Roy Harper – Edinburgh Usher Hall – Photos – in case you get fretful.

Roy Harper – Edinburgh Usher Hall – Photos – in case you get fretful.

Well I’m still zinging from seeing Roy perform with such brilliance after a three year enforced lay-off. He has lost none of his voice or power and the song arrangements were superb.

I hope he is back home with renewed energy and enthusiasm for a new album and another great tour.

In case you, like me, are fretful – here’s a few photos:p1140077 p1140082 p1140083 p1140084 p1140088 p1140112 p1140095

Roy Harper’s epic songs

Roy Harper’s epic songs

Roy has written a number of epic songs; songs of length that grapple with the big topics of life – the purpose of life, human history, the nature of human society and what we are doing to the planet. I know of no other poet/musician who has attempted to deal with such broad canvasses, such deep philosophy or fundamental issues. Dylan is the only one for me who has come near. Not only that, but Roy has managed to create accessible musical opuses of great artistic beauty in the process. With songs such as ‘The Lord’s Prayer’, ‘McGoohan’s Blues’, ‘Me and My Woman’, ‘The Game’ and ‘One of Those Days in England’ he dealt with the major philosophical questions poetically while also producing outstanding musical compositions.

 

I think one of Roy’s first attempts at an epic song was to be found on ‘Come Out Fighting Ghenghis Smith’.

‘Circle’ was an attempt to analyse that difficult period of time in adolescence when one is changing from a child into an adult and discovering oneself in the process. It is such a difficult age. There are so many expectations. Life is still such an unknown.

Family are protective but you want your freedom, to break out and be yourself. It is a period fraught with doubt and fear. The big world outside is exciting, full of opportunity and possibility, but also full of pitfalls and danger. Parents want security for you but that seems bland and boring. You look at their lives and are not impressed. You want adventure, excitement and to discover all there is to know, to feel and experience.

It is a time to break away and develop – to find yourself, but also a difficult transition when one is trying to understand the feelings one is beset with as well as to develop a philosophy of life. As if that is not hard enough you are struggling to deal with love, relationships and how one was going to make a living in the future. All that when one’s brain was in meltdown and rewiring into that of an adult. It couldn’t be worse timing.

Roy expressed it so well.

Well I was eighteen when that album came out and I was going through that trauma. I played that album constantly, absorbing the lyrics and identifying with every word. It expressed everything that I was struggling with – perfectly.

 

‘Look at the literature under his arm, he is doing his best to impress you
Man of the world and his own daydream hero he desperately tries to convert you
But his thoughts they are changing – and as he looks at himself
He looks at himself

Oh where am I going and what am I doing? My head is so big and so weary
It’s no good me trying to be all the things that I’m not I’m me and I’m me only
And I’ve been so greedy, I’ve always wanted to be
And never just been.’

 

Roy seemed to be describing the battles I was facing on a daily

basis. I was up all night gabbling away with my friends about life, the universe, infinity and purpose. My parents and lecturers wanted me to study for a career while I was obsessed with my girlfriend, gigs, literature, my mates, purpose, music, my motorbike and craved to be out on the road going places, meeting people and experiencing adventure. I had a head full of Kerouac and Harper and I was bursting with energy.

 

‘It’s about time you pulled your socks up, me lad
Otherwise you’ll get a rude awakening’

 

Well I guess I’ve had a few rude awakenings but I also had more than my share of freedom, fun and adventure on the way.

Thanks Roy. That was epic.

Roy Harper – McGoohan’s Blues – a song of great social observation, venom and brilliance.

Roy Harper – McGoohan’s Blues – a song of great social observation, venom and brilliance.

One of the best songs ever written.

Roy doesn’t do many two and a half minute singles. At his best he does great epic songs of twenty minutes. He needs all of that to get the scope necessary to vent his spleen at all the stupidities we are surrounded with.

McGoohan’s was one of the best. It was based on the Prisoner Series featuring Patrick McGoohan. It hit out at religion, society, the establishment and all the stupidities.

If ever we needed someone to illustrate mankind’s greed and violence we need them now. The world’s a mess.

Maybe Roy and Bob Dylan will emerge to lead us to a better future. I eagerly await the next epic. Roy’s a genius and the best songwriter Britain has produced.

Listen to the track and follow on with the lyrics – then go and buy the albums (I suggest Folkjokeopus, Stomcock, Bullinamingvase, HQ and Lifemask.

Nicky my child he stands there with the wind in his hair
Wondering whether the water the wind of the where
I fear that someday he might ask me if mine is the blame
And I’ve got no reply save to tell him it’s all just a game
And Heather and I lay together and I was in love
She weighted up the gains and the losses and gave me the shove
The fear of mankind’s untogetherness pounds in my heart
The deceit of my friends the betrayals of which I am part
And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing here questioning

And I’m just a social experiment tailored to size
I’ve tried out the national machine and the welfare surprise
I’m the rich man the poor man the peace man the war man the beast
The festive consumer who ends up consumed in the feast
And my fife eyed promoter is clutching two birds in the bush
He’s a thief he’s as bad as the joker they’re both in the rush
He’s telling me Ghandi was handy and Jesus sold his ring
(Dunno who to, God maybe)
“And everyone knows dat dis dough’s gonna make me de king”

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing here questioning

Meanwhile the ticket collectors are punching their holes
Into your memories your journeys and into your souls
Your life sentence starts and the judge hands you down a spare wig
Saying: “Get out of that and goodbye old boy have a good gig”
And the town label makers stare down with their gallery eyes
And point with computer stained fingers each time you arise
To the rules and the codes and the system that keeps them in chains
Which is where they belong with no poems no love and no brains

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing there questioning

Meanwhile the TV commercials are sweeping the day
Brainwashing innocent kids into thinking their way
The wet politicians and clergymen have much to say
Defending desires of the sheep they are leading astray
And Ma’s favourite pop star is forcing a grin he’s a smash
Obliging the soft-headed viewers to act just as flash
The village TV hooks its victims on give away cash
The addicts are numbers who serve to perpetuate trash

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry shuffleing

And the bankers and tycoons and hoarders of money and art
Full up with baubles and bibles and full of no heart
Who travel first class on a pleasure excursion to fame
Are the eyes that are guiding society’s ludicrous aim
And the village is making its Sunday collection in church
The church wobbles ‘twixt hell and heaven’s crumbling perch
Unnoticed the money box loudly endorses the shame
As the world that Christ fought is supported by using his name

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry burbling

And the pin-striped sardine-cum-magician is packed in his train
Censoring all of the censorship filling his brain
He glares through his armour-plate vision and says “Hmm, insane”
The prisoner is taking his shoes off to walk in the rain
And the luminous green prima donna is sniffing the sky
She daren’t tread the earth that she’s smelling her birth was too high
Her bank balance castle is built on opinion and fear
Which is all she allows within three hundred miles of her ear

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry burbling

And I’ve seen all your pedestal values your good and your bad
If you really believe them your passing is going to be hard
And I’ve thought through our thought and I know that its blind silly season
Occurs when our reasoning is trying to fathom a reason
And if you really know it’s all a joke but you’re just putting me on
Well it’s sure a good act that you’ve got ‘cos you never let on
But if all of that supersale overkill world is for real
Well there’s nowhere to go kid so you might as well start to freewheel

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing there burbling

And I had this dream in here same time as standing awake
These various visions rushed through as I giggled and quaked
The distant guns thunder my end and I duck for a while
Auntie Lily is handing me candy she chuckles I smile
And our village is where I was born and it’s where I will die
And I’ll never be able to leave it whatever I try
The ebb and the flow of the forces of life pass me by
Which is all that I’ll know from my birth to my last gasping sigh

And O how the sea she roars with laughter
And howls with the dancing wind
To see the dying lying there obeying

My age and my time
The blood fire wine and rhyme
That fills my dream reminds me of an atom in a bubble on a wave
That held its breath for one sweet second then was popped and disappeared
Into fruitful futilities meaningless meaning
Meaningless meaning

Under the toadstool lover down by the dream
Everything flowing over rainbows downstream
Silver the turning water flying away
I’ll come to see you sooner I’m on my way
And there’s a mirror that I’m looking straight through
And I get it
And there’s a doorway that I’m ducking into
To forget it
But flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

Over the mountain fairground
Candy flies stay
Under the moonshine fountain
I’m on my way
Lemon tree blossom ladies
Poured my tea
After the blue sky breezes following me
There’s a river that I’m making it with
And I know it
And I’m floating to I don’t care where
I just go it
But flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

Daffodil April petal hiding the game
Forests of restless chessmen life is the same
Tides in the sand sun lover watching us dream
Covered in stars and clover rainbows downstream
And the question in the great big underneath is forever
And the fanfare that I’m forcing through my teeth answers “Never”
But the flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

The pumpkin coach and the rags approach and the wind is devouring the ashes

Same Shoes – Roy Harper lyrics – A song about James Dean, Marilyn Monroe and Cuba!

A deep song!

Roy Harper – Forever – the most beautiful love song

Roy Harper – Forever – the most beautiful love song

This was a very early love song. Roy isn’t all vitriol and caustic social comment. He writes the most beautiful love songs too.

This one appeared on his first album – Sophisticated Beggar, and was rerecorded for the Valentine album.

It is a delicate beauty showing his great finger-picking style and use of harmonics. The words are absolutely brilliant. A great poem put to music.

Roy sang this for me and Liz in 1970 in Kingston at a gig in the pub there. I remember it well.

Forever – Roy Harper

We’re just spinning leaves
In the flight of dawn
Little girl
Falling through an eternal horizon of time
But I’d like to think as we lie
That all we’ve got will be ours forever
Don’t you think we’re forever
I can hear a voice
On the wings of my dream
Little girl
Melting me into love as it touches my heart
But sheltered in the distance of your sleep
Is all that I could love in a lifetime
Don’t you think we’re forever

Open your eyes
To the call of the winds
Little girl
Can’t you here them all saying I’ll always be yours
Lying in the misty morning sun
The pillow of the night still beneath you
Don’t you think we’re forever

I’m loving this new discovery of these films of five songs from 1969/70. It’s a little restrained but great to see.

If you are at all interested in my writing on Blues and Rock Music you can check out my books here:

https://www.amazon.co.uk/Opher-Goodwin/e/B00MSHUX6Y/ref=sr_tc_2_0?qid=1474797981&sr=1-2-ent

I would recommend the Blues Muse or In Search of Captain Beefheart to get you started:

https://www.amazon.co.uk/Blues-Muse-Opher-Goodwin/dp/1518621147/ref=asap_bc?ie=UTF8

https://www.amazon.co.uk/Search-Captain-Beefheart-Opher-Goodwin-ebook/dp/B00TQ1E9ZG/ref=la_B00MSHUX6Y_1_4?s=books&ie=UTF8&qid=1474886379&sr=1-4

or

537 Essential Rock Albums Pt. 1

https://www.amazon.co.uk/537-Essential-Rock-Albums-first-ebook/dp/B00OEMO7TA/ref=la_B00MSHUX6Y_1_3?s=books&ie=UTF8&qid=1474902569&sr=1-3

Opher’s tributes to Rock Geniuses

https://www.amazon.co.uk/Ophers-World-Tributes-Rock-Geniuses-ebook/dp/B00U0NLP4W/ref=la_B00MSHUX6Y_1_32?s=books&ie=UTF8&qid=1474967124&sr=1-32

If you would like some of my Sci-fi I recommend Ebola in the Garden of Eden or Sorting the Future to get you started:

https://www.amazon.co.uk/Ebola-Garden-Eden-Opher-Goodwin-ebook/dp/B0116VXVIY/ref=la_B00MSHUX6Y_1_19?s=books&ie=UTF8&qid=1474886688&sr=1-19

https://www.amazon.co.uk/Sorting-Future-Opher-Goodwin/dp/1533082669/ref=la_B00MSHUX6Y_1_10?s=books&ie=UTF8&qid=1474886738&sr=1-10

If you would like a sixties novel I recommend Danny’s Story or Goofin’ with the Cosmic Freaks

https://www.amazon.co.uk/Dannys-Story-Opher-Goodwin/dp/1533487219/ref=la_B00MSHUX6Y_1_9?s=books&ie=UTF8&qid=1474886738&sr=1-9

https://www.amazon.co.uk/Goofin-Cosmic-Freaks-Opher-Goodwin-ebook/dp/B00MT3GWIK/ref=la_B00MSHUX6Y_1_18?s=books&ie=UTF8&qid=1474886872&sr=1-18

Happy Reading!!

Ruminating on Roy Harper – Chapter 4 extract

Ruminating on Roy Harper – Chapter 4 extract

Image (41)

Chapter 4 – quarks in the strings of time

Things were moving fast in 68. The Underground had blossomed and we had our own scene. We lived in a parallel universe with different rules. I was no longer an adolescent. I felt old and worldly beyond my years. The streets were mine. I drifted through the backstreets where the druggies, whores and down and outs lived – and they were just ordinary people like me. I shared the apartment block with a motley crew and they were all great with tales and stories that filled you with empathetic grief.

When you’ve got nothing, you’ve got nothing to lose. I felt safe on the streets. I could blag my way out of trouble. I was hip, cool, young and though poor in financial terms I was rich in friendships, ideas and experience. The desperate left me alone. There was no point in robbing me. They could see I had nothing.

I shared a bedsit with Pete, who was on my course, in a house run by two lesbians, one of whom was very feminine and one extremely macho. The macho one dressed like a man in a suit and trilby. One of the lesbians got pregnant which made for an interesting few weeks of intrigue as the tensions built between them. We thought it strange that it was the macho one that got pregnant. Life is strange.

This was a million miles away from the flower beds of suburbia with its twee chintz. These were the dingy streets of Ilford and the reality of urban life.

There were four of us living there, two of whom were called Pete and three of us were called Smith, and the nights were spent knocking the spots off cards and rapping or picking the gigs. There was a lot of laughter. The Welsh Pete had a series of lines that he’d exclaim when he occasionally won a hand – ‘Drop ‘em Blossom – you’re on next’, ‘A red hot tip’ and ‘Suck mine for one and nine’ were some that come to mind. It was all very sexist and alien but rather amusing in a school boyish manner.

There was IT and OZ to peruse, events, happenings, and festivals.

College was a part-time side issue of little importance. Life was too full to fit in studying. I did enough to get by.

All of this was carried out to a backdrop of music – not as a bland background but right up there, upfront, to be listened too and cherished, discussed and argued over, and loved.

Like electrons we could exist in two places at once. We were connected by a cosmic telepathy. That’s all bollocks but it was how we felt. We were Freaks. Our minds were freaked out. Our eyes were open. We saw what was going on. The straight world, with its politics, social inequality, aspirations, careers, wars, greed and selfishness existed in another plane. I felt sorry for them all trapped in their drabness of experience and shackled with such narrow horizons. My own limits were the extent of my own imagination. Life was a smorgasbord. It was richer than the most opulent meal in the most lavish restaurant. I walked through the streets with straight society but felt that I was walking on a different planet.

Besides I was in love. I was floating anyway.

Liz was a dancer at a college the other side of London. When she came to stay I’d clean the place up so that I didn’t come across as a complete slob and pick the bits off the carpet. We didn’t have luxuries like a Hoover but we had something much better than that.

Pete and I moved to a squat and then another bedsit in Ilford. Pete was a genius who had come back from Africa with full blown culture shock. He made no sense of the packed streets and concrete jungle. The distance of strangers was disconcerting. The structure of this huge morass of society was daunting.

I felt the same and I’d never lived in the African outback. We were strangers in our own strange land. But we were happy voyagers who chortled our way through an endless time where years were decades.

Pete, in his spare time, collected and built musical instruments. The tiny bedsit was full of harmoniums, mando-ukes and guitars. Pete plucked and we rapped and thrashed around like demons as we attempted to make sense of the crazy journey our society was heading down. The walls were adorned with posters we’d made on social and political themes. Pete made light-shows out of polarised sheets that flicked and changed when you moved them. Music filled the seconds. Everything imbued with intensity.

My pet rat Lipher sat on top of her cage and listened in to our mad rapping like a serene Buddha. She knew best of all – but was not saying.

Roy Harper – The Lord’s Prayer – Probably the best song ever recorded.

Roy Harper – The Lord’s Prayer – Probably the best song ever recorded.

Never has there been a song written with such scope and meaning. It is veritably the greatest ‘classical’ track of popular music – a piece that is so intricate and complex, both lyrically and musically, that it propels Rock Music to another level.

The song has a number of movements starting with a poem. This is about the journey of mankind from the neolithic to the present time. It is a poem based on opposites and delivered with panache and some great production effects.

The central sections, featuring the mesmeric genius of Jimmy Page’s guitar work, is based on the image of Geronimo that was presented to Roy by James Edgar (responsible for Hipnosis who did the artwork for Roy and Pink Floyd). Roy took a tab of acid and got into the head of a man who was a relic from the stone-age – a man who still lived in harmony with the land; a man who knew the harshness of nature and felt the passion and fury of life in an untamed world. Each line is a poem in itself to ponder.

The last section was a song that Roy melded on. It brings us back to Roy and modern life and hopes for the future. Is it too late?

This is not a poem to be taken lightly. It has to be studied and thought about. It has so much crammed into it that it makes you shudder with sudden realisation. The music, with its repetitive riff, is mesmeric and develops with such intensity that it ensnares you. To think that a work of this immensity had its genesis in the roots of Jack Kerouac, Jack Teagarden and Elvis Presley – unbelievable.

This must be the peak of poetry and music fused into something beyond the bounds of mere popular music.

This is a masterpiece.

The Lord’s Prayer – Roy Harper

There once was a man from the old stone age
And he used to follow the weather
But now he’s got hung up on filling a page
Upon whether to go or together
And he’s been around for so damn long
With his whooping and wailing
Crushing questions between right and wrong
And impaling
The best he can hope and the worst he can fear
On the solstices of an illusion
A massive erection of pushy defence
Up the whole of the prosecution
Great solace the wound, great relish the pain
To be loosing the reins of a poem
To bleed from the tip of my tongue yet again
That part of my heart that is showing
These children conceived in the womb of this crash
To be the sponsors of nothing much more
Than rearguard directions of cross fingered sections
Of purpose pot – looking for nothing
But what is this last desperate vestige of heart over head
But another conjecture
No more the tomb of the martyred dead
Than the ghost of our parting gesture
And a hundred billion crystal balls
Represent a remarkable failure
To swell the song each moment long
At the counterpoint of nature
As four thumbs flick the tarot deck
And two tongues fork eight aces
Maybe sixteen fingers feel
The fool lives in two places
Where rosy lee can read this tea
And leave me living the story
A white dove with a hawks’ head
And an open mind before me
To sail for a land where life is a high
Not a word to be heard or be spoken
But the soul – woven web of the endless touch
Of a child who could never be broken
Who plays a new world on the brink of the ebb
As the fish cats prowl in the harbour
And now soars high on the beckoning tides’ long arm
To weigh his last anchor
And the sou’westers sing as the lifeboat bells ring
In the heads on the faces of changes
The heavens collage on Excalibur’s edge
The star in his movie converges
With fate, in his task, and doom on his brow
And a ship in his eye in a bottle
Who speeds, to force, to want, to have,
To find, to further fortune,
Who comes from the north, west, south and east
Of the passions of a spirit
Witl all the flight of the wildest beast
To ever spurr a stirrup,
Whose pulse is the master of action
Whose heart is an everlasting secret
Whose arms are desire
Whose lips are welcome
Whose eyes tell stories
Whose head is a journey
Whose hands unfold
Whose feet fly
Whose face is the stained glass window of a continuous orgasm.
Whose being is mine
Whose wounds are precious
Whose poem is a flower
Whose gentleness is the devil
Whose identity is naked
Whose magic is a gift
Whose power is the transparent tapestry of history
Whose stamp is a freak
Whose wits are battles
Whose cousin is dog
Whose times are well fought for
Whose stone age is clever
Whose poets know
Whose music is barbarian
Whose artists are helpless spherical mirrors spinning on the horns of a tidal
wave
Whose information is belief
Whose complexes become religion
Whose foundation is spread
Whose word is god
Whose books are projectiles
Whose message is must
Whose excuse is holy
Who passed it down to me;
Whose enemies are landmarks
Whose fear is himself
Whose hope is lust
Whose wish is fresh
Whose position is wary
Whose mottoes are covers
Whose name is hidden
Whose nose is suspicious
Whose technology is a tangent
Whose strategy is dissent
Whose thoughts are games
Who shares his lot
Whose ace is death
Whose fingers invent
Whose tales weave
Whose knots are tied
Whose mouth is open
Whose ears pierce
Whose direction is out
Who is aware of disease
Who feels the need to cleanse his soul
Whose style is disguise
Whose dream is innate
Whose woman is soothing
Whose little children are the delicate blossom of an orchard of electricity
Whose spell is for conflict
Whose quest is strength
Whose war declared
Whose suicide is noticed
Whose shadow is cast
Whose vibes you feel
Whose pedigrees are haunted
Whose age is unknown
Who takes under his wing
Whose freaks are real
Whose reality is hunger
Whose words are jagged
Whose tears are shed
Whose sick hang
Whose weak are kicked
Whose cities are bad shelters
Whose sanctuary is an idea
Who sat round a fire
Whose teeth chew
Whose faith is change
Whose old age comes quickly
Whose youth burns
Whose systems are white sticks tapping walls
Whose prize possession is the planet;
Whose wildest lust is escalation
Whose cul-de-sacs are feelers
Whose main route is massive
Whose run is a dance
Whose vehicle is fantasy
Whose home is high
Whose role continues
Whose bearing is savage
Whose saints are dead
Whose sons bark
Whose daughters play
Whose strength is against
Who grows in the sun and sleeps in the moon
Who roams deserets, plateaux, mountains, forests and plains with vast armies
Who am I
The spirit of those who were not here
And never knew it
Who left this prayer to elope
A lover’s journey through it
So children leave your windows open
Across the sea
Join our hands across the many land
You and me
Never grown old
Seeing without ever being told
Something to say
Shut away
Blackboard so grey
Anyway
I’m dreaming
Out along the back row
Out the window
Cast away
Be free with me
Today
Great heart mean streak
Spare part speed freak
I set myself a problem when I built myself a wheel
I got myself another when I rode a horse to feel
The plains underneath my reins
As fast as running water
And the big lady I’m playing with
Has played a game of poker
With me and cat and this and that
Until she scored my joker
Now we ride in chariots
By the side of one another
Her soft side
My rough ride,
Nothing to fear
The unknown soldier’s grave is already here
Is it too late
To create
A world made with care
Is it there
Or fleeting
Here today and gone
Tomorrow’s child
Looking so wild and free
Are we a choice
With no voice
Can it be
Great heart, mean streak
Spare part speed freak

Roy Harper – A chapter from Ruminating with Roy Harper – a perfect gig.

Roy Harper – A chapter from Ruminating with Roy Harper – a perfect gig.

Chapter 14 – perfection on the steps and under the stars

I often think back over the hundreds of Harper gigs I have gone to over the years and try to identify which one I have enjoyed most. St Pancras Town Hall was probably the most intimate and Les Cousins is high up there simply because of the thrill of the recording. Then there was the zaniness of the Royal Festival Hall Purcell rooms with Ron Geesin and Ralph McTell in which they kept coming on stage with white lab coats. Or the one with Al Stewart (who the Melody Maker were trying to tee off against Roy as the battle of the acoustic guitarists) when Roy turned up tripping out on acid.

There are many that stick in the mind for a variety of reasons but one always keeps resurfacing and never fails to bring a smile to my lips whenever I recall it.

It was some time back in the early seventies when Roy was playing at Ewell Technical College.

The building was a formidable brick affair of no distinction that looked to have come out of the 1930s. The hall was large and barren and not particularly well disposed for the creation of atmosphere. The audience was large and seated in rows on hard wood chairs.

At first glance it seemed an unlikely setting for a memorable night but that’s what it turned out to be.

It was one of those occasions when Roy was in the mood. He was in good form and the audience really got into and was giving it back. The flames were fanned and Roy was enjoying himself immensely.

Eleven o’ clock came all too fast, the two hours having passed like a flash. Roy was never one for going for clocks and proceeded undeterred. By half past eleven a disgruntled caretaker, who had to clear away all the chairs and lock up before he could go home, came on stage to remonstrate with Roy – to no avail.

The next thing we knew was that the lights went off. We sat in the dark as Roy continued to play in the blackness. If anything the crowd were even more with him and Roy was even happier.

In desperation the sound was turned off. Roy continued to play acoustically as loudly as he could and the crowd were right there with him.

By now it was twelve thirty and everyone was having a great time. It was real party time. Number after number with Roy gleefully performing in the gloom.

The lights went on and two burly policemen strode in grabbed Roy under the arms and bodily ejected him, guitar and all. We all followed him out and the furious caretaker locked up.

But that wasn’t the end of it. Roy had the bit between his teeth and continued to sit on the front steps under a bright starry night and play to the faithful who remained clustered around digging it.

It finally broke up at around three a.m. and we all separated zinging. It was one of those magic nights like all music should be. A session where performer and audience transcend all the barriers and experience something greater as the music is shared with mutual passion.

A great night.

Anecdote – My first Roy Harper gig

Anecdote – My first Roy Harper gig

 

My first Roy Harper gig

It was 1967 and I had been told by my friend Bob that I ought to check out this singer that he’d seen. He told me that he sounded like me. He talked about the same stuff. And that I’d love him. Bob was cool with his white plastic mac and black tousled hair. If he thought that then it was worth checking out.

I put it to the back of my mind.

I had recently been getting into Jackson C Frank, Bert Jansch and John Renbourn. I had a motorbike and the means to get into London. The Sixties Underground was opening up to me. I was immersed in the Blues, West Coast Acid Rock and the Psychedelic/Progressive scene. It was all happening.

Les Cousins seemed to have it all when it came to the singer songwriter and what passed as ‘Contemporary Folk’.

I headed up to catch a gig by Bert Jansch and John Renbourn. It set me back a cool 20p.

Les Cousins was a basement club , down these stairs into the cellar laid out with tables and chairs and a stage. It was cosy.

Bert and John did individual sets and sandwiched in between was this fair-haired troubadour with a contagious chuckle and wicked mind. I didn’t twig straight away that this was the guy Bob had told me about. I was captivated by the patter. He only played three songs. I remember one was Blackpool. None of them were his epics. He hadn’t written those yet. But what he had to say and the power of him came straight across to me. I was smitten.

Roy Harper rocked my mind with the force of a tsunami. He was articulating the thoughts inside my head and putting them into words.

I knew I had to see him again soon, and quick, if for no other reason than to find out what I was thinking!

New book – Ruminating on Roy Harper – Chapter 1

New book – Ruminating on Roy Harper – Chapter 1

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I wrote this book in a stream of consciousness style. The trouble was that nobody liked it. They found it too verbose.

So I am presently rewriting it in another prose style. It’s looking good.

Chapter 1 – discovering a supernova in the constellation of the inferno.

London was a huge firestorm of stimulation in which minds were melted and re-forged into burning rapiers of imagination. It raged. Everywhere it came at you in torrents of screaming wonder that twisted your thoughts like wild furies pulling at the tendrils of your hair.

I was immersed in it, swam in it and gulped it in. It filled me and turned my thoughts to liquid fire that devoured all around. I spat it out in globs of electric glittering rhetoric. Everything had to be absorbed, digested and stripped dry of every conceivable nuance. It had to have its essence. I had to share it. It consumed me and I knew that I would explode if I did not let it out. The truth was all around. I had to pierce it to its elemental forces and take it in to my self to fire my passion and splurge it back out in a supernova of marvels.

All around me the universe opened up in radiant energy, blazing meaning and unfurling secrets. My mind was too small to take it in. I wrestled with it and gabbled it out to any ear that was receptive. Through long nights of rabid insane speculation, revelation and inspired wonder I dissected the infinite workings of my mind and probed the mystical connections to the fabric of eternity.

My mind floated in a thundering sea of music and lyrics that set off deafening eruptions and cascades of understanding. All was revealed. The mundane world was transformed into the fury of primordial energy. There was so much to take in. My brain worked at fever-pitch.

The discoveries screamed in my head, wrenching neurones into distorted webs, setting loose sparks that illuminated my skull, as I devoured literature, art and poetry and connected with all those other transcendental spirits who had spat their vitriolic insights, whose minds had soared in wonder, whose souls were exposed to those same elemental forces. I delighted that there were others who fought with the same beasts and were raised on the same waves of ecstasy.

The pulsing sea of music and poetry that was my muse washed me along to new insight and transformed me. My mind grew to contain the breadth of understanding. I saw the world through new eyes. I saw humanity through transparent glass clear of the smears of subjective routine. I saw society for the slavery and drudgery it was. I saw the exploitation, subservience and military mercilessness as proof of its worthlessness. Where was the love, beauty and poems?

I wanted out.

I did not want any part of that machine. I wanted out of that control.

My mind had been dismantled and reformed into that of a mutant. I had been reborn with armour piercing eyes equipped with X-Ray vision. The universe was a mystical dynamo. Nothing was mundane. It was shot through with new meaning; it shone and shrieked in nakedness and I absorbed its texture, sense and import with ecstatic delight.

My dad sat on the sofa and declared that ‘The Prisoner’ (Patrick McGoohan’s brilliant satire on society) was a ‘pile of rubbish’. I felt sorry for him. He couldn’t see. It was an expose of the machine of society in which we were all controlled, programmed and numbered.

I was not a number. I too was a free man. I had a mind and I wanted to use it.

There was a world out there that I was opposed to. It was full of greed, exploitation, war and suffering. It stank. I would rip it apart, sweep it away, and replace it with something better.

You could slip into your little niche and pretend that everything was jolly or you could start out swimming against the tide.

It was stupid to swim against the tide. The currents were too strong. You would get swept away and drown. You could not change the whole ocean flow. You were a tiny piece of jetsam.  Why bother? Relax, fill your niche and go with the flow. Life was easy. The rewards were many. You could find a place of comfort and ease.

I struck out against the flow. I did not merely want to swim against that tide I wanted to subjugate it, transform it, overcome it and destroy the heartless machine that controlled us all and was creating it. I railed and ranted as I fought to smash those currents into my will. I spit in the face of futility. Fighting stormy waves was more fun than drowning in ennui. Being a modern day Canute was at least morally justified. You could happily martyr yourself on that one. There was a battle raging and I wanted to be in the vanguard. There was a new way of living to be fathomed out and I lusted after being a pioneer. Besides there were Tsunami’s to create, ripples to manufacture and storms to unleash.

This was 1967 and a new generation was tearing the walls down. Move out of the way we were taking over. There was a better world and we were going to build it.

Chuck the fucking sofa in the skip I was an explorer of a new universe. There were seething currents to be mastered, continents to discovery, galaxies to open up. Besides that I wanted to get laid, roar with laughter, groove to the beat, get stoned and set the world alight in a relentless orgy of passion.

Anyone who had ears was deafened.

Anyone who had a brain with a spark of electricity was commandeered.

I had embarked on an adventure and the universe was my frontier. Infinity was my bars and I was determined to burst through them. I could not contain myself.

I was inspired by the likes of the electric polka-dotted Dylan with his snarling tongue, wicked insight and machine-gun lyrics, a ICBM of precision and ferocity whose words created explosions in my cortex, or the magnificent Captain Beefheart with his acid desert blues, sniping and peppering his songs with stream of conscious, hip poems and space-age music so original it created it’s own genre, or Woody Guthrie whose heart was out there in front of him thumping you between the eyes with his honesty, the first and foremost social commentator, who words were rabid with bite and righteous anger. I threw them all in my melting pot with Kerouac’s road trips through life, Ginsberg’s jotting on the inside of the skull as he screamed at the insanity of society and Henry Miller’s ragged explorations of reality in the Paris streets of the 1930s. They were my inspiration; they sent my blood boiling, cortex whirring, hunger gnawing. I thirsted for their lives, their experience and hungered for their insight.

It was Nirvana or bust.

There is an ecstasy to discovery and I radiated it in spades. I was consumed with the obsession of passion. Every new insight or breakthrough was a revelatory cause of overwhelming wonder to be devoured; an orgasm of delight. I was stumbling through a world that was illuminated with inner light and yet people went about their business as if their lives were ordinary and the universe wasn’t raging around them. How on earth could you fit in any of that mundane crap when there were big issues to be fathomed out; those mysteries demanded that you behold them, share them and examine them in detail. They demanded to be enthused over. There were not enough seconds to grapple with them all. They came too thick and fast. I was energised with it; glowing and careering like a madman with mouth agog, brain screaming.

Life was a non-stop stream of revelation and jaw-dropping understanding, an orgy of insight and a smorgasbord of wonders. All you had to do was tuck in and cram it in.

I tucked, fucked, bucked, lucked, sucked and never ducked! It was one mother of a roller-coaster ride! I was hanging on for dear life; I was squealing with delight. It was the greatest road trip in the galaxy – the realisation of consciousness and individuality within infinity.

Through long nights of agitated verbal gymnastics we tried to harness the sense contained within the squirming words we shouted and ride them into the dawn of understanding, aghast at what we were revealing. Each thought spawned a thousand more and each was argued with fury and fervour until we could no longer keep our red eyes from drooping. We were angel-headed hipsters for sure. We were alive when all around us was a graveyard of melancholy. We were ragged but we lived; at least we fucking lived!

In the midst of this furore a friend, who is now distant long lost somewhere in the oceans of time, called Mike, who had long dark tousled hair and wore a frightening white plastic jacket, delicate sensitive Mike, sought me out to tell me to check out this fire-brand of a singer who was as crazy as me; a mad poet with wild eyes and raging mind who was saying the same stuff I was spouting. Mike was aghast with wonder at his discovery. He thought we’d get along.

I filed it away in my repertoire of things to do and it sat and mouldered amid the swirling patterns in my head. There were too many universes to plumb; too much happening in the furore. The seconds were like minutes. They were so full they were gushing time over the edges. I was lapping at it and savouring all I could grab. Things were piling in from all sides and my axons multiplied and weaved into new knotted patterns, forging motorways through the hinterland of grey matter, making mad connections and fuelling even greater cyclones of agitation and eagerness and dendritic ecstasy.

You’d have to chain me down. My eyes were torches. My tongue was liquid fire.

Shortly after Mike’s words were recorded I was prowling the streets of Soho in search of more grist for the churning mill in my head and had settled on a gig at Les Cousins on Greek Street. It is wondrous how serendipity works for there, sandwiched between Bert Jansch and John Renbourn, was the young hothead Mike had told me about. I don’t believe in fate; it was luck that took me there that night. If it hadn’t have happened then it would have come soon. There was inevitability about it. We swam in the same waters and those waters were more akin to a solar flare.

It was the briefest of sets – just three numbers and an equal amount of searing gig-talk. The numbers weren’t even that great. I remember one was Blackpool and the other two were early songs that were a million miles away from his later epics; but they were enough, he was more than enough. I saw those same eyes spewing forth their photons like X-Ray quasars, the same tongue tripping mercury and heard the sparks resonating off that cranium. I had glimpsed a mind that was raging with the same lusts and passions as me and it turned me on, it fired me up. I came out of Les Cousins with my head zinging on such a high.

I had my first encounter with the young and fiery Roy Harper, a madman crazed with revolutionary zeal, a poet whose words spelt trouble, a social dissident whose eyes pierced the charade of society to reveal its pusillanimous, disease-ridden, cancerous corpse; and a musician singer-songwriter of unique scope and skill.

It felt like peering into a mirror. Every word was a silver bullet that hit home and sent waves of empathetic agreement – yes… yes…. Yes…… YES…… YEEEEESSSS!!!!.

This was no concert, no performance, no creative artistic endeavour; this was a stream of consciousness, a venting of the soul; a communication of the depths of understanding, a political intent to shred the fundamentals of society, a questioning of the very tenets of existence.

No showbiz act could compete with that for the show was inconsequential. All that was important was the act of communicating, reaching out, shaking and reverberating, sharing, stunning, reasoning, fuming and trying to make sense of it.

The world was run by madmen and only the sane could see what was going on! It was finding the other sane fuckers – that was the hard part. I had unearthed a supernova in the depths of Soho and I’d found what I was looking for – he was one sane madman. Roy Harper was on the loose!