Irrelevant Battles – Patrick Fitzgerald – A song that anticipated Brexit and the hopelessness of so many people.

This song came out in 1978. This was Thatcher’s Britain. The working class had lost respect and a place in society. The well-paid, tough jobs that they had worked at were gone. The mines, shipyards and steel works were closing. The opportunities had dried up. They found themselves stacking shelves in supermarkets for low-pay. All their self-respect and status as ‘Salt of the Earth’ evaporated. Many found themselves on the dole and were described as lazy scroungers. It was tough. The estates, once proud, were scenes of drug abuse and crime with bored youth seeing no future.

Patrick Fitzgerald saw the hopelessness and reported it in this song. The Middle Class were oblivious. They were focussed on the global arena and not the plight of the working class. This feeling of hopelessness and abandonment that the working class felt was to surface in the referendum.

The working class were fed up with the establishment that had taken their jobs, their pride and their future and did not seem to care about them at all! The middle class were doing all right and were too busy fighting their irrelevant battles. But for me – those battles aren’t irrelevant. All the world is being steamrolled by the establishment in search of wealth and power. The working class were victims as were the poor people all round the world. It is the system of inequality that is to blame not the poor Chilean and Vietnamese.

But what a great song!

 

 

PATRIK FITZGERALD “Irrelevant Battles” (1978)

You’re all too busy saving children in Chile
And helping (?) victims on the other side of the world
But when the war was over in Vietnam
You had three adopted boys and five adopted girls,
Gotta post through parcels when they’re starving in Afghanistan
India, Kenya, or anywhere we’re winning
I seen some tramp asking for the time on the street
You just said: “Sorry, I’m fast” but not as fast as your feet

You’re too busy fighting your irrelevant battles
To see what’s going on in your own backyard
You’re too busy fighting your irrelevant battles
To see what’s going on in your own backyard
‘Cause some of us are having a hard, hard time
Yeah some of us are having a hard, hard time

And you’re all too busy saving children in Chile
And helping (?) victims on the other side of the world
But when the war was over in Vietnam
You had three adopted boys and five adopted girls

You’re out on the streets with your little placards
Marching up and down saying: “Tear it down!”
I don’t think you’re really seeing what you’re talking about
Except for the tourist version no doubt

You’re too busy fighting your irrelevant battles
To see what’s going on in your own backyard
You’re too busy fighting your irrelevant battles
To see what’s going on in your own backyard
‘Cause some of us are having a hard, hard time
You know that some of us are having a hard, hard time
Because some of us are having a hard, hard time

The Blues Muse – West London – If it ain’t Stiff

In the wake of Punk the Independent labels flourished. This was a break from corporate control. It was as if the music was unleashed. There was a flurry of creativity and energy. The Stiff Label led the way.

West London

When Jake Riviera told me that he was setting up business with Dave Robinson and did I want to come in on it I was interested. I knew Dave Robinson had previously worked with Jimmy Hendrix. In my book anybody who worked with Jimi had to be OK. Not only that but Jake had been manager of Dr Feelgood and instrumental in the whole of that seventies Pub Rock scene and Wilko Johnson was one of my favourite characters. He was an original. I’d seen Chuck Berry do his machine gun stance but Wilco had taken that a stage further and his robotic, head jerking, staccato movements, complete with bulging eyes and open mouth belied an amazing guitar ability.

I soon found out I’d be working with Nick Lowe as a producer. Things just got better and better.

I asked Jake just what he was intending to do. He told me that he was the garbage collector. They were looking to get all the rejects that nobody else wanted and give them the production they required and turn them into stars. They were going to call the label STIFF because they were dealing with the dead, they were the undertakers to the business.

On the face of it this did not appear to be much of a business plan. Most of the rejects were that way because they had no commercial potential or expertise. But then I had faith in Jake. If anyone could pick out talent it was him. Besides the rules had changed. This was a different ballgame. Punk had blown the old game out of the water and whenever there’s a sea-change the big corporations were slow to adapt. I had a feeling that this was Decca letting the Beatles slip through their fingers all over again.

Perhaps Stiff was just the place to be. I was in.

That is how I got to meet Ian Dury, Elvis Costello, Wreckless Eric and a host of others.

I connived to go out on the Live Stiffs tour with Ian, Elvis and Wreckless. It was a package tour in the nature of the old Rock ‘n’ Roll packages. It might have lost money, I don’t know, but the publicity and mayhem more than made up for that. When you’ve got a busload of characters you’re going to get a riot. Every night they rotated the headlining act but all came together for a finale of Ian’s Sex and Drugs and Rock ‘n’ Roll. That about summed it up.

I’d stand at the side and watch the mixture of genius, hilarity and pandemonium take shape. It made me feel proud to be associated with an independent label. If the corporations had got their mits on Elvis and Ian they would have sanitised them into oblivion. Fortunately they’d kicked them out. Talent like that deserved the best and they got it. I’ve always rated those guys as among the greatest. The music they unleashed had all the power and fury of Punk coupled with intelligence and originality – just how music should be.

Working for Stiff was always different. They did things that no big label ever would like the release of the 12” entitled ‘The Wit and Wisdom of Ronald Reagan’ which was blank on both sides.

I’ve still got my ‘If it ain’t Stiff it ain’t worth a Fuck’ badge.

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If you would like to purchase The Blues Muse, or any of my other books please follow the links:

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