The Start of Nick Harper – The Wilderness Years

‘Writing about music is like dancing about architecture’ – Frank Zappa

                     Photo – Paula Cuccurullo

‘Thank you all for turning out tonight and supporting live music, giving the babysitter some money and the PlayStation a rest………………….. I’m stalling until I find out what I’m actually doing’Nick Harper

Foreword

I’ve known Nick Harper for most of his life. I was a young student living the bohemian life of the sixties underground and he was the young son of Roy Harper. I’d just been knocked for six by Roy’s take on music, society and the universe at large and he invited me round to glimpse his life. Nick was part of it.

Since then I’ve been a teacher, writer, parent, partner, traveller and avid devotee of rock music.

I love guitar playing. When it comes to guitar playing I have seen all the greats up close playing in small halls – from Jimi Hendrix to Bert Jansch, Jimmy Page to Peter Green, Davy Graham to Eric Clapton; but there is one who stands out for me. His sheer brilliance is beyond anything else I have seen. What Nick Harper can do with a guitar is magical.

To quote Rob Adams from the Glasgow Herald – ‘If you haven’t heard Nick Harper you are missing out on one of the musical phenomenons of our age.’

The strange thing is that the bending of the strings, the tuning and retuning of strings within songs, the creation of new upside down chords and even the surround sound delay is never a gimmick. It isn’t showing off. It actually works to create great music and the tricks are integral parts of the songs that always add to the composition. He is recreating the sounds in his head. Nick expands upon the possibility and generates extensions of improbability.

I have only ever seen one person capable of such a thing and he was Jimi Hendrix. Nick’s limitation, as with Jimi, is merely the extent of his imagination. It goes without saying that Nick’s imagination is of the scope of galaxies. It is phenomenal.

I have been fortunate to observe Nick’s talents develop over decades and I never get tired of the crispness and range that his fingers tease or pound. He can make the guitar thunder or trill with delicate melodies. Nick produces music you can get lost in.

Nick Harper – The book – The Wilderness Years – start of the epilogue.

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I have been working on the 7th draft of this book for days now and still finding things to tweak. I’ve been adding photos, writing captions, standardising presentation, checking spelling, grammar, writing blurb, adding discographies and selected works, adding author notes and generally pulling it into its final form.

I thought I would share the final first section of the epilogue with you. I’d be grateful for your responses before I go down on Wednesday to Wiltshire to put the final bits in place and send it off to be graphically designed for publication.

Epilogue

Fuck, I am passionate about this book and Nick’s music. Having the privilege to listen to Nick’s entire incredible back catalogue, to sit down with Nick for days and interrogate him about his music, to hang out and talk, have the time to play boules and get thrashed at my own table football, to share meals and laughter and discuss everything under the sun, to immerse myself in his music, to touch minds. That is invigorating.

In this day of collective hypnosis where the mass music scene is under the spell of Simon Cowell, where tribute bands pull in more punters than creative artists, where music is a ‘product’ to be mass produced, and the lowest common denominator rules the studios, it is vital to have artists like Nick. I’m clinging on like he’s a life-line. His music is real. It gives me hope.

I find it hard to believe that we live in an age like this. How did we get here? Nick was only partly right: it’s like punk, the sixties, blues and reggae never happened. Once music used to mean something! It was the centre of our culture. It was a living, mind-expanding rebellion. Now it is a piece of Muzac to be shunted from iPod to iPod and played as background. Now the mindless zombies are screaming en masse, with their American whoops, for bland pop crap. Now festivals are things to be consumed like circus jamborees.

What happened to the gathering of the tribes? The endless hours of wonder, lowering the stylus into the groove and sharing the experience, the intense discussion? What happened to the vital importance of it all? When did it cease to be a motivator of young minds and become a product to be consumed?

Real music – it’s still there. It has been pushed to the periphery but it still exists. There are the numerous acts that still create and produce music with integrity, passion and purpose. But for me Nick is leading the way.

A list of my favourite British/Irish Singer-songwriters.

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Roy Harper

Nick Harper

John Lennon

Leon Rosselson

Tom Robinson

Kirsty McColl

Christy Moore

PJ Harvey

James Varda

Billy Bragg

Bert Jansch

Linton Kwesi Johnson

Ian Dury

Ray Davies

Robin Williams

Pete Townsend

Mike Heron

Jack Bruce

Pete Brown

Elvis Costello

Wreckless Eric

Mark E Smith

Jon King

David Gray

George Harrison

Johnny Rotten

Joe Strummer

John Cooper Clarke

Dave Gilmour

Jake Bugg

Peter Green

Syd Barrett

Nick Drake

Dave Mason

Stevie Winwood

Davey Graham

Duster Bennett

Donovan

Mick Jagger

Keith Richards

Hugh Cornwall

John Renbourn

Wilko Johnson

Paul Weller

Pete Shelley

Roger Waters

Richard Thompson

Shane McGowan

Jake Burns

Van Morrison

 

Nick Harper – That’ll do fine – Track off new album Nix exemplifies everything that is brilliant about Nick!

The new album Nix is a great mixtures of new songs all delivered with pared down format – just Nick & his guitar with the minimum of production – raw Nick just like most of us love him.

The track ‘That’ll do fine’ really does sum up all the varied elements that make Nick such a brilliant and extraordinary singer/songwriter. To start with you have the brilliant guitar riffs. Then these are overshadowed by a series of amazing guitar runs. The voice is expressive and has the full range on display. The melody is really catchy and the lyrics blow you away. Nick is at his very best – observant, perceptive and witty. It’s a song full of meaning yet so accessible and delightful. The humour carries it into another dimension. This is the sort of stuff that should garnish the charts instead of all the flimsy Pop trash. It has intelligence and great musicianship all wrapped up in a great song.

There is no justice in this world. Nick is true quality. His day must surely come!