Rock Music Books – Opher’s Best

Opher Goodwin’s Top Rock Music Books

Here is a list of some of my top Rock Music books (all available in paperback or kindle and some in Hardback):

Phil Ochs On Track: Every Album, Every Song  Phil Ochs was the ‘The Prince of Protest’ in the sixties. The only real rival to Bob Dylan, he was the archetypal Greenwich Village topical songwriter. Whether protesting the Vietnam War or campaigning for civil rights, workers’ rights and social justice, Phil was always there. Phil was the man to take up causes, write songs, play at rallies and even risk his life. His clear voice and sense of melody, linked with his incisive lyrics, created songs of beauty and power. As his career progressed, with lyrics and music becoming more highly poetic and sophisticated, he still never lost sight of his cause. Towards the end of the sixties he joined with the YIPPIES in protest against the Vietnam War. But idealism became Phil’s downfall. He was an idealist who could see no point in continuing if he was unable to make the world a better place. Phil lost all hope and descended into depression, which, along with excessive alcohol consumption, led to his suicide in 1976. Shortly before he took his life, Phil asked his brother if he thought anyone would listen to his songs in the future. Well here we are; sixty years later, still listening. The songs of Phil Ochs are every bit as relevant as they ever were and they are making the world a better place!Phil Ochs On Track: Every Album, Every Song: Amazon.co.uk: Opher Goodwin: 9781789523263: Books
Ian Dury On Track: Every Album, Every Song Paperback – 25 Sept. 2025  “We only ever get glimpses of Ian Dury; nothing is as it seems. From irascible rogue to national treasure, pop star to social commentator, cockney geezer to artist, he was a man greater than the sum of his parts. Part teddy boy, part punk, part vaudeville act; he was unique. The music that emanates from this powerful personality echoes the heart and drive of their complex creator.
   Dury began his career as a frontman with post-punk outfit Kilburn And The High Roads, but had his greatest success with backing band The Blockheads, which featured Chis Jankel and Wilko Johnson at various times. He found true commercial success with the albums New Boots And Panties and Do It Yourself. Dury went on to a critically acclaimed solo career and worked with The Blockheads again on the 1997 album Mr Love Pants. He also had a slew of non-album hits, especially the UK number one ‘Hit Me With Your Rhythm Stick’.
   In this book, Opher Goodwin dissects his albums and songs to tease out their spirit and reveal the inspirations behind them. 
   This is Ian Dury: a Blockhead, a genius.”
Ian Dury On Track: Every Album, Every Song: Amazon.co.uk: Goodwin, Opher: 9781789523744: Books
Leonard Cohen  On Track: Every Album, Every Song Paperback – 30 May 2025  An enigma, Leonard Norman Cohen was possibly the most improbable bohemian intellectual songwriter/singer in music history. He was certainly the working-class hero, the peoples’ poet, the suicidal lamenter of doom and the purveyor of popular songs. But the truth is even more complex. Throughout his life, there were juxtapositions of the most unlikely life choices and influences. To have fashioned a mishmash of ideas, styles and influences into a successful, long-lasting musical career is nothing short of amazing. He blended secular, mystical, sexual and religious themes into ambiguous poetic tapestries and devised an intricate, unique musical style. He possessed a deep baritone voice that, although mesmerising, was sometimes in danger of sounding monotonous. Leonard was able to fuse these elements into a distinctive amalgam that somehow worked on many levels. He did not look the part, play the game or conform to any rules, but Leonard touched hearts and minds all over the world, while writing some remarkable songs, including ‘Halleluyah’ and ‘Suzanne’. Focusing equally on his popular early albums, his more experimental mid-period and his final, late-career renaissance, this book analyses and interprets every album and every individual song to shed light on the phenomenon of Leonard Cohen.Leonard Cohen On Track: Every Album, Every Song: Amazon.co.uk: Goodwin, Opher: 9781789523591: Books
The Beatles – White Album – rock Classics    Arguably the greatest album by the best rock band ever, The Beatles – also known as The White Album – proved to be a watershed recording. Coming as it did, after manager Brian Epstein’s death; after the disillusionment with the Maharishi; in the middle of the break-up of long-term relationships, and following on from the psychedelic masterpiece Sgt Pepper’s Lonely Hearts Club Band, it heralded changes of style and the marked the start of the falling apart of the previously tight-knit group.The album’s diversity and creation are analysed and its background and dynamics revealed. This extraordinary double album reflects a remarkable time and period. As the sixties came to an end, so too did the band. They mirrored the times they lived in. The album also followed on from their first highly criticised TV flop Magical Mystery Tour, the success of the first global satellite triumph of ‘All You Need Is Love’, and the highly ambitious Apple business venture. George Martin ducked out and ructions broke out between band members. But, among all the pressures and stress they found time to write and record an incredible array of songs; songs that synergised into a spectacularly successful album with a fascinating story. This is the tale of every track and every facet of this remarkable record.The Beatles: White Album – Rock Classics: Amazon.co.uk: Opher Goodwin: 9781789523331: Books
Bob Dylan – Bringing It All Back Home – Rock ClassicsOne of the most pivotal albums in the evolution of rock music, few other recordings have had more impact than the 1965 Bob Dylan classic, Bringing It All Back Home. In the mid-sixties, rock music was about to explode into psychedelia, prog and jazz fusion. Meanwhile, Bob Dylan had made an enormous impact on songwriting with his first four all-acoustic albums. He had created a different way of writing songs, by embracing themes such as civil rights, anti-war protests and social issues, which lifted the subject matter from teenage love songs to serious poetic works of art, rife with symbolism. But with Bringing It All Back Home, Dylan shot his lyrics through with surreal hard-edged beat poetry while the music contained both acoustic songs and blues-based loud electric rock. It alienated him from many of his peers in the folk community but nonetheless contains classic cuts like ‘Mr Tambourine Man’ ‘Maggie’s Farm’ and ‘Subterranean Homesick Blues’. Dylan had opened the door to experimentation. The Beatles, The Stones, The Who, The Doors, Hendrix, Pink Floyd and Cream all listened and responded. In its wake, Songwriting rose to new heights with few boundaries. After Bringing It All Back Home, music was forever changed.Bob Dylan Bringing It All Back Home: Rock Classics: Amazon.co.uk: Opher Goodwin: 9781789523140: Books
Captain Beefheart On Track: Every Album, Every SongCaptain Beefheart (Don Vliet) was undoubtedly the creator of the most bizarre and wonderful music. A child prodigy sculptor, he applied his artistic approach to music, creating ‘aural sculptures’. He befriended Frank Zappa in High School, collaborating on a teenage rock opera and sci-fi/fantasy film entitled Captain Beefheart vs The Grunt People. It was from this film that Don took his name. Of course, a magic character had to have a magic band. Captain Beefheart On Track: Every Album, Every Song : Opher Goodwin: Amazon.co.uk: Books
Roy Harper On Track: Every Album, Every SongRoy Harper must be one of Britain’s most undervalued rock musicians and songwriters. For over fifty years he has produced a series of innovative albums of consistently outstanding quality. He puts poetry and social commentary to music in a way that extends the boundaries of rock music. His 22 studio albums 16 live albums, made up of 250 songs, have created a unique body of work. Roy is a musician’s musician. Roy Harper: Every Album, Every Song (On Track): Amazon.co.uk: Opher Goodwin: 9781789521306: Books
In Search of Captain Beefheart – A Rock Music MemoirThe sixties raged. I was young, crazy, full of hormones and wanting to snatch life by the balls. There was a life out there for the grabbing and it had to be wrestled into submission. There was a society full of boring amoral crap and a life to be had in the face of the boring, comforting vision of slow death on offer. Rock music vented all that passion. This book is a memoir of a life spent immersed in Rock Music. In Search of Captain Beefheart: Amazon.co.uk: Goodwin, Opher: 9781502820457: Books
Bob Dylan 1962 to 1970 On Track (Decades)  Bob Dylan is the magician who sprinkled poetic fairy dust on to the popular music of the early sixties and his songwriting sparked a revolution and changed rock music forever. The diminutive poet/singer claimed he was merely a ‘song and dance man’ but Dylan altered popular music from intellectually bereft teenage rebellion into a serious adult art form worthy of academic study. Bob Dylan 1962 to 1970 On Track (Decades) : Opher Goodwin: Amazon.co.uk: Books
Neil Young 1963 to 1970: Every Album, Every Song    In the realm of singer songwriters, few have been as influential as Neil Young, whose music has always been creative and relevant throughout six decades. Neil is a chameleon for whom boundaries of genres do not exist. He has delved into folk, country, r&b, rock ‘n’ roll, grunge, hard rock, electronic and pop and made them his own.Neil Young 1963 to 1970: Every Album, Every Song: Amazon.co.uk: Opher Goodwin: 9781789522983: Books
Nick Harper: The Wilderness Years    Nick speaks!  I first met Nick when he was a young child and over the years he has become a close friend. This book illuminates the genius that I feel is Nick Harper and is designed to accompany ‘The Wilderness Years’, a trilogy of vinyl albums. Nick talks candidly about many aspects of his music and career. I include, with Nick’s permission, the lyrics of all the songs featured in the trilogy. There are also many photos dating from his childhood to the present day.Nick Harper: The Wilderness Years: Amazon.co.uk: Goodwin, Opher: 9798815185630: Books
Here There and Everywhere – A novelI was in conversation with a good friend who, like me, is a Rock Music fanatic. We have both been everywhere, seen everyone and have had our lives hugely affected by music. However it is not who you have seen but what you failed to catch that you dwell on. I said to him that it would be brilliant if we had a time machine and were able to go back and see all the major events in Rock history; Robert Johnson play in the tavern in Greenwood, Elmore James in Chicago, Elvis Presley in the small theatres, The Beatles in Hamburg, Stones in Richmond, Doors in the Whiskey, Roy Harper at St Pancras Town Hall…………….. and a thousand more. Then I realised that I could. The Blues Muse: Amazon.co.uk: Goodwin, Opher: 9781518621147: Books
Rock Routes – A History of Rock MusicThis charts the progress of Rock Music from its beginnings in Country Blues, Country& Western, R&B and Gospel through to its Post Punk period of 1980. It tells the tale of each genre and lists all the essential tracks. I was there at the beginning and I’m still there at the front! Keep on Rockin’!!Rock Routes: Amazon.co.uk: Goodwin, Opher: 9781514873090: Books
Opher’s World Tributes to Rock Geniuses  If you like Rock Music you’ll love this! – 195 tributes to Rock Acts of Genius. – Each one a gem of a picture. You’ll find out what makes them so brilliant and a lot more besides! This is the writing of a true passionate obsessive. These are Ophers tributes to Rock geniuses – loving pen-pictures to all the great artists and bands that have graced the screens, airways, our ears, vinyl grooves and electronic digits – (well a lot of them anyway). These tributes make you thrill to all the reasons why they were so great.Opher’s World Tributes to Rock Geniuses: Amazon.co.uk: Goodwin, Opher: 9781508631279: Books
537 Essential Rock Albums  – Pt. 1This is not your average run through an opinionated list of somebody’s favourite albums. This is much more than that. By the time you get to the end of the book you will be in no doubt as to the type of person who has written this and what their views are. This is Opher at his most extreme and outspoken. He’s been there at the front through thousands of shows, purchased tens of thousands of albums and listened to more music than seems possible to fit into a single life.537 Essential Rock Albums – Pt. 1 The first 270: Amazon.co.uk: Goodwin, Opher: 9781502787408: Books

The Cleansing – 27 – Chapter 12 into Chapter 13

Unlikely heroes and alien political intrigue emerge as the tale unfolds:

Fresh from her encounter with Grrndakegra Chameakegra sat herself at her station to send a message. The rage still flowed through her and she needed to expunge it.

She sat in front of her comulator and pressed record. Her image hung in the air above the tridee. She studied her angry white scutes and began:

‘Beheggakegri, you slimy piece of dreyfus shit, I have the evidence of what you and Grrndakegra have been up to.’ She waved her communicator in the air. ‘I have an interview with Commander Loj at lunar and more from Minorian commanders at various camps. It’s all here.’ She tapped her communicator with a claw and allowed the camera to linger on her bleached face. ‘You two have been actively undermining my plan and I have the evidence.’ She glared into the camera. ‘I’m sending a full report of your sabotage through to Judge Booghramakegra.’ She leaned into the camera so that her face loomed menacingly out with fluorescent green eyes flashing spears of venom. ‘You are mince!’ Then she flicked the record off.

Chameakegra thought about all the advice she’d ever been given. Never do anything in haste. Never send a message to anyone when consumed by anger. Then she calmly and deliberately pressed send.

For a minute she stared at the tridee, her mind racing. Was this the moment to go nuclear and actually send the evidence through to Booghramakegra? Was it enough? Should she gather more?

At least it was all out in the open. Her claw hovered above the keypad. She hesitated.

By the time Ron was prepared for his first address to the new assembly the media was back up and running. Getting TV back was considered essential by Chameakegra. She saw it as a calming influence.

Ron mounted the podium and calmly surveyed the delegates spread out before him. There wasn’t one he recognised. They had all been appointed by Chameakegra and the combined computer power of the Neff, wherever that was. Somehow he had to put his faith in that. And, despite a few residual qualms he thought he had. This was certainly no time for doubt. Not when he was facing thousands of delegates and a world-wide audience of billions.

For a moment Ron froze. The fears rose up in him. What if the words did not come?

He was not used to public speaking; a few dozen in a hall at a book signing was his limit if you didn’t count a wedding speech or two. Yet here he was standing in front of a couple of thousand delegates in the old UN building in New York. At the front were all the department heads responsible for managing the various branches of government. Behind them a mass of delegates of all shapes, sizes, colours and cultures. He looked down the aisle. There were the camera crews with their equipment all trained on him. Nobody knew who he was. This was their first look at the new boy on the block. This speech was going live right round the globe. Every word he uttered would be analysed. Billions of people were probably going to judge him on what happened in the next hour. He had no notes and decided against the autocue.

There was complete silence. All eyes were on Ron. They were already weighing up this strange little man who had come out of nowhere – studying his straggly hair and grey beard, his podgy frame and slightly crumpled cheap suit. He hadn’t even tightened his tie. Was this really the man who was going to lead everybody to a new future? It didn’t look very likely.

The pressure on Ron was immense.

Strangely he felt completely calm and confident. He knew exactly what he was going to say. He turned to face the world.

Chapter 13 – Deception and Vision

Beheggakegri was incensed. He kept rereading the short message from Chameakegra as if he couldn’t quite believe it. His crest was fully raised but a multitude of colours raged across his scutes as he attempted to think of a way forward. That infernal Giforian would be the death of him. He could feel is twin hearts labouring as his blood pressure rose dangerously high. His medikit kicked in with a shot to calm him down, but that didn’t do too much. His confidence had evaporated. Had he overreached? His anxiety levels were dangerously high.

What could that Judge actually do? She didn’t actually have jurisdiction over UFOR. What if Chameakegra or Judge Booghramakegra did send out there evidence? Had that stupid Minorian implicated him? Couldn’t he just push the blame on to Grrndakegra? What had the stupid fool told her? Did they have enough to call it a conspiracy or could he get away with blaming it all on Grrndakegra? The questions buzzed around in his head like maddened zubby flies.

How should he respond? The rudeness of the message was such that any formal response should involve a severe reprimand, probably sufficient to warrant a demotion or sacking. But if he went down that path and she had evidence of conspiracy that could rebound on him. But if he chose to ignore it then he was displaying guilt and weakness. Which was worse?

For once Beheggakegri felt conflicted.

Then he made a decision: he would go the middle way, reply with a severe rebuke, tell her she is being stupid and warn her not to be so rude?

‘My fellow delegates, new governors,’ he looked directly into the cameras, ‘and citizens of the new world, my name is Ron Forsythe and I have been appointed President and Planetary Steward.’ He paused, looking resolute, projecting more authority than he had ever done in the whole of his life. A huge burst of confidence welled up inside him sweeping all doubts aside. He knew the words would find him. There was no need to search for them. He was the President and he aimed to make them know it. It was essential that he did – so much depended on him coming through. He had to trust in Chameakegra and sell her vision to the world. There was no room for doubt. He had to be 100%.

‘We stand on the brink of a new age. We have pulled back from complete disaster. Our alien friends have arrived to assist us to escape that horrible fate and move forward into a new age.’ The silence was thunderous. The delegates were watchful and sceptical. Most of them, just like him, felt they were impostors, brought in to do what the Federation wanted them to do. He leaned forward and peered out at the world. His audience extended far beyond the delegates in the hall and all of them were far from sure. His job was to convince them. ‘I aim to ensure that we grab this lifeline with both hands.’

Unfazed by the lack of response Ron pressed on. He knew exactly what he needed to do; his mind was crystal clear. ‘Together with our Federation friends I have been working through an exciting vision for the future.’

Ron looked round and gestured to Chameakegra who was lurking in the background. He waved her forward. A murmur ran around the silent hall. All the delegates had been appointed by their new overlords but that did not mean that they trusted them yet. They certainly had not had the close daily contact that Ron had. The Giforian was still viewed with great suspicion by most people. The horrible scenes of the abductions were fuelling distrust. Even many of these delegates saw them as invaders who were pulling the wool over everyone’s eyes. If the delegates didn’t believe then how could anybody else?

Ron reached for Chameakegra’s claw and held it aloft. He could only raise it to Chameakegra’s shoulder height but it achieved its aim. ‘This is Chameakegra. She is the Commander of a spacecraft that travels through the depths of hyperspace – something that we can only speculate about. Chameakegra is one of two commanders who have been given the task of helping us save ourselves.’

Chameakegra stood awkwardly by his side not knowing quite where this was going. They certainly hadn’t rehearsed this. She had to trust Ron. A yellow awkwardness flowed over her scutes as she stood beside this little Hydran. Neff had selected him. Now she had to give him her trust. ‘When I first met Chameakegra I saw her as an alien lizard, part of a conquering set of invaders. She talked to me and shared a vision of the future. I watched her talking in her broadcasts and I could not bring myself to believe her. But she persevered. She told me she’d seen something in me and that was why she thought I was suited to this role. She continued to share that vision, putting flesh on the bone, until I could see it too. She spent time with me until I learnt to understand her mannerisms and feelings; until I came to realise that she really meant what she said. She had a vision for how we humans could be and she is trying to make it come true.’

He let go of Chameakegra’s claw, stepped forward and gripped both sides of the podium ignoring the cameras and peering round at the massed delegates.

‘I am a writer; a nobody. Everyone can see that. I am no politician let alone President. But I am here. I see myself as a bridge to the future. Just a bridge. When you have all made that journey to the other side I will no longer be of any use. But I can get you across.’

Ron stared the silence into defeat.

‘To understand where we need to go we have to first understand where we’ve been and where we were going. We have to recognise it and accept the reality of it. We have to change the path we were going down because that way spelt disaster. We have to find a better way.’ He gestured towards Chameakegra. ‘This is our crossroads. This is the better way.’

They might not have been applauding but they were listening. Ron had more charisma than anybody had expected and what he said made sense.

‘The world was in a death loop,’ Ron asserted, ‘a repeating cycle of escalating catastrophe – a cycle of uglier and uglier wars with nastier and nastier weapons – a cycle of endless ravaging of nature producing greater pollution and a climate change that would have been catastrophic – a loop of endless unrestrained greed in which we spawned billionaires and trillionaires while condemning billions to terrible poverty – a loop of tribal racism, violence and hatred, of gangs, drug abuse, sectarian extremism and crime. It doesn’t take a genius to follow that to its conclusion. We were steadily, inexorably heading towards the exit.’

Ron stood centre stage and dared anybody to contradict him. Rapt silence. But it was a positive silence. At least they were listening to him.

‘We had lost faith in all political parties, institutions and the media. We were being fed a daily diet of lies, conspiracy and propaganda. The billionaires controlled the media and ran things to benefit themselves, electing useless buffoons and populist self-servers. We were being led by narcissists, psychopaths and sociopaths and could not catch a glimpse of a competent leader capable of leading us out of this quagmire.’

Ron stopped again. He reached once again for Chameakegra’s claw and raised her arm once more, drawing her forward, up to the lectern.

He looked up at Chameakegra admiringly as she stood beside him. ‘It took an objective outsider with intelligence, a clear understanding, the scientific and technological means coupled with a clear vision, to help us crawl out of the grave we were digging for ourselves.’ He looked directly into the cameras and addressed the whole world. ‘Chameakegra provided that objectivity and vision.’

Slowly and deliberately he pronounced each syllable: ‘I    trust    her.’

‘This, ladies and gentlemen, whether you like it or not, is our only hope for the future.’ He shook Chameakegra’s claw in a sign of unity and victory. ‘I urge you to trust her too; to give her your backing and work hard to make her vision real.’

‘Together, Federation and Earth, can forge a better future. We can banish the scourges that have crippled us throughout our history. I say to you – back Commander Chameakegra and fight for a world without war and division, without violence and hate, without cruelty and pollution, without poverty and unrestricted greed, a world with a future.’

There was actually a ripple of applause.

‘The Federation offers us the science and technology to create that better future. They have temporarily removed the minority who were responsible for creating much of our misery. They will be rehabilitated and returned as wholesome, well-adjusted citizens. This isn’t an invasion, a take-over or a bid for control; this is our last chance… our last chance.’

‘Let’s not blow it.’

Ron stepped back from the podium. For a moment the silence remained then, first as a dribble, then a dam burst, and a surge spread around the hall, soon every member was on their feet clapping.

Ron smiled and nodded.

He’d passed the audition.

DPRP Mark Hughes Review – Roy Harper On Track… Every Album, Every Song

Opher Goodwin — Roy Harper: On Track… Every Album, Every Song [Book (157 pages)]

Opher Goodwin - Roy Harper: On Track... Every Album, Every Song

info:

 sonicbondpublishing.co.uk

9

Mark Hughes

Another title in the rapidly growing list of books published by SonicBond, this time featuring original maverick and friend to a guitar rock god or two, Roy Harper.

As a long-standing Harper fan I know that tackling his discography is not a task for the faint-hearted. With albums going in and out of print, reissues, alternative versions and limited editions, there is a lot to get to grips with. Thankfully Goodwin handles everything with aplomb, clarifying where extra tracks on various re-releases originally stemmed from and where they fit into Harper’s recording chronology. It makes it easy to disentangle the frequently messy and confusing slew of releases from a prolific writer.

Of course, it helps that Goodwin has been friends with Harper since 1967, just after the release of Harper’s surprising debut album Sophisticated Beggar; surprising in that it eschewed the folk and blues numbers that Harper had gained a reputation for from his busking and folk club performances and comprised all-original material. Perhaps more startling was that it also featured a full band in places, not what the folk crowd that had primarily been his audience up to that point had been expecting. These were the first signs that Harper would stick to his own plans and not be pushed into doing what others necessarily wanted or expected.

What will be alien to modern bands is the fact that Harper’s first two albums, released on different labels, were both commercial failures. Yet the musical environment of the time meant that it was the music that mattered and the lack of commercial appeal was not considered a black mark against the artist. He found a longer-lasting home on Harvest Records for his third album, Flat Baroque And Berserk, the first of seven essential albums he recorded for the label over the next decade.

Goodwin’s personal memories and analysis of the songs and albums adds a lot to the book and offer insights that keep things interesting, more than some other titles in the series in being a sterile list of songs. Harper was never an artist that was likely to trouble the singles chart but he did consistently release such items. Although a lot of the songs unique to the format, particularly from the earliest years, have been compiled and re-issued, his b-sides remain some of the hardest items to locate for the collector. In that respect this book is a valuable guide to what was released, and in some cases what has not been released, both of which can be quite frustrating for the searching completist!

I would have liked to have seen a bit more on the live Roy Harper as, despite the brilliance of the studio output, it was on stage that Harper excelled. As at least a couple of the official live albums were assembled from a multitude of recorded concerts, there is potentially a lot of recorded material that remains locked in the vaults. However, considering that recording details and locations were omitted from Inbetween Every Line as all the tapes were mixed up and it wasn’t deemed necessary to sort them out, it could be a major task sorting them out if, indeed, they still exist.

Despite his long recording career, there doesn’t appear to be much studio material left languishing in the vaults and it seems increasingly unlikely that Harper will return to the studio to record a new album, despite how well his last album, 2013’s Man And Myth was received. So it is from these putative live archives that any future releases will presumably be drawn.

As such, this volume can be assumed to be as complete a record of the musical legacy of one of Britain’s finest and most idiosyncratic singer-songwriters as you are likely to find. Written in a relaxed and enjoyable style, it is an easy-to-read volume that will introduce, and re-introduce, the reader to the delights of the Harper catalogue. I certainly dug out a few of his lesser-played albums from my collection and listened to them in a new light after reading the book. And if that is not recommendation enough, I don’t know what is.

Now, back to searching for the missing items. Anyone know where I can find Goodbye Ladybird?

https://www.youtube-nocookie.com/embed/U1TC6S4syl0

Roy Harper: Every Album, Every Song (On Track): Amazon.co.uk: Opher Goodwin: 9781789521306: Books

Leonard Cohen – Martin Burns Review for DPRP – Every Album, Every song

Martin Burns

Opher Goodwin has appeared in the pages before with four of his music books on, lets say more prog adjacent, acts. He covered Captain BeefheartThe BeatlesRoy Harper and Bob Dylan, all for Sonicbond. This new one covers the not-at-all prog, Leonard Cohen.

Leonard Cohen is foremost a poet who found an outlet for his work through song. He became the most unlikely star through not playing the typical folk or later rock star. What commends him to his audience is the quality of his song writing. Writing recognized classics like Sisters Of MercySo Long, MarianneSuzanne, and of course Hallelujah. With Cohen’s dour deep baritone voice being an acquired taste moving between the almost wearisome and the hypnotic.

I cannot imagine that Goodwin’s well-written, thoroughly researched On Track… book will appeal to the general readers of this site. Though I myself am a fan, though not a rabid one. I found that this book has encouraged me to investigate his later work following his return to recording and touring. My favourite and most played record of his is the politically charged, and seemingly in these times more relevant that ever, The Future.

Fans of Cohen should snap this book up, as Opher Goodwin’s opinions of the music and lyrics will generate good-hearted debate. For the curious its a good resource to guide the dipping of toes into Cohen’s long, but not intimidatingly so, back catalogue.

Leonard Cohen On Track: Every Album, Every Song: Amazon.co.uk: Goodwin, Opher: 9781789523591: Books

Epstein – What does this tell you?

Peter Mandelson appears in 5,938 documents in the Epstein files. He was sacked, is the centre of a political storm that could bring down the British government, his reputation is shot and he is subject to police investigation.

Prince Andrew appears over 300 times. He has been kicked out of the Royal family, trashed in the media, his reputation is tarnished, he is subjected to widespread condemnation, stripped of titles and kicked out of his home.

Trump appears 36,000 times and nothing happens.

The Inanities of Trump

1. “We’re building a wall in Colorado.”

  • In 2019, Trump proudly declared at a rally that a border wall was being built in Colorado, leaving everyone scratching their heads since Colorado isn’t even near Mexico. When called out, he tried to backpedal, calling it a joke. Sure, Donald.

2. “The noise from windmills causes cancer.”

  • Trump, in his endless war on facts, said in 2019 that the sound of wind turbines somehow causes cancer. Spoiler: it doesn’t. Science clapped back hard, but Trump just kept on talking.

3. “The kidney has a very special place in the heart.”

  • While attempting to discuss healthcare, Trump proved once again that basic anatomy is just too much for him. Apparently, the kidney lives rent-free in the heart now.

4. “I will build a great wall — and nobody builds walls better than me, believe me — and I’ll build them very inexpensively.”

  • The infamous campaign promise that became a years-long joke. Trump’s bragging about wall-building skills quickly turned into a never-ending debate about how ridiculous the whole thing was — and, of course, how to pay for it.

5. Why can’t we use nuclear weapons?”

  • Trump’s genius idea during the 2016 campaign — asking why nuclear bombs were just sitting there collecting dust — left experts dumbfounded. As if nuclear war was just another one of his bad real estate deals.

6. “The concept of global warming was created by and for the Chinese.”

  • In a 2012 tweet, Trump made up a conspiracy theory that climate change was a hoax invented by China to screw over U.S. manufacturing. If you’re looking for evidence, don’t — there isn’t any.

7. “Windmills are the greatest threat to both bald and golden eagles… Wind turbines kill hundreds of eagles.”

  • Trump’s weird vendetta against windmills continued with this whopper of a lie. Sure, wind turbines do kill some birds, but the fossil fuels Trump loves so much are way worse. Not that he cares about facts.

8. “If we tested less, there would be fewer cases of COVID-19.”

  • In Trump’s brilliant pandemic strategy, less testing equals fewer cases. Clearly, he missed the part where testing helps control the spread. But when has logic ever been his strong suit?

9. “I tested very positively for COVID. I tested positively toward negative, right?”

  • In 2020, Trump managed to confuse literally everyone with this garbled mess of words about his COVID-19 test results. It was peak Trump — rambling and utterly nonsensical.

10. “You have to inject [disinfectant], but it does knock it out in a minute.”

  • During a 2020 briefing, Trump outdid himself by suggesting that injecting disinfectants could treat COVID-19. Medical professionals quickly warned that injecting disinfectants will kill you, but Trump was on a roll.

11. “The Earth is freezing right now. Forget this global warming.”

  • Tweeting during a cold winter, Trump demonstrated once again that he can’t tell the difference between short-term weather and long-term climate change. But hey, he’s never let facts get in the way of a good tweet.

12. “There are people that say you can test too much for COVID-19.”

  • Because in Trump’s world, knowing too much is apparently a bad thing. He suggested that too much COVID-19 testing was somehow a problem when, in reality, it was one of the few ways to actually get the virus under control.

What do you think? Did I miss your favorite one?

I liked the airports during the American Revolutionary War comment. At least the speech he mentioned this was given on July 4th (2019).

Another gem was him “thinking out loud” about the possibility of using a nuclear blast to reduce hurricanes.

His latest – The giant water faucet in Canada that takes 2 days to turn on. (?) huh?


I liked him using a sharpie to draw a hurricane path where he thought it might go, instead of relying on the NOAA. (NOT) When NOAA denied

As he told it, he asked the boat designers what would happen if the batteries were so heavy the boats sank. “They said no one has ever asked us that before.” And he never caught the irony. He actually thought he was showing his brilliance by asking a question no one else could ever be stupid enough to ask.

Trump is a master of bizarre politics. The disturbing part is how many of his supporters actually believe this moron. Trump will tell any lie he has to in order to win. When it comes to Trump remember this: He inherited over 4 billion dollars and managed to lose 3.2 billion so far. He is the only person in America to bankrupt a casino. He built a magnificent hotel in Las Vegas before applying for a gaming license. He was denied a gaming license and when I personally visited his hotel it was almost completely empty. Trump is a low IQ individual who has trouble even reading a speech, let alone writing one. I do give him credit for the one talent he does have: He’s one hell of a con man. But may he’s not all that good at being a con man since he has racked up 32 felony indictments against himself. All in all Republicans may need to up their game when it comes to choosing presidential candidates. Let’s not forget Republicans also gave us Nixon ( another failed president).

He said today 7th May 2025, that India & Pakistan have been fighting for centuries!! Pakistan was founded in 1947. Learn your world history Donald!

The Cleansing – 26 – Chapter 11 into Chapter 12

The political intrigue between aliens mirrors that to be found in human societies:

Chameakegra settled for checking the lunar facilities first. Finding time to fit everything in was proving difficult. She needed to be in ten places at once. An army of Xerc engineers were working on the facilities, burrowing deep into the moon’s substrate, creating rooms, facilities and corridors sufficient to house a small city, necessary to house and treat all the excised Hydrans. By the standards of the Federation, this was not too daunting a task. They had all the tools and materials to facilitate the operation. With the technology available this should not have taken too long to get up and running.

An army of psychiatrists were at hand. Behind the scenes Judge Booghramakegra had lubricated the moving parts to assemble the best.

Chameakegra was greeted at the entrance by loj, a large Minorian. She was familiar with species; Graffa, her second in command on the Neff was a Minorian. He’d always impressed with his calm amphibian manner and efficiency. She was expecting the same.

Loj began the tour, leading her through completed corridors, showing off the idle lavish facilities and introducing staff. It was only when Chameakegra enquired about the date for the facility to be up and running that she began to get the highly aromatic reek of a deceased quiw. Loj began to show signs of agitation and Chameakegra noticed her dousing herself from her hydrating glands. Something was up.

Back in Loj’s office Chameakegra cornered her. ‘Right Loj,’ she demanded, ‘what is going on?’ It came spilling out.

That’s when the real tour began. Roughly hewn corridors, empty rooms, no facilities, Xerc’s standing around with little work being carried out.  It did not take too much to piece it together. They were on a go slow. Loj fired excuse after excuse, unexpected rock formations, instability, cracks, and fissures. None of it made sense and Chameakegra could plainly see Loj’s embarrassment. When asked directly if she was acting on orders from Beheggakegri or Grrndakegra she prevaricated.

Chameakegra returned filled with a seething fury. She had got nowhere and could see that her whole project was being deliberately sabotaged and there was little she could do about it.

Next up were the temporary camps, only intended to house the Hydrans for a short while as they were shuttled off to be treated. She toured the cramped, squalid conditions with their listless inmates, squabbling, infighting and sullen resentment boiling up into hate and fury. Hardly conducive to the rehabilitation she had planned. Nobody could tell her anything. The squalid conditions were a hotbed for everything she was fighting against.

This wasn’t disheartening; this was monumentally horrendous.

Back on the Neff she sat for a moment. Something had to be done. First Booghramakegra. She needed putting in the picture. Quickly her claws rattled across the keyboard filing a report of what she had witnessed along with her suspicions. Then the communicator.

‘Grrndakegra, we need to talk.’ With that she shut down and sat back in her pexi her scutes and crest a deep green sign of outrage.

Chapter 12 – A Reckoning

Ron was a writer, a man who was used to studying people, who was familiar with emotions, psychology and all manner of human behaviour. Understanding character was his trade. But dealing with human beings was one thing; dealing with completely unknown alien reptiles was quite another.

His regular meetings with Chameakegra were beginning to pay dividends. Ron felt that he was beginning to get the measure of her. Despite his initial sense of outrage at feeling he was being used he couldn’t help but start to melt. As he grew more familiar with her mannerisms he began to read her more. What he was becoming more and more certain about was that she was sincere. Slowly his anger melted away to be replaced by a grudging respect. He believed her. He was beginning to be able to read the emotions displayed on her scaly face and interpret the colours that flowed across her skin. He still could not figure out why she had chosen him but, though he kept a small element of doubt alive, he was becoming convinced that she believed what she was saying. She wanted that bright future for them.

That left Ron with a dilemma.

He felt torn.

If Chameakegra believed in him and felt he was the man for the task; if she had a viable vision for the future, one that he could buy into, then wasn’t that worth fighting for? What had he got to lose? Despite the violent scenes he was seeing perhaps it was just as she was saying – a necessary means to an end? Ron was at war with himself but maybe, just maybe it was time to put aside his doubts and fears and fully buy into the dream? That’s what his gut was telling him.

Chameakegra was fuming. Her scutes ran with livid green outrage bleeding into white fury.

Grrndakegra sat back looking supremely relaxed in her pexi. Somehow Chameakegra had kept her composure as she led her through the Neff to her private quarters; she’d even offered her a drink of synth, now Grrndakegra’s total lack of concern was needling her. She had been so sure she could hold it together now she wasn’t so certain after all.

Chameakegra sat opposite Grrndakegra and poured herself a sizeable synth from the servo then sat back, took a deep breath and tried to control her feelings.

Grrndakegra continued to watch her closely, her scutes moving between a thoughtful pink and mauve amusement. She was waiting for what was coming.

‘Where’s this coming from?’ Chameakegra finally asked, fixing Grrndakegra with her flashing green eyes while slowly sipping her synth. ‘It’s Beheggakegri behind this, isn’t it?’

Grrndakegra tried to hide it but Chameakegra noticed a hint of red annoyance creep into Grrndakegra’s scutes.

‘Where’s what coming from?’

Chameakegra glared at Grrndakegra a distinct white rage stealing across her crest.

‘Don’t give me that shit. I’m not stupid. I’ve just come back from the lunar facility after an interesting tour with our friendly Minorian. Loj did her best but she couldn’t hide it forever, could she?’

Grrndakegra sipped her synth and tried to brazen it out. ‘I don’t know what you mean,’ her beige scutes displaying a lack of concern.

Chameakegra nodded allowing the white rage to settle over her thorax. It did not hurt for Grrndakegra to know how furious she was. ‘You know exactly what I mean.’ The cold, deliberate delivery gave the words a cutting edge.

Grrndakegra shrugged.

‘I did a tour around the camps,’ Chameakegra continued in measured tone. She left it hanging.

Grrndakegra sipped her synth insolently but Chameakegra could plainly see some yellow annoyance or awkwardness displaying on her scutes. She might feign a lack of concern but inside she was feeling something.

‘Is this some underhand ploy that you and Beheggakegri have dreamed up?’

‘Chameakegra,’ Grrndakegra purred, in a condescending tone, ‘you have to be realistic. These Hydrans are space vermin. They can no more be turned from greed and violence than Beheggakegri can forego his dainties. There’s something deep in their DNA. You’re not going to fix it with all your restructuring and namby-pamby therapy. It runs too deep.’

Chameakegra studied her fellow Giforian with an olive burst of contempt. ‘I never figured you as one of Beheggakegri’s cretinous stooges.

Grrndakegra produced a burst of white anger, like a button had been pressed and some dam inside her head had burst. ‘I’m nobody’s fool and I’m nobody’s stooge,’ she snarled rising to her feet in fury.

Chameakegra stared up at the Giforian towering over her with her crest fully raised and waves of white anger flowing over her scutes. She sipped her synth in a show of indifference while showering the Giforian with disdain, the olive green deepening into a brown shade. ‘That’s exactly what you are.’ The contempt in her voice was thick like cold molasses. ‘You are utterly despicable, worse than that heap of blubber whose anus you are busy licking.’

For a moment it looked as if Grrndakegra, who was now incandescent white from toe to crest, was going to strike her with one of her raised claws. Chameakegra met her gaze and leaned forward, daring her to deliver the blow. ‘You and that piece of drewfus excrement Beheggakegri deserve one another.’

For a moment the claw hung in the air then Grrndakegra turned on her heel, flung the beaker of synth at the wall and stormed out, the portal barely dilating sufficiently to allow her through.

Captain Beefheart – DPRP Martin Burns review – On Track Every Album, Every Song

Opher Goodwin - On Track: Captain Beefheart

info:

 sonicbondpublishing.com

9

Martin Burns

The quote on page 46 from Opher Goodwin’s On Track: Captain Beefheart of the track When Big Joan Sets Up, encapsulates what makes Beefheart special, and at the same time why he remains a niche artist.

“… a great melody that carries it through. It’s meaningless but full of insight, so frenzied that it shouldn’t work, yet it does. It hangs together. That’s what is so great about Beefheart’s music – it pulls you in; the music is complex; the lyrics seem full of meaning, but everything is just beyond one’s grasp. You find yourself hooked. It propels you. It’s visceral. It tugs at the cortex. Rewarding.”

This applies across all of Beefheart’s recordings. Not without the odd exception of course, such as the mid-period ‘commercial’-leaning releases and things like Beefheart’s contribution to Frank Zappa‘s Willie The Pimp on Hot Rats. One of the things I find interesting about these two maverick forces of musical nature (Zappa and Beefheart) is that both went to Antelope Valley High School in the small Californian Mohave desert town of Lancaster. They remained friends on and off after leaving Lancaster; when their monumental artistic egos would allow. With Zappa, being more successful, helping the often-broke Beefheart out.

This is a great addition to Sonicbond Publishing’s ever expanding Every Album, Every Track series. This looks at Captain Beefheart’s studio output as well as the plethora of live releases and bootlegs that have followed since his death in 2010.

Comprehensive and critical where required, self-confessed Beefheart obsessive Opher Goodwin, knows his way around an incisive phrase and sets each of the studio albums into a context of time and place, record company and management shenanigans, and contemporary critical reactions. As well as assessing the various incarnations of the Magic Band, and how well they were able to translate the Captain’s ideas into actual music.

After making his brilliant final album, Ice Cream For Crow (1982), he left music-making on a high point, and turned back to painting. Beefheart, under his own name of Don van Vliet became a renowned abstract expressionist painter, gaining the level of success in the US that had eluded him musically. A happy ending of sorts.

This makes an excellent companion to Mike Barnes’ Captain Beefheart: The Biography (Omnibus Press) where neither shy away from Beefheart’s obsessive and bullying behaviour that were part of his artistic makeup. Opher Goodwin’s On Track: Captain Beefheart is a great guide and companion to this often-challenging artist.

If you’re curious, for me the place to start is with 1978’s Shiney Beast (Bat Chain Puller), but every Beefheart fan will have a different gateway release to recommend.

https://www.youtube-nocookie.com/embed/17cr_WVdWmo

Was Epstein running a Honey Trap for the KGB that ensnared Trump?

Explains a lot.

So according to The Daily Mail Epstein was employed by the KGB to lure the rich and powerful, like Trump, into a honey trap where they were filmed having sex with underage girls. Putin and the KGB then used this to control these powerful men.

Is this why Putin seems to have such a hold on Trump?

Is this why Trump keeps backing Russia instead of Ukraine?

Did Putin contrive to get him elected?

If you look at it through those eyes everything starts to make sense:

Newly unmasked evidence shows who put Trump in the White House | Opinion

Let me guess – Which Epstein files have not been released??

Err – could it be the ones incriminating Trump?