Perhaps Trump could play some Roy Harper??

I suggest The Spirit Lives, The Game or One Of Those Days In England!

Check out Opher Goodwin books – Beatles Classic Album release TODAY!!

My books are available from Burning Shed (Sonicbond publishing) and Amazon. Please take a look!

https://burningshed.com/index.php?route=product/search&filter_name=opher%20goodwin&filter_sub_category=true

https://www.amazon.co.uk/s?k=Opher+Goodwin&i=stripbooks&crid=38WJH7ZHY5PZR&sprefix=opher+goodwin%2Cstripbooks%2C223&ref=nb_sb_noss_2

Thanks for the reviews.

Opher

Roy Harper Live with Nick – When An Old Cricketer Leaves The Crease

Love this little clip! So good together!

Roy Harper – Sophisticated Beggar – The debut album

The title says it all. Roy saw himself as being outside of mainstream society. He used his intelligence and creativity to scrounge a living. He was and still is, the sophisticated beggar.

   Pierre Tubbs produced this album for Strike Records. The story is that a bunch of shady underworld characters were laundering money, and they set up Strike in order to hide their activities. Roy claimed it to be a true garage album because it was recorded in a makeshift studio, converted from a potting shed in Leatherhead. As studios go, it was a primitive setup, and the album was recorded on a basic Revox tape machine. Out came this remarkable album, which is quite unlike anything his contemporaries had produced.

   Nobody seems to remember exactly who played on what. No professional notes were made. The tape was left to roll, and the numbers were mainly single takes with a minimum of overdubs. The equipment wasn’t up to much and options were limited. Only one or two tracks were worked on further and added to – notably the single and the other chosen as its B-side.

   For the time, it is surprising and unusual that Roy didn’t want to include any of the folk/blues songs he’d been busking with. All the songs are Roy Harper originals. Also surprising is the album showing such a range of style and complexity, coupled with poetic lyrics. Roy was already experimenting, adding jazz chords and even using rock backing. His vision was much wider than most other folk artists. Not only is the album more original in content than that of his contemporaries, but it’s more ambitious and avant-garde. He knew what he wanted and was extending his musical prowess. He might have been playing folk clubs with an acoustic guitar, but this album clearly demonstrated that there was a lot more to Roy.

   Sophisticated Beggar has been re-released a number of times (and was illegally bootlegged by Tring Records as Legend). It also appeared as Return of the Sophisticated Beggar, with the additional track, ‘Hup Hup Spiral’: which is simply Roy saying, ‘Hup hup hup’, as the stylus moves to the disc centre and lifts.

Roy Harper: Every Album, Every Song (On Track) Paperback 

Roy Harper must be one of Britain s most undervalued rock musicians and songwriters. For over fifty years he has produced a series of innovative albums of consistently outstanding quality. He puts poetry and social commentary to music in a way that extends the boundaries of rock music. His 22 studio albums 16 live albums, made up of 250 songs, have created a unique body of work. Roy is a musician s musician. He is lauded by the likes of Dave Gilmour, Ian Anderson, Jimmy Page, Pete Townsend, Joanna Newsom, Fleet Foxes and Kate Bush. Who else could boast that he has had Keith Moon, Jimmy Page, Dave Gilmour, John Paul Jones, Ronnie Lane, Chris Spedding, Bill Bruford and Steve Broughton in his backing band? Notable albums include Stormcock, HQ and Bullinamingvase. Opher Goodwin, Roy s friend and a fan, guides the reader through every album and song, providing insight into the recording of the songs as well the times in which they were recorded. As his loyal and often fanatical fans will attest, Roy has produced a series of epic songs and he remains a raging, uncompromising individual.

Roy Harper – On Track – Every Album, Every Song

Introduction

Roy Harper is a unique individual and an innovative songwriter who took his first uncharacteristically tentative steps into the London folk scene during the mid-1960s. He was born on 12 June 1941 into the middle of World War II, his mother sadly dying a few days later from mastitis: a common breast infection, nowadays easily treatable. The loss of his mother, naturally, had a lifelong impact on Roy’s personality. His father married again, but his stepmother was a strict, religious woman, and Roy’s life of rebellion began.

   His first memory is of being held in someone’s arms, looking towards a red glow on the horizon, and being told, ‘Manchester’s really copping it tonight’. As a wayward child, his younger years were marked by constant trouble, both at home and school. On one occasion, he was found many miles from home, pedalling his trike towards Liverpool. His dislike of the religion his stepmother imposed, led to him performing pagan ceremonies and burying effigies in his back garden.

   As a child, Harper lived in the genteel town of Lytham St Annes: a place he once described as a cemetery with a bus stop. The tedium of life in the drowsy town portrayed a conservative ethos he fought against. Moving into his teenage years, minor incidents progressed into more serious crimes. He and a small group of friends alternated between running free in the countryside and conducting shoplifting and vandalism sprees. These activities ranged from stealing chocolates in Woolworths to breaking into Lytham’s cricket pavilion. They drank the booze they found inside, then burnt the building to the ground.

   On one occasion, Roy and a friend rampaged through the town, pulling up freshly planted roadside saplings, then hoisting a weighing machine through the public toilets’ window. Exhausted, they searched for somewhere to put their heads down and broke into a garage. Falling asleep in a car, they were discovered the following morning: by the owner, who, unfortunately, happened to be a policeman.

   Continued rebellion and a string of minor offences culminated in Roy’s arrest. He was found guilty of daubing swastikas and a hammer and sickle on the town hall – the act ostensibly a protest aimed at the councillors (who he considered to be a bunch of Nazis) and against the Russian invasion of Hungary. It was sufficient to produce a double-spread article with photos in the Daily Mirror.

   This was just the beginning.

   At fifteen – in order to escape from his stepmother and the mayhem he had created – Roy signed up to the Royal Air Force for five years, with dreams of becoming a pilot. But life in the RAF was not how he imagined. He tried boxing, which provided some respite, but the unremitting discipline and tedium of life as a serviceman became unbearable. After two years, he knew he had to get out. Without the cash to buy his discharge, Roy decided to feign madness – not too difficult a task in his case. He successfully convinced the military doctors, and the RAF discharged him, but only as far as RAF Princess Mary’s mental institution, where he was assessed and treated. There being sectioned, he was forcibly medicated with lithium and largactyl, and even subjected to electric shock therapy. Eventually transferred to Lancaster Moor Hospital, Roy decided that in order to keep his ‘insanity’, he had to escape. Being of slight build, he was able to squeeze through a fanlight window and flee. I have a mental image of him, wearing one of those gowns that tie at the back, racing across the grass and scaling the wall – although I’m sure it probably wasn’t quite like that.

   Now on the run, Roy headed for Blackpool, where he became immersed in the bohemian subculture. As a self-proclaimed hashish-smoking beatnik, he discovered the world of Kerouac, Ginsberg, and Burroughs and began to write poetry.

   However, he continued with his reckless ways. Undeterred by the risk of being caught and sent back to the institution, Roy resumed his rampage through life. On one evening – at a party that was running out of booze – he climbed onto shop roofs, intending to break into an off-licence. Crashing through a skylight, he found himself miraculously unscathed but on the floor of a chemist. Unable to open the dangerous drugs cupboard, he settled for a bottle of amphetamines and a jar of pennies, proceeding to sit on the seashore, swallowing a handful of the pills and throwing pennies into the water.

In Search of Captain Beefheart – A Rock Music Memoir

Preface

Jack White launched into the searing riff that was the intro to ‘Death Letter Blues’. It shot me straight back to 1968 and the thrill of seeing and hearing Son House. Son’s national steel guitar was more ragged than Jack White’s crystal clear electric chords, and nowhere near as loud, but the chords rang true and the energy and passion were exactly the same.

Meg pounded the drums and the crowd surged forward.

It was Bridlington Spa in 2004. White Stripes were the hottest thing on the planet. The place was packed and the atmosphere electric. I was right near the front – the only place to be at any gig – the place where the intensity was magnified.

It was a huge crowd and they were crazy tonight. I could see the young kids piling into the mosh-pit and shoving – excited groups of kids deliberately surging like riot cops in a wedge driving into the crowd and sending them reeling so that they tumbled and spilled. For the first time I started getting concerned. The tightly packed kids in the mosh-pit were roaring and bouncing up and down and kept being propelled first one way and then another as the forces echoed and magnified through the mass of people. At the front the crush was intense and everyone was careering about madly. My feet were off the ground as we were sent hurtling around. I had visions of someone getting crushed, visions of someone falling and getting trampled. Worst of all – it could be me!

For the first time in forty odd years of gigs I bailed out. I ruefully headed for the balcony and a clear view of the performance. I didn’t want a clear view I wanted to be in the thick of the action. It got me wondering – was I getting to old for this lark? My old man had only been a couple of years older than me when he’d died. Perhaps Rock Music was for the young and I should be at home listening to opera or Brahms with an occasional dash of Wagner to add the spice. I had become an old git. Then I thought – FUCK IT!!! Jack White was fucking good! Fuck Brahms – This was Rock ‘n’ Roll. You’re never too old to Rock! And Rock was far from dead!

The search goes on!!

A Magical Land

A Magical Land

I opened my eyes to a magical land,

                Took a moment for my mind to expand,

                                Smiled at the things close at hand,

                                                Rummaged in the attic to taste what’s planned;

Another day for a desperate stand.

She stirred beside me without a care,

                Opened her eyes on everywhere,

                                Reached out to cuddle me close

With the healing touch that means the most.

Then up to it with the tea and toast.

The sun smiled,

                Green leaves throbbed,

                                Butterflies capered,

                                                Bees bobbed,

Crows cawed

                Swifts screamed

                                But nothing much

                                                Was as it seemed.

Outside the door the battle loomed.

                Casualties sagged with ideals entombed.

                                                I took my place in the front line,

                                                                Hanging on to what was mine:

A ragged warrior lost in time.

Hard to remember what and why

                As years pass and friends fly by;

                                Dreams perish and babies cry.

Ensnared by the eternal slice of the pie.

But the dream’s alive

                Amid greed and hate.

                                Embers flare

                                                At the edge of the gate.

The spirit still roars from under the weight

She touches my hand

                All twinkling eyes

                                Full of love

                                                And morning skies.

The strength flows,

                Tenacity grows.

Where we’re going

                No-one knows!

We ran through the forests

                Danced on the plains,

                                Conquered the seas

                                                Crossed the mountain range.

Roamed the deserts,

                Through the strength of our brains.

We filled the air

                With the joy of our song,

                                Praising the sun,

                                                The land and the sky.

Filling our minds with the where, what and why?

In all of this we belong

                Yet that is where it all went wrong.

Creating leaders,

                Inventing gods

                                Possessions and armies

                                                Rockers and Mods.

In an endless sequence of agony and gore

                Tragic stupidity; endless war;

We live in the days of mindless hordes,

                Fake news, propaganda and threat of the spores.

We’ve lost our connection to the bees and the trees,

                Brought Mother Nature down to her knees.

In the senseless game that we play

                Where a few get everything

                                And the mindless just pray.

Our inventions betray us

                Rob us of life.

Cut from reality

                With the stroke of a knife.

The future a blizzard,

                The past a blood bath.

Looking for purpose

                You must be having a laugh!!

Opher – 2.8.2024

It’s a little epic; stretching from the personal to the universal and crossing time. More than a passing nod to the great Roy Harper – Me And My Woman, The Lord’s Prayer, The Game – though I do not claim to warrant any comparison.

The stupidity and gullibility of mankind never ceases to amaze me.

Our propensity for violence, endless wars; our blind ignorance.

An amazing, magical land; a mysterious journey, marred by tribalism, greed and hate. We deploy our inventions of leaders, gods, politics and lust against ourselves.

Born in a magical land we ignore the abundant treasure for a pocket full of fool’s gold.

Roy Harper – Sophisticated Beggar Album

The title says it all. Roy saw himself as being outside of mainstream society. He used his intelligence and creativity to scrounge a living. He was and still is, the sophisticated beggar.

   Pierre Tubbs produced this album for Strike Records. The story is that a bunch of shady underworld characters were laundering money, and they set up Strike in order to hide their activities. Roy claimed it to be a true garage album because it was recorded in a makeshift studio, converted from a potting shed in Leatherhead. As studios go, it was a primitive setup, and the album was recorded on a basic Revox tape machine. Out came this remarkable album, which is quite unlike anything his contemporaries had produced.

   Nobody seems to remember exactly who played on what. No professional notes were made. The tape was left to roll, and the numbers were mainly single takes with a minimum of overdubs. The equipment wasn’t up to much and options were limited. Only one or two tracks were worked on further and added to – notably the single and the other chosen as its B-side.

   For the time, it is surprising and unusual that Roy didn’t want to include any of the folk/blues songs he’d been busking with. All the songs are Roy Harper originals. Also surprising is the album showing such a range of style and complexity, coupled with poetic lyrics. Roy was already experimenting, adding jazz chords and even using rock backing. His vision was much wider than most other folk artists. Not only is the album more original in content than that of his contemporaries, but it’s more ambitious and avant-garde. He knew what he wanted and was extending his musical prowess. He might have been playing folk clubs with an acoustic guitar, but this album clearly demonstrated that there was a lot more to Roy.

   Sophisticated Beggar has been re-released a number of times (and was illegally bootlegged by Tring Records as Legend). It also appeared as Return of the Sophisticated Beggar, with the additional track, ‘Hup Hup Spiral’: which is simply Roy saying, ‘Hup hup hup’, as the stylus moves to the disc centre and lifts.

Roy Harper: Every Album, Every Song (On Track) – A part of the Intro

Introduction

Roy Harper is a unique individual and an innovative songwriter who took his first uncharacteristically tentative steps into the London folk scene during the mid-1960s. He was born on 12 June 1941 into the middle of World War II, his mother sadly dying a few days later from mastitis: a common breast infection, nowadays easily treatable. The loss of his mother, naturally, had a lifelong impact on Roy’s personality. His father married again, but his stepmother was a strict, religious woman, and Roy’s life of rebellion began.

   His first memory is of being held in someone’s arms, looking towards a red glow on the horizon, and being told, ‘Manchester’s really copping it tonight’. As a wayward child, his younger years were marked by constant trouble, both at home and school. On one occasion, he was found many miles from home, pedalling his trike towards Liverpool. His dislike of the religion his stepmother imposed, led to him performing pagan ceremonies and burying effigies in his back garden.

   As a child, Harper lived in the genteel town of Lytham St Annes: a place he once described as a cemetery with a bus stop. The tedium of life in the drowsy town portrayed a conservative ethos he fought against. Moving into his teenage years, minor incidents progressed into more serious crimes. He and a small group of friends alternated between running free in the countryside and conducting shoplifting and vandalism sprees. These activities ranged from stealing chocolates in Woolworths to breaking into Lytham’s cricket pavilion. They drank the booze they found inside, then burnt the building to the ground.

   On one occasion, Roy and a friend rampaged through the town, pulling up freshly planted roadside saplings, then hoisting a weighing machine through the public toilets’ window. Exhausted, they searched for somewhere to put their heads down and broke into a garage. Falling asleep in a car, they were discovered the following morning: by the owner, who, unfortunately, happened to be a policeman.

   Continued rebellion and a string of minor offences culminated in Roy’s arrest. He was found guilty of daubing swastikas and a hammer and sickle on the town hall – the act ostensibly a protest aimed at the councillors (who he considered to be a bunch of Nazis) and against the Russian invasion of Hungary. It was sufficient to produce a double-spread article with photos in the Daily Mirror.

   This was just the beginning.

   At fifteen – in order to escape from his stepmother and the mayhem he had created – Roy signed up to the Royal Air Force for five years, with dreams of becoming a pilot. But life in the RAF was not how he imagined. He tried boxing, which provided some respite, but the unremitting discipline and tedium of life as a serviceman became unbearable. After two years, he knew he had to get out. Without the cash to buy his discharge, Roy decided to feign madness – not too difficult a task in his case. He successfully convinced the military doctors, and the RAF discharged him, but only as far as RAF Princess Mary’s mental institution, where he was assessed and treated. There being sectioned, he was forcibly medicated with lithium and largactyl, and even subjected to electric shock therapy. Eventually transferred to Lancaster Moor Hospital, Roy decided that in order to keep his ‘insanity’, he had to escape. Being of slight build, he was able to squeeze through a fanlight window and flee. I have a mental image of him, wearing one of those gowns that tie at the back, racing across the grass and scaling the wall – although I’m sure it probably wasn’t quite like that.

   Now on the run, Roy headed for Blackpool, where he became immersed in the bohemian subculture. As a self-proclaimed hashish-smoking beatnik, he discovered the world of Kerouac, Ginsberg, and Burroughs and began to write poetry.