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Leonard Cohen – Martin Burns Review for DPRP – Every Album, Every song

Martin Burns

Opher Goodwin has appeared in the pages before with four of his music books on, lets say more prog adjacent, acts. He covered Captain BeefheartThe BeatlesRoy Harper and Bob Dylan, all for Sonicbond. This new one covers the not-at-all prog, Leonard Cohen.

Leonard Cohen is foremost a poet who found an outlet for his work through song. He became the most unlikely star through not playing the typical folk or later rock star. What commends him to his audience is the quality of his song writing. Writing recognized classics like Sisters Of MercySo Long, MarianneSuzanne, and of course Hallelujah. With Cohen’s dour deep baritone voice being an acquired taste moving between the almost wearisome and the hypnotic.

I cannot imagine that Goodwin’s well-written, thoroughly researched On Track… book will appeal to the general readers of this site. Though I myself am a fan, though not a rabid one. I found that this book has encouraged me to investigate his later work following his return to recording and touring. My favourite and most played record of his is the politically charged, and seemingly in these times more relevant that ever, The Future.

Fans of Cohen should snap this book up, as Opher Goodwin’s opinions of the music and lyrics will generate good-hearted debate. For the curious its a good resource to guide the dipping of toes into Cohen’s long, but not intimidatingly so, back catalogue.

Leonard Cohen On Track: Every Album, Every Song: Amazon.co.uk: Goodwin, Opher: 9781789523591: Books

Epstein – What does this tell you?

Peter Mandelson appears in 5,938 documents in the Epstein files. He was sacked, is the centre of a political storm that could bring down the British government, his reputation is shot and he is subject to police investigation.

Prince Andrew appears over 300 times. He has been kicked out of the Royal family, trashed in the media, his reputation is tarnished, he is subjected to widespread condemnation, stripped of titles and kicked out of his home.

Trump appears 36,000 times and nothing happens.

The Inanities of Trump

1. “We’re building a wall in Colorado.”

  • In 2019, Trump proudly declared at a rally that a border wall was being built in Colorado, leaving everyone scratching their heads since Colorado isn’t even near Mexico. When called out, he tried to backpedal, calling it a joke. Sure, Donald.

2. “The noise from windmills causes cancer.”

  • Trump, in his endless war on facts, said in 2019 that the sound of wind turbines somehow causes cancer. Spoiler: it doesn’t. Science clapped back hard, but Trump just kept on talking.

3. “The kidney has a very special place in the heart.”

  • While attempting to discuss healthcare, Trump proved once again that basic anatomy is just too much for him. Apparently, the kidney lives rent-free in the heart now.

4. “I will build a great wall — and nobody builds walls better than me, believe me — and I’ll build them very inexpensively.”

  • The infamous campaign promise that became a years-long joke. Trump’s bragging about wall-building skills quickly turned into a never-ending debate about how ridiculous the whole thing was — and, of course, how to pay for it.

5. Why can’t we use nuclear weapons?”

  • Trump’s genius idea during the 2016 campaign — asking why nuclear bombs were just sitting there collecting dust — left experts dumbfounded. As if nuclear war was just another one of his bad real estate deals.

6. “The concept of global warming was created by and for the Chinese.”

  • In a 2012 tweet, Trump made up a conspiracy theory that climate change was a hoax invented by China to screw over U.S. manufacturing. If you’re looking for evidence, don’t — there isn’t any.

7. “Windmills are the greatest threat to both bald and golden eagles… Wind turbines kill hundreds of eagles.”

  • Trump’s weird vendetta against windmills continued with this whopper of a lie. Sure, wind turbines do kill some birds, but the fossil fuels Trump loves so much are way worse. Not that he cares about facts.

8. “If we tested less, there would be fewer cases of COVID-19.”

  • In Trump’s brilliant pandemic strategy, less testing equals fewer cases. Clearly, he missed the part where testing helps control the spread. But when has logic ever been his strong suit?

9. “I tested very positively for COVID. I tested positively toward negative, right?”

  • In 2020, Trump managed to confuse literally everyone with this garbled mess of words about his COVID-19 test results. It was peak Trump — rambling and utterly nonsensical.

10. “You have to inject [disinfectant], but it does knock it out in a minute.”

  • During a 2020 briefing, Trump outdid himself by suggesting that injecting disinfectants could treat COVID-19. Medical professionals quickly warned that injecting disinfectants will kill you, but Trump was on a roll.

11. “The Earth is freezing right now. Forget this global warming.”

  • Tweeting during a cold winter, Trump demonstrated once again that he can’t tell the difference between short-term weather and long-term climate change. But hey, he’s never let facts get in the way of a good tweet.

12. “There are people that say you can test too much for COVID-19.”

  • Because in Trump’s world, knowing too much is apparently a bad thing. He suggested that too much COVID-19 testing was somehow a problem when, in reality, it was one of the few ways to actually get the virus under control.

What do you think? Did I miss your favorite one?

I liked the airports during the American Revolutionary War comment. At least the speech he mentioned this was given on July 4th (2019).

Another gem was him “thinking out loud” about the possibility of using a nuclear blast to reduce hurricanes.

His latest – The giant water faucet in Canada that takes 2 days to turn on. (?) huh?


I liked him using a sharpie to draw a hurricane path where he thought it might go, instead of relying on the NOAA. (NOT) When NOAA denied

As he told it, he asked the boat designers what would happen if the batteries were so heavy the boats sank. “They said no one has ever asked us that before.” And he never caught the irony. He actually thought he was showing his brilliance by asking a question no one else could ever be stupid enough to ask.

Trump is a master of bizarre politics. The disturbing part is how many of his supporters actually believe this moron. Trump will tell any lie he has to in order to win. When it comes to Trump remember this: He inherited over 4 billion dollars and managed to lose 3.2 billion so far. He is the only person in America to bankrupt a casino. He built a magnificent hotel in Las Vegas before applying for a gaming license. He was denied a gaming license and when I personally visited his hotel it was almost completely empty. Trump is a low IQ individual who has trouble even reading a speech, let alone writing one. I do give him credit for the one talent he does have: He’s one hell of a con man. But may he’s not all that good at being a con man since he has racked up 32 felony indictments against himself. All in all Republicans may need to up their game when it comes to choosing presidential candidates. Let’s not forget Republicans also gave us Nixon ( another failed president).

He said today 7th May 2025, that India & Pakistan have been fighting for centuries!! Pakistan was founded in 1947. Learn your world history Donald!

The Cleansing – 26 – Chapter 11 into Chapter 12

The political intrigue between aliens mirrors that to be found in human societies:

Chameakegra settled for checking the lunar facilities first. Finding time to fit everything in was proving difficult. She needed to be in ten places at once. An army of Xerc engineers were working on the facilities, burrowing deep into the moon’s substrate, creating rooms, facilities and corridors sufficient to house a small city, necessary to house and treat all the excised Hydrans. By the standards of the Federation, this was not too daunting a task. They had all the tools and materials to facilitate the operation. With the technology available this should not have taken too long to get up and running.

An army of psychiatrists were at hand. Behind the scenes Judge Booghramakegra had lubricated the moving parts to assemble the best.

Chameakegra was greeted at the entrance by loj, a large Minorian. She was familiar with species; Graffa, her second in command on the Neff was a Minorian. He’d always impressed with his calm amphibian manner and efficiency. She was expecting the same.

Loj began the tour, leading her through completed corridors, showing off the idle lavish facilities and introducing staff. It was only when Chameakegra enquired about the date for the facility to be up and running that she began to get the highly aromatic reek of a deceased quiw. Loj began to show signs of agitation and Chameakegra noticed her dousing herself from her hydrating glands. Something was up.

Back in Loj’s office Chameakegra cornered her. ‘Right Loj,’ she demanded, ‘what is going on?’ It came spilling out.

That’s when the real tour began. Roughly hewn corridors, empty rooms, no facilities, Xerc’s standing around with little work being carried out.  It did not take too much to piece it together. They were on a go slow. Loj fired excuse after excuse, unexpected rock formations, instability, cracks, and fissures. None of it made sense and Chameakegra could plainly see Loj’s embarrassment. When asked directly if she was acting on orders from Beheggakegri or Grrndakegra she prevaricated.

Chameakegra returned filled with a seething fury. She had got nowhere and could see that her whole project was being deliberately sabotaged and there was little she could do about it.

Next up were the temporary camps, only intended to house the Hydrans for a short while as they were shuttled off to be treated. She toured the cramped, squalid conditions with their listless inmates, squabbling, infighting and sullen resentment boiling up into hate and fury. Hardly conducive to the rehabilitation she had planned. Nobody could tell her anything. The squalid conditions were a hotbed for everything she was fighting against.

This wasn’t disheartening; this was monumentally horrendous.

Back on the Neff she sat for a moment. Something had to be done. First Booghramakegra. She needed putting in the picture. Quickly her claws rattled across the keyboard filing a report of what she had witnessed along with her suspicions. Then the communicator.

‘Grrndakegra, we need to talk.’ With that she shut down and sat back in her pexi her scutes and crest a deep green sign of outrage.

Chapter 12 – A Reckoning

Ron was a writer, a man who was used to studying people, who was familiar with emotions, psychology and all manner of human behaviour. Understanding character was his trade. But dealing with human beings was one thing; dealing with completely unknown alien reptiles was quite another.

His regular meetings with Chameakegra were beginning to pay dividends. Ron felt that he was beginning to get the measure of her. Despite his initial sense of outrage at feeling he was being used he couldn’t help but start to melt. As he grew more familiar with her mannerisms he began to read her more. What he was becoming more and more certain about was that she was sincere. Slowly his anger melted away to be replaced by a grudging respect. He believed her. He was beginning to be able to read the emotions displayed on her scaly face and interpret the colours that flowed across her skin. He still could not figure out why she had chosen him but, though he kept a small element of doubt alive, he was becoming convinced that she believed what she was saying. She wanted that bright future for them.

That left Ron with a dilemma.

He felt torn.

If Chameakegra believed in him and felt he was the man for the task; if she had a viable vision for the future, one that he could buy into, then wasn’t that worth fighting for? What had he got to lose? Despite the violent scenes he was seeing perhaps it was just as she was saying – a necessary means to an end? Ron was at war with himself but maybe, just maybe it was time to put aside his doubts and fears and fully buy into the dream? That’s what his gut was telling him.

Chameakegra was fuming. Her scutes ran with livid green outrage bleeding into white fury.

Grrndakegra sat back looking supremely relaxed in her pexi. Somehow Chameakegra had kept her composure as she led her through the Neff to her private quarters; she’d even offered her a drink of synth, now Grrndakegra’s total lack of concern was needling her. She had been so sure she could hold it together now she wasn’t so certain after all.

Chameakegra sat opposite Grrndakegra and poured herself a sizeable synth from the servo then sat back, took a deep breath and tried to control her feelings.

Grrndakegra continued to watch her closely, her scutes moving between a thoughtful pink and mauve amusement. She was waiting for what was coming.

‘Where’s this coming from?’ Chameakegra finally asked, fixing Grrndakegra with her flashing green eyes while slowly sipping her synth. ‘It’s Beheggakegri behind this, isn’t it?’

Grrndakegra tried to hide it but Chameakegra noticed a hint of red annoyance creep into Grrndakegra’s scutes.

‘Where’s what coming from?’

Chameakegra glared at Grrndakegra a distinct white rage stealing across her crest.

‘Don’t give me that shit. I’m not stupid. I’ve just come back from the lunar facility after an interesting tour with our friendly Minorian. Loj did her best but she couldn’t hide it forever, could she?’

Grrndakegra sipped her synth and tried to brazen it out. ‘I don’t know what you mean,’ her beige scutes displaying a lack of concern.

Chameakegra nodded allowing the white rage to settle over her thorax. It did not hurt for Grrndakegra to know how furious she was. ‘You know exactly what I mean.’ The cold, deliberate delivery gave the words a cutting edge.

Grrndakegra shrugged.

‘I did a tour around the camps,’ Chameakegra continued in measured tone. She left it hanging.

Grrndakegra sipped her synth insolently but Chameakegra could plainly see some yellow annoyance or awkwardness displaying on her scutes. She might feign a lack of concern but inside she was feeling something.

‘Is this some underhand ploy that you and Beheggakegri have dreamed up?’

‘Chameakegra,’ Grrndakegra purred, in a condescending tone, ‘you have to be realistic. These Hydrans are space vermin. They can no more be turned from greed and violence than Beheggakegri can forego his dainties. There’s something deep in their DNA. You’re not going to fix it with all your restructuring and namby-pamby therapy. It runs too deep.’

Chameakegra studied her fellow Giforian with an olive burst of contempt. ‘I never figured you as one of Beheggakegri’s cretinous stooges.

Grrndakegra produced a burst of white anger, like a button had been pressed and some dam inside her head had burst. ‘I’m nobody’s fool and I’m nobody’s stooge,’ she snarled rising to her feet in fury.

Chameakegra stared up at the Giforian towering over her with her crest fully raised and waves of white anger flowing over her scutes. She sipped her synth in a show of indifference while showering the Giforian with disdain, the olive green deepening into a brown shade. ‘That’s exactly what you are.’ The contempt in her voice was thick like cold molasses. ‘You are utterly despicable, worse than that heap of blubber whose anus you are busy licking.’

For a moment it looked as if Grrndakegra, who was now incandescent white from toe to crest, was going to strike her with one of her raised claws. Chameakegra met her gaze and leaned forward, daring her to deliver the blow. ‘You and that piece of drewfus excrement Beheggakegri deserve one another.’

For a moment the claw hung in the air then Grrndakegra turned on her heel, flung the beaker of synth at the wall and stormed out, the portal barely dilating sufficiently to allow her through.

Captain Beefheart – DPRP Martin Burns review – On Track Every Album, Every Song

Opher Goodwin - On Track: Captain Beefheart

info:

 sonicbondpublishing.com

9

Martin Burns

The quote on page 46 from Opher Goodwin’s On Track: Captain Beefheart of the track When Big Joan Sets Up, encapsulates what makes Beefheart special, and at the same time why he remains a niche artist.

“… a great melody that carries it through. It’s meaningless but full of insight, so frenzied that it shouldn’t work, yet it does. It hangs together. That’s what is so great about Beefheart’s music – it pulls you in; the music is complex; the lyrics seem full of meaning, but everything is just beyond one’s grasp. You find yourself hooked. It propels you. It’s visceral. It tugs at the cortex. Rewarding.”

This applies across all of Beefheart’s recordings. Not without the odd exception of course, such as the mid-period ‘commercial’-leaning releases and things like Beefheart’s contribution to Frank Zappa‘s Willie The Pimp on Hot Rats. One of the things I find interesting about these two maverick forces of musical nature (Zappa and Beefheart) is that both went to Antelope Valley High School in the small Californian Mohave desert town of Lancaster. They remained friends on and off after leaving Lancaster; when their monumental artistic egos would allow. With Zappa, being more successful, helping the often-broke Beefheart out.

This is a great addition to Sonicbond Publishing’s ever expanding Every Album, Every Track series. This looks at Captain Beefheart’s studio output as well as the plethora of live releases and bootlegs that have followed since his death in 2010.

Comprehensive and critical where required, self-confessed Beefheart obsessive Opher Goodwin, knows his way around an incisive phrase and sets each of the studio albums into a context of time and place, record company and management shenanigans, and contemporary critical reactions. As well as assessing the various incarnations of the Magic Band, and how well they were able to translate the Captain’s ideas into actual music.

After making his brilliant final album, Ice Cream For Crow (1982), he left music-making on a high point, and turned back to painting. Beefheart, under his own name of Don van Vliet became a renowned abstract expressionist painter, gaining the level of success in the US that had eluded him musically. A happy ending of sorts.

This makes an excellent companion to Mike Barnes’ Captain Beefheart: The Biography (Omnibus Press) where neither shy away from Beefheart’s obsessive and bullying behaviour that were part of his artistic makeup. Opher Goodwin’s On Track: Captain Beefheart is a great guide and companion to this often-challenging artist.

If you’re curious, for me the place to start is with 1978’s Shiney Beast (Bat Chain Puller), but every Beefheart fan will have a different gateway release to recommend.

https://www.youtube-nocookie.com/embed/17cr_WVdWmo

Was Epstein running a Honey Trap for the KGB that ensnared Trump?

Explains a lot.

So according to The Daily Mail Epstein was employed by the KGB to lure the rich and powerful, like Trump, into a honey trap where they were filmed having sex with underage girls. Putin and the KGB then used this to control these powerful men.

Is this why Putin seems to have such a hold on Trump?

Is this why Trump keeps backing Russia instead of Ukraine?

Did Putin contrive to get him elected?

If you look at it through those eyes everything starts to make sense:

Newly unmasked evidence shows who put Trump in the White House | Opinion

Let me guess – Which Epstein files have not been released??

Err – could it be the ones incriminating Trump?

DPRP – Jan Buddenberg review of ‘Rock Classics – Beatles White Album’

8

Jan Buddenberg

If one band needs no further introduction then this must surely be The Beatles. Just mention the names of the Fab Four, their countless timeless compositions, and their groundbreaking Sgt. Pepper’s Lonely Hearts Club Band and Abbey Road albums, and I’m sure many events, other milestone albums and miscellaneous facts involving The Beatles will come flooding back into memory. Surprisingly, for me, this didn’t include their ninth album The Beatles. Their 1968 effort which is best known as The White Album.

Here to make me never forget about this earliest of proto-prog albums comes author Opher Goodwin with his expertly told and in depth reconstructed Rock Classic interpretation on the album.

Living to tell the tale first-hand, Goodwin, aged 19 in 1968, starts of by painting the rural 60s with great cultural insight. And following a sum up of preceding singles (Strawberry Fields ForeverAll You Need Is LoveLady MadonnaHey Jude) and other ventures like the Magical Mystery Tour and Yellow Submarine movies, quickly arrives at the challenges that The Beatles were facing prior and during the recordings of The White Album.

Well researched and comprehensively told with plenty of interesting historic details, Goodwin elaborates on The Beatles’ growing wealth, their new-found spiritualism, the individual marital changes of McCartney and John Lennon (enter Yoko Ono) and the disastrous sudden passing of their manager Brian Epstein which left the band fairly rudderless in approach to The White Album.

Just how directionless becomes perfectly clear in the 50+ pages that Goodwin objectively devotes to The White Album. Loaded with biographical information it is this lengthy chapter that creates a clear understanding towards the gradually forming split between the various Beatles members, and the resulting eclectic/fragmentary (take your pick) outcome of the album.

Sharing all the ins and outs on the making of the album this includes the thoughts behind the album cover, the various lyrical topics, Eric Clapton’s involvement on George Harrison’s composition While My Guitar Gently Weeps, and the many takes done before songs were finally approved for album inclusion. As well as a complete insightful rundown of songs that next to pop songs like Back In The USSR and Ob-La-Di, Ob-La-Da includes tracks that touch upon such genres as folk, country rock, British blues, proto-metal (Helter Skelter) and the avant-garde (Revolution 9).

Add to this Ringo Starr’s two week Beatles-divorce, Yoko Ono’s studio invasion, the walk out of producers, and the fact that only 16 of the 30 recorded tracks actually included all four Beatles members, and it’s almost a miracle that The White Album was ultimately finalised. Much like the view of critics and listeners who rate the release to be one of the greatest albums of all time.

Successfully teasing readers to further investigate by mentioning demos, outtakes, the excluded album-related gem Not Guilty which they worked on for 102 takes, and related topics such as the Plastic Ono Band  and cult leader/murderer Charles Manson’s obsession with several album songs, I find Goodwin’s substantiated narrative to end somewhat abruptly and not fully rewarding towards my own accumulating curiosity of what happened to The Beatles afterwards. An aspect Goodwin apart from a few words about the album’s legacy doesn’t particularly elaborate upon.

Personal preferences aside: Opher Goodwin’s book does exactly what it is supposed to do. It enthuses willing musical guinea pig readers like myself and those generally interested in music to explore the album. And all together offers a captivating in-depth and well-written analysis of The Beatles’ biggest-selling album to date. Simple conclusion: job well done!

https://www.youtube-nocookie.com/embed/q_ML0xjiBm0

The Beatles: White Album – Rock Classics: Amazon.co.uk: Opher Goodwin: 9781789523331: Books

This made me chuckle!

Trump mentioned 1000s of times in Epstein Files

They spent months redacting and erasing evidence of Trump in the files before releasing some of them. They forgot to redact the identities of the victims!

Even with all that redaction and suppression he is still mentioned thousands of times and there more photos of him with Epstein than me with my family.

Shouldn’t someone investigate?