Cover artwork for the new books – The Voyage to the end of the world – The treasures of South America on the Marco Polo 2016

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These are the actual covers for the two versions of the book.

What do you think? Which do you prefer?

The yellow one is a normal paperback size and in black and white.

The blue one is a large coffee table book in full colour.

They both look good to me.

9 thoughts on “Cover artwork for the new books – The Voyage to the end of the world – The treasures of South America on the Marco Polo 2016

  1. I prefer the black/white, the larger one seems quite dark, it might have needed something brighter than the blue going across. Just my opinion for what it’s worth.

      1. Hi Anna – perhaps you need cheering up today – here’s a joke I just wrote –
        Duck walks into the private doctor’s surgery. But he could not speak.
        So the doctor gave him the bill.

    1. Yep. I think you’re right. That was my first choice. But I think the other one might look better bigger. It has a grainy, low-light impressionism when large that I love. That’s why I chose it for the bigger book. Because it is big and has colour photos it is expensive so I figured I was the only person in the world who would buy that one. The smaller one, in black and white, is cheaper. There might be a few who’d chance their arm on that.

      1. Yes, the other would be too garish if big. The mountain picture reminds me of Wordsworth’s ‘Prelude’ description. Please forgive the length:

        I dipped my oars into the silent lake,
        And, as I rose upon the stroke, my boat
        Went heaving through the Water like a swan;
        When, from behind that craggy Steep till then
        The horizon’s bound, a huge peak, black and huge,
        As if with voluntary power instinct,
        Upreared its head.—I struck and struck again,
        And growing still in stature the grim Shape
        Towered up between me and the stars, and still,
        For so it seemed, with purpose of its own
        And measured motion like a living Thing,
        Strode after me. With trembling oars I turned,
        And through the silent water stole my way
        Back to the Covert of the Willow-tree;
        There in her mooring-place I left my Bark,—
        And through the meadows homeward went, in grave
        And serious mood; but after I had seen
        That spectacle, for many days, my brain
        Worked with a dim and undetermined sense
        Of unknown modes of being; o’er my thoughts
        There hung a darkness, call it solitude
        Or blank desertion. No familiar Shapes
        Remained, no pleasant images of trees,
        Of sea or Sky, no colours of green fields;
        But huge and mighty Forms, that do not live
        Like living men, moved slowly through the mind
        By day, and were a trouble to my dreams.

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