A Neil Young Day!

OK – I’m back to the music. The poets of Rock had a huge influence on my development and way of viewing the world. Once someone opens your eyes to what is going down then they can never be closed again.

Words, books, songs – they are nutrition for the psyche.  You mind grows as you absorb the feelings and meaning.

Neil Young has produced some memorable contributions. I love his guitar playing, his voice, his attitude and songs even though sometimes he has strayed into sentiments I don’t always agree with.

So today is going to be a Neil Young day!!

Neil Young – Rockin’ in the Free World – lyrics about social inequality, homelessness, drug addiction and the damage to society and children.

 

Neil_Young_-_Per_Ole_Hagen

Inequality is the basis behind most of the world’s problems. The division between the have’s and have-nots is immense. The judgement of a good civilised country is how it treats its underprivileged, needy and disabled.

I was shocked by what I saw in America and what I see in Britain. There is a heartlessness in many people’s actions; they seem to believe that the homeless and down-and-outs deserve all they get. They should have worked harder at school, achieved higher qualifications, got themselves a job.

I am not referring to the hapless free-loaders. There are the scroungers who need to be made to contribute.

Before making judgements people should listen to the stories of the people concerned. There are many sad tales of neglect, abuse and disaster. Many are traumatised and unable to function.

There but for fortune.

The worth of a society is its benevolence. It seems that the greatest nations on Earth are content to have people living rough and scratching round dust-bins for food – as if they were vermin.

I think that is an indictment on those nations. It is cold, heartless and uncaring. We should be better than that.

The children brought up in the degradation created by poverty, desperation, prostitution and drugs will grow up to have a blighted life. It needs addressing and we are rich enough nations to address the issues properly. There is far too much greed and selfishness.

Neil Young highlighted the problems in this song. The ‘Free World’ should set an example and show the world how compassion is done!

“Rockin’ In The Free World”

There’s colors on the street
Red, white and blue
People shufflin’ their feet
People sleepin’ in their shoes
But there’s a warnin’ sign
on the road ahead
There’s a lot of people sayin’
we’d be better off dead
Don’t feel like Satan,
but I am to them
So I try to forget it,
any way I can.

Keep on rockin’ in the free world,
Keep on rockin’ in the free world
Keep on rockin’ in the free world,
Keep on rockin’ in the free world.

I see a woman in the night
With a baby in her hand
Under an old street light
Near a garbage can
Now she puts the kid away,
and she’s gone to get a hit
She hates her life,
and what she’s done to it
There’s one more kid
that will never go to school
Never get to fall in love,
never get to be cool.

Keep on rockin’ in the free world,
Keep on rockin’ in the free world
Keep on rockin’ in the free world,
Keep on rockin’ in the free world.

We got a thousand points of light
For the homeless man
We got a kinder, gentler,
Machine gun hand
We got department stores
and toilet paper
Got styrofoam boxes
for the ozone layer
Got a man of the people,
says keep hope alive
Got fuel to burn,
got roads to drive.

Keep on rockin’ in the free world,
Keep on rockin’ in the free world
Keep on rockin’ in the free world,
Keep on rockin’ in the free world.

Crosby, Stills, Nash & Young – Opher’s World pays tribute to genius.

This was the ultimate West Coast super-group of the sixties.

Graham Nash had left the Hollies because of their narrow Pop sensibilities and headed for the delights of Laurel Canyon with its band of pioneering musicians and singer-songwriters. He was looking to soak up that alternative vibe being created by the West Coast bands and wanted broader horizons with more depth than could be achieved with a British Beat group still looking to churn out chart hits. He was fired with idealism and the desire to change the world, produce music that had integrity and feel fulfilled. He ended up living with Joni Mitchell who was one of the greatest songwriters of the era so I guess things went well.

Stephen Stills was a major force in Buffalo Springfield who were one of the top West Coast bands. He brought his song-writing skills, voice and exceptional guitar playing.

David Crosby was a founder member of the Byrds but fell out with the others and got kicked out. He was outspoken, out on the edge and extreme and brought his maverick personality, song-writing and beautiful voice.

Neil Young was brought in following the first couple of albums to boost the instrumental attack, particularly live. It was a strange decision to bring him in because he was also a member of the ill-fated Buffalo Springfield and it was the clashes of egos between him and Stills that had largely been the reason the band had broken up. But he was an immense talent and brought his incredible song-writing, guitar playing and unique voice.

On paper this was a volatile group of people, unlikely to come together in the first place and with an amoeba’s brain chance of lasting. Strangely they did. At least the band went forth in a variety of combinations – duos, trios and quartets and has lasted through to this day. We can largely lay that at Graham’s door as he was the master mediator who managed to pour oil on those troubled waters.

I caught them, as Crosby Stills and Nash, at a gig in the MEN arena in Manchester and got an escorted tour backstage. Seemingly the band does not get along. They each play on a square of their own carpet because they swore they would never play on the same stage together. They each have their own luxury coaches equipped with bathrooms, kitchens and bedrooms so they can travel separately. They each book into different luxury hotels wherever they gig and they never socialise together. The only one to appear at the lavish backstage do was Graham. It was his home town and he was meeting up with old mates. The other two had scarpered to their respective hotels.

This brings me to the music which was powerful and divine. It certainly made all of Graham’s efforts worthwhile. They were sublime.

It was the music that united them and superseded their animosity towards each other. When they came together jamming in their front rooms in Laurel Canyon they discovered that their voices created a unique blend. It was so good that it over-rode all other considerations. This was a band that had to form. The musical chemistry was a sure-fire catalyst for the production of something extraordinary. When you combined the beauty of that vocal harmony with the equally dynamic song-writing talent, personalities, musicianship and performers it was unbeatable. When you added in the ingredient of the political and social message that they all felt inspired to ally themselves to you had a package that had substance. They were a powerful force on the West Coast scene with its anti-Vietnam stance and desire for social change. They were the voice of the counter-culture. They stood for equality, freedom and justice against the might of the establishment.

The pinnacle of their performances for me was the brilliance of Neil Young’s ‘Ohio’ a paean to the four students gunned down by the National Guard when protesting the war on campus at Ohio State University. Neil wrote the most powerful song that encapsulated the feelings of a generation and Crosby, Stills, Nash and Young delivered the message like a nuclear warhead.

Those sixties albums are immense and then to see them reform to deliver another blow for freedom and justice with their anti-Gulf War concerts was really stimulating. They helped galvanise a generation to bring about change.

They are still just about together on stage and their music is as powerful as ever.

Neil Young – Opher’s World pays tribute to Neil Young

Neil youngTo have been the major contributor to a band of the stature of Buffalo Springfield was sufficient to be credited with being a leading force in Rock Music. But Neil’s stature is much greater than that. He was also a huge part of Crosby Stills, Nash and Young, the leader of Neil Young and Crazy Horse and a singer/songwriter who is just as happy acoustically.
As a songwriter his magnitude can only be measured by comparison with the great Bob Dylan. He doesn’t come close but at least he is right up there at the front of the leading pack. Whether electric or acoustic he delivers the goods. Whether writing or performing in the idiom of Folk, Country, Grunge or Hard Rock he gets it spot on.
Neil can move from delicate, melodic, sentimental songs, through atmospheric epics to thunderously chorded riffs that compare with the greatest monsters of Rock.
His lyrics usually bite and the music is distinctive and vital. Neil’s voice is instantly recognisable with its distinctive nasal twang and gentle timbre. That electric guitar sound is a trademark. He says he was inspired as a boy by Hank B Marvin but his style is much more aggressive and raw.
I’ve lost count of the essential tracks he has laid down. His best of must extend to a ten CD box set. Rarely has he produced a dud album despite the huge range of styles he has invested in. His versatility is astounding.
The expectations are so high that when he does come out with a duff album like ‘Hawks and Doves’ or ‘Trans’ it throws you. You wonder where his head was. It seems at times as if every now and then it goes politically off kilter. But then he gets it back together and the radical force that created ‘Ohio’ is back castigating the establishment and offending the rednecks for their belligerence.
My only criticism of Neil is that I personally would have liked to have seen more of Neil’s song-writing genius used to produce songs of real substance with that liberal social political side. The content of so many of his songs has been concerned with love. I like to get my teeth into the issues. Even so, you cannot deny the elemental force that is Neil Young. He’s a monster.