saying things like nobody ever had before. I’d heard a number of ‘meaningful’ songs. Apart from Woody and Pete there was Leadbelly’s ‘Bourgoise Blues’ and Billie Holliday’s ‘Strange Fruit’ that had impacted on me but what this young kid was doing was in a different universe.

Over the next month I became a regular, ravenously seeking him out and sitting close so that I could catch every word. ‘Masters of War’, ‘Ballad of Hollis Brown’, ‘A Hard Rain’s Gonna Fall’. This was no one off. Bobby Dylan had a catalogue of genius. ‘Blowin’ in the Wind’, ‘Let Me Die in my Footsteps’, ‘God on Our Side’, ‘John Birch Society Blues’, ‘Chimes of Freedom’. There was no end to the lexicon of protest. War, civil rights, injustice, social protest. He was hitting out at those targets that we were all thinking about. He was articulating what was in all of our heads and he was putting in poetic images that were making it real.

One evening I noticed a young kid with long curly hair sitting with Bob and his girlfriend Suzie. Someone told me it was Arlo Guthrie – Woody’s son.

I was enthralled. That was Woody’s son.

I’d been doing my own little sets. Bob gave me some kind words of praise and I found myself sitting there at the table while Phil Ochs played.

I could see Bob watching him shrewdly. He took Phil seriously. Phil was a rival.

‘He’s a journalist more than a poet,’ Bob mumbled unkindly.

He was right when comparing Phil to Bob’s own prestigious talent But I still loved Phil’s more political pose. He had a different edge to Dylan. Bob was a master of that snide put-down. It wasn’t his most endearing quality but it was a streak that came out in some amazing songs. You had to accept it as part of his persona.

Afterwards we went back to Bob’s apartment, drinking and talking, playing until dawn. By the end of the evening I had discovered that Woody was ill with some terrible disease called Huntingdon Chorea and that he was here in New York. Not only that but Bob regularly visited him.

When Bob discovered that I knew Woody from way back it was set that I’d accompany Bob when he went to visit Woody next time.

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

In the US:

For all other countries please check out your local Amazon outlet.

The Blues Muse – The Contents

To give you an idea of the scope of this book – this is the contents page!

If you want to know more about Rock Music, where it sprang from, how it developed and the social situations surrounding its various phases then this is your book.

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Contents

Dedication                                                      2

About the Author                                            3

Index                                                              4

Introduction                                                    7

Tutwiler Mississippi                                        9

Crystal Springs                                              12

Lula                                                               15

Rolling Fork                                                   18

Yazoo                                                            19

The Crossroads                                             20

Clarkesdale                                                   22

Baton Rouge to New Orleans                       25

All at sea with Guthrie                                   29

New York                                                       31

Riding the blinds to California                       32

Briefly Mississippi                                         34

Nashville                                                        36

Mississippi Reprise and on to Chicago         39

McComb                                                         40

Tupelo                                                             42

Chicago                                                           44

White Station Mississippi                                48

Memphis                                                         53

New Orleans and Specialty                            58

Georgia and the South                                   60

Screamin’ and Flamin’ in the South              63

Back to Chicago                                             65

Lubbock Texas                                               71

Memphis again and Nashville again              75

Graceland                                                       78

Up in Canada                                                  80

New York                                                       81

New York Blues                                             84

Louisiana                                                        85

England                                                           87

Detroit                                                            90

New York again                                              92

England                                                           93

Liverpool                                                        94

The Cavern                                                     96

Hamburg Germany                                         98

London                                                            100

Richmond Surrey and the Thames Delta       102

Swinging London                                           109

New York yet again                                        112

Greenwich Village                                         115

The Gaslight                                                   120

Greystone Park State Hospital                       123

Newport                                                          124

Washington                                                    125

The Gaslight again                                         128

British Invasion                                              129

Newport two                                                   132

Manchester                                                     135

Soho                                                                138

More Soho                                                      141

TV Breaks                                                       143

Psychedelic London                                       144

Hyde Park                                                       148

Dylan’s accident                                             150

San Francisco                                                 151

Los Angeles                                                    154

Memphis and Monterey                                 156

London                                                            159

Tolworth                                                         162

Eel Pie Island                                                  165

Hammersmith                                                 167

Windsor                                                          169

New York                                                       172

Hyde Park                                                       175

Woodstock                                                      177

Electric Ladyland                                           180

Altamont                                                         182

The Isle of Wight                                           184

Country Rock                                                 186

Nellcote – South of France                            185

Hammersmith                                                 188

Kilburn and Ascot                                          190

Laurel Canyon                                               192

CBGBs and the Chelsea Hotel                       193

Jamaica                                                           195

Plymouth                                                        197

Sheffield                                                         199

Rome and Chicago                                         201

Islington                                                          203

West London                                                  206

Belfast                                                            208

Barking                                                           210

Asbury Park                                                    211

Brixton                                                            212

New York                                                       214

Central Park                                                    216

Hull                                                                 218

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

In the US:

For all other countries please check out your local Amazon outlet.

The Blues Muse – A Unique Novel on Rock Music – Clarkesdale

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I guarantee that there has never been a novel that gives you this perspective on the development of Rock Music from its early days in Mississippi through to today. It is a revelation.

I used to run an adult education class in Rock Music. I put all that first hand experience and knowledge to bear in creating a novel that covers the whole scope of Rock Music from beginning to end.

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Clarkesdale

I headed back to Clarkesdale and was staying across the road from what is now the Riverside Hotel. Back then it was the G T Thomas Hospital for Negroes.  I was sitting on the porch strumming my guitar and working on a new tune. I was so engrossed that the ambulance pulling in must have passed me by. I still had hopes of fostering some sort of a career out of my music and was preparing for the evening juke.

Slim, a new friend of mine, was working as an orderly at the hospital and came across to sit by my side.

‘You heard the news?’ he asked, looking extremely serious.

I shook my head and waited for him to tell me. Slim would normally give me the low-down on all the comings and goings of the hospital. It was a busy place. I was expecting some line about an acquaintance of ours. I didn’t expect it to be quite so far-reaching.

‘That was Bessie Smith they just brought in.’

My attention immediately snapped to full on. Bessie was not quite my kind of thing, too jazzy and vaudeville for my tastes, but she was enormously popular and I liked her well enough. Everyone had her 78s. You could hear her songs coming out of everywhere you went. She was one of those black women who had crossed that barrier. The white folks were digging her, though I was dang sure that most of them weren’t picking up on some of the things she was putting down in her songs. They were pretty close to the knuckle.

‘She’s bin in a car crash,’ Slim informed me. ‘Looks real bad. Her arm was hanging off. I don’t know if she’s going to make it.’

Slim was proved right. Poor Bessie didn’t make it.

 

It was to be the last of my trips around Mississippi as an itinerant Blues singer. Times were beginning to change. I could smell it in the air. Automation was coming to the Delta. The plantations were looking to lay off people. The blacks were hit worse but they were by no means the only ones who suffered; the poor white farmers were hit just as bad.

The local jukes were buying in juke-boxes and had no need for our sort anymore. The cards were on the table. People were worried at the thought of another recession. But for now we put those thoughts aside. Dave ‘Honeyboy’ Edwards and I teamed up and still thought there were good times to be had on that old Highway 61. We were ready to chance our luck

Our rambling took us down to Greenwood where we were delighted to meet up with Robert Johnson again. Man, did he look sharp. He wore his suit with style, spats and his fedora tilted at a rakish angle. Robert was hot. He was really pleased to see us and full of life and fun. We met up often to play the taverns and jukes. Robert was popular and a man in demand at the barbeques. He had all the tunes and trotted them out with style. Not only did he have the Blues but he knew every popular song making the rounds and even threw in a bit of Country. He was very well-liked.

Robert regaled us with the tales of his recording sessions. He’d been all the way over to San Antonio where he’d stayed in a plush hotel. A talent scout had picked him out and a white man had recorded him in that same hotel room. He was full of it. The white man had wanted to hear him play authentic Delta Blues and he had obliged. He’d enjoyed himself. The acoustics in the stark room gave him the opportunity to create a good sound. He’d faced the wall to bounce the sound back at the recording equipment.

The first session had gone so well they’d invited him back for a second which was every bit as good. The white man had liked it. There was talk of a tour and even mention of an appearance at the New York Carnegie Hall.

Robert was expecting another call any day. He was preparing new songs to record and already looking ahead to that appearance at Carnegie Hall in front of all those rich white people. The world was opening up for him.

Dave and I took it all with a pinch of salt. We’d heard it all before. Skip James, Booker White and even Leroy Carr had all gone off to hit the big lights. They recorded and came back with a wad of money but that was soon gone and the big time had receded into the past. This was a white man’s world. Blues singers were a dime a dozen. If you were lucky you recorded tracks in some little studio set up above a store. You got paid in cash and if it sold to the black audiences in the south somebody else made the money. That was just the way it worked.

We knew Robert was full of bullshit, but there was no denying that he was making the money and success was bringing success; the landlords were happy to have him in their taverns and the young ladies seemed keen too.

We settled ourselves in the corner, laughing and joking between songs, and drinking more than our fair share of the local moonshine that passed for whiskey. We were pulling a good crowd in the place and the landlord was more than happy to ply us with drink. That wasn’t all we were pulling. It was easy to see the twinkle in the waitress’s eye as she brought our drinks across. They had something going.

It was only later in the evening that I noticed that same landlord giving Robert a real mean look. Dave saw me looking and whispered in my ear that that waitress was the landlord’s wife. It clicked. Robert had a reputation as a bit of a ladies man and that landlord looked as if he might be a mean son of a bitch. I noted it. We might be in for a bit of trouble before this night was over. Not that this seemed to deter Robert. He was having a fine time flirting with the young woman and knocking back the whiskey.

I noticed the landlord giving us a particularly ugly look as he sorted a batch of drinks. Something in that look made me suspicious. It wasn’t unknown for them to poison the drinks, putting strychnine rat-poison in with the whiskey. I whispered to Dave and Robert to pass this one over. Dave took my advice but Robert was having none of it and readily downed his drink.

Later that evening he began to feel unwell. He was cramped up with stomach pangs and took on an unpleasant pallor. Dave took him back to his lodgings while I held the show. There wasn’t going to be any business with that waitress tonight.

We didn’t hear anything from Robert the next day and Dave went round to see if he was alright. He was worse, lying in bed with foam around his mouth; his whole body was racked with pain. Dave was worried. But there was no doctor to be had. He thought it would pass.

We both thought that he probably deserved it; playing about with another man’s wife in front of him was asking for trouble. But he was young and fit. He’d get over it.

We were shocked to hear the next day that he’d died.

I think something died in me that day.

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

In the UK:

In the US:

For all other countries please check out your local Amazon outlet.