Phobia

Phobia

Two sun-bronzed eight-years-old ragamuffins, dirt magnets, bark-stained, scabby-kneed, free and wonderfully contented. Cars a rarity, the streets of our estate a playground. Endless summer days, hot and sunny. Breakfasts rushed so we could be out. Outside. Free. Every minute precious. Rushing in, gulping meals and back out, out until the hunger gnawed at our stomachs and forced us to refuel.

Sometimes a little gang of us, around a dozen, sometimes a few and sometimes just me and Chris. We’d set up a cardboard box as a wicket and play cricket, or we’d hold mini Olympics with milk bottle tops as medals, or race carts imagining them as Roman chariots. Always on the go. Playing all day until it got too dark to see. Sometimes Chris and I would roller skate, walk around on stilts, bob on pogos, climb trees, build dens or play tennis for hour after golden hour. On occasion my sister and a few others would play block or rounders with us. The older boys taught us to ride bikes, fire homemade catapults, spit cherry stones, scrump peaches and flick our football cards at walls for swapsies. We’d play kingy with them and thrill as they hurled tennis balls at us with all their might.  Life was full. Exciting. Idyllic. Bruises were part of the deal.

This particular day we were playing hide and seek in David’s garden. That’s when it happened.

Giggling and trying to be quiet we hid but were useless. The older boys always pounced and teased us unmercifully. We were their playthings. But that was OK. We looked up to them. Sought to emulate them. Our day would come. Being with the older boys was exciting.

Outside the back door of David’s was a white enamel bucket with a dark blue rim. The picture is imprinted in my head. Somebody noticed that there was an enormous dark brown hairy house spider trapped in the pail, so big its legs actually touched all the sides at once as it sinisterly squatted as still as a deadly tarantula.

We all had to peep, daring each other to come near and peer into that bucket. The older boys baited us, teasing us. Jostling. Pushing. Nobody had ever seen a spider so big. Shudders raced through me, my heart thundered but I had to look. Eyes wide and mouths open, we peered at it. So huge. So hairy. And those long legs. Terrifying yet intriguing. We couldn’t drag ourselves away and kept sneaking back for another look.

When one of the boys poked it with a stick we shrieked but were frozen like statues. Intrigued. Paralysed. The massive beast burst into action, scurrying around as lively as a scared rabbit, its legs scrabbling, trying to gain purchase on the smooth enamelled walls. All of us consumed by the horror, the thought of it gaining traction and shooting over the rim, darting towards us like a nightmare unleashed. Mesmerised, held partly by magnetic fascination and part primitive terror, we were trapped in its thrall. We had to watch as the boy teased it into frenzy.

Our shrieks and screams and naked dread seemed to encourage the older boys. They were excited by our reaction, our terror. To our complete disbelief one of the bigger boys darted his hand into the bucket and grabbed that huge spider. That was it. The spell was broken. In blind panic we ran. My mind was shrieking in my head. I seemed to know what was going to happen.

Chris was streaking ahead of me as we hurtled up the side of the bungalow and out into the street, screaming, panicking. Desperate to escape. We fanned out as the bigger boy pounded after us holding that huge spider out in front of him. Delighting in his power. Drunk on our terror. We were no match. He charged around chasing us down, gleefully threatening, thrusting the spider towards us, leering and chortling at the top of his voice as we frantically screamed and raced around in circles, searching for escape. He easily outpaced us, waving the spider towards our faces, buoyed up by our hysteria; the naked terror of our wide-eyed expressions, our desperate wails.

Chris was always faster than me. He careered ahead darting away. I could hear the boy behind. Catching up catching up, almost upon me. His guffaws and ecstatic yells resounded in my ears. The excitement in his voice a spur to my terror. I knew what was going to happen. I knew. Frantic, I ran and weaved. Shrieked and bobbed. No matter how frantic, I was no match.  I could not escape. He’d selected me. Grabbing my shoulder he spun me round gleefully thrusting the spider towards my face. I saw Chris turn and come to a halt his face a picture of repulsion and disbelief. Then the boy thrust his hand down my shirt. I don’t remember any more. My mind froze.

Disbelief. Utter disbelief. This couldn’t be happening. Mind a whirlpool: relief, horror, excitement, relief, disbelief, horror, relief, guilt, horror. Face aghast. Silent. Imagination in hyperdrive. Disbelief. Face aghast. Breath frozen. Heart thumping. Horror. Relief. Guilt. Disbelief. Curiosity.

I saw the hand with that huge spider dive into Jeff’s polo shirt. I saw it come back out minus the spider. Time stood still. Even the boy seemed in shock at what he had done and backed slowly away, shaken by Jeff’s distraught reaction. He knew he’d gone too far. Jeff stood as still as a statue, rigid, in the middle of the grey concrete road, his arms out in a crucifix, staring up at the sky, mouth a cavern, mad-eyed, great guttural, primal, blood curdling shrieks tearing out of his throat. Sounds so blood-curdling they sounded unhuman.

We all slinked further away forming a wide circle, lurking, watching silently. Awestruck and helpless. Transfixed. Shocked. Unable to take our eyes off Jeff. Unable to act. Awaiting the outcome. Eyes straining. Watching for the spider to emerge.

Eventually a neighbour came out to see what the fuss was about. Someone explained to her in a hushed voice. I saw her face transform to one of great concern. She began peeling Jeff’s clothes off until he was stark naked. Searching. First his polo shirt, then shorts and finally his underpants. It was not easy. Jeff as rigid as marble, his limbs not bending. All the while the shrieking continuing in a throat-ripping background cacophony. We were all waiting in silence, rapt, waiting. It never appeared. Someone brought a blanket out and draped it round Jeff. The shrieking subsided into blubbering. His mother arrived and he was escorted home.

But where was that spider? Nowhere to be seen. It had spirited itself away into my nightmares.

(I’ve tried using fragments instead of sentences. Repeating words. Scrapping verbs and pronouns. Varying length of sentences and deploying strings of words to create pace, express emotion and convey immediacy. Not sure if it works. The POV proved difficult.)

Marianne Faithful – Negative Capability

Ravaged, torn asunder, broken and discarded, yet utter defiant.

I’ve been listening to this poignant album. The voice, once beautiful and lilting, is now cracked and croaks but is laden with experience and depth; so moving. This is the mature Faithful; a person who has lived the full spectrum of life.

A wonderful album.

Marianne Faithfull – The Gypsy Faerie Queen feat. Nick Cave (Official Music Video)

The Real Story of The Complete Unknown – Bob Dylan

Interesting to see that the film The Complete Unknown covers the same ground as my two books on Dylan (except, of course, my books tell the real story).

Bob Dylan 1962 to 1970 On Track Extract

   His act involved Chaplin-esque routines, carefully orchestrated ploys, tuning and fiddling with his guitar and harmonica, all with casual glances and asides, designed to draw the audience in. From the very start, it was apparent that Bob, despite his shyness and boyish looks, possessed a great stage presence. Not only that, but he was already beginning to write his own material and what songs they were!

   There were a large number of factors that fed into this burgeoning songwriting. The exposure to a wide range of music – being able to watch, at close hand, experienced musicians applying their stage skills (most of whom recognised his talent and encouraged him), the befriending of Dave Van Ronk, who carried huge clout, and his love affair with Suze Rotolo. This young Dylan was avidly listening to a range of music, reading poetry and literature, ransacking the libraries and record collections of all and sundry.

   Suze was hugely instrumental in the development of his social sensitivities and outlook. She came from a dyed-in-the-wool communist family and already, as a young girl, had been involved in the civil rights movement.

   The early sixties were the time of civil rights, the bomb, the cold war and the beginnings of the war in Vietnam. This was the McCarthy era with its hounding of communists and unAmerican activities. The Beat generation had instigated dissent and now the folk scene, mainly due to Woody Guthrie and Pete Seeger, was the seat of left-wing social change, a movement that was going to blossom and shape the whole sixties underground movement. Suze was steeped in it. Bob absorbed it so that it permeated much of his writing.

   Between 1961 and 1963, prompted by Suze and the folk scene in general, Dylan wrote many of his most famous socially motivated songs, songs that laid the groundwork for the sixties philosophy. His wordmanship was constantly developing and reaching new heights. Unfortunately, it saddled Dylan with being the voice of a generation, an epithet loaded on him by the media that not only irritated him no end but one which heaped tension on his shoulders.

   With his manager – the great behemoth Albert Grossman, a recording contract with Colombia Records, his adoption by Joan Baez and promotion through Pete Seeger, Bob Dylan set off on a meteoric trajectory to become a massive international star and in so doing, boosted folk music and poetic songwriting into another sphere. Inevitably, the result of such fame brought adulation, crowds of screaming fans, hangers-on and a need for safety and security that locked Bob into a bubble, away from his freewheelin’ days around Greenwich Village.

   After the breakdown of his relationship with Suze, maybe in response to being saddled with the limiting description of being a ‘protest’ singer, Bob moved away from writing songs of social import into writing songs of a more introspective nature influenced by the French symbolist poets Rimbaud, Baudelaire and Verlaine. Later, Dylan fell under the spell of the Beat poets, principally Allen Ginsberg, and began writing more complex surreal landscapes.

   The ‘folk period’ had produced a fine debut album followed by three classic acoustic albums. Ironically, even as his fame peaked he was tiring of the limitations of his acoustic songs, feeling staid and dissatisfied. He felt everything was predictable and was on the verge of completely abandoning his career: ‘I guess I was going to quit singing. I was drained. I was playing a lot of songs I did not want to play.’ ‘I was getting very bored with that.’ ‘It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you.’

   In 1964, The Beatles broke big in the USA and then the likes of The Byrds and Manfred Mann took rock ‘n’ roll versions of his songs into the charts. The Animals took the traditional ‘House of the Rising Sun’ to number one. It sparked something in Bob and rekindled his love of rock. He, with the help of the Paul Butterfield Blues Band and then The Hawks, later to become The Band, turned electric.

Bob Dylan 1962 to 1970 On Track (Decades) : Opher Goodwin: Amazon.co.uk: Books

Bob Dylan Bringing It All Back Home: Rock Classics: Amazon.co.uk: Opher Goodwin: 9781789523140: Books

The Profile of a President??

Trump facts

64 Times Mentioned In Epstein Report.

97 Times Pleaded The Fifth.

34 Felony Convictions.

91 Criminal Charges.

26 Sexual Assault Allegations.

6 Bankruptcies.

5 Draft Deferments.

4 Indictments.

2 Impeachments.

2 Convicted Companies.

1 Fake University Shut Down.

1 Fake Charity Shut Down.

$25 Million Fraud Settlement.

$5 Million Sexual Abuse Verdict.

$2 Million Fake Charity Abuse Judgment.

$93 Million Sexual Abuse Judgements.

$400+ Million Fraud Judgment.

First President in history to serve a full term increase the deficit every year he was in office.

First President in history to maintain a debt to GDP ratio over 100% for his entire term.

Highest annual budget deficit.

Most added to the national debt in a single term.

Most new unemployment claims.

Largest single day point drop in the history of the Dow.

First major party candidate in half a century to lose the popular vote twice.

Longest government shutdown in history (and he did that while his own party controlled both chambers of Congress).

First President in the history of approval ratings to maintain a net negative approval rating for his entire term.

First President to be impeached twice. First President to have bipartisan support for his conviction after impeachment (which happened both times).

Most indictments, guilty pleas, and criminal convictions of members of an administration.

First president to have a mug shot.

Please go ahead and lookup every claim here – Joe Varco

A few hilarious pieces of satire!

Elon is definitely fucked! Did he not see what happened to Trumps alli… | elon musk hug | TikTok

AI-Generated Political Satire: You Might Be A Trump Supporter | TikTok

Supporting Electric Vehicles over Diesel Trucks | TikTok

Hawking Teslas and Political Satire at the White House | TikTok

Phil Ochs – Everything you need to know.

Phil Ochs On Track: Every Album, Every Song extract

New York and Early Forays

Having arrived in New York Phil started to hustle. His first paid job was opening for John Hammond Jr. and he soon built up a reputation for himself, getting work at a number of the burgeoning folk clubs like Sam Hood’s The Gaslight and The Third Side.

   The strength of his songwriting was soon noticed. Sis Cunningham and Gordon Friesen ran a magazine that specialised in printing the song lyrics of socially motivated folk singers. They regularly printed songs by the likes of Bob Dylan and Pete Seeger. They also recorded demos of these songs in their offices in order to transcribe the lyrics.  Bob Dylan, under the name Blind Boy Grunt, recorded for them.

   Phil knew he was on the way when he was invited to contribute. His songs began to appear in Broadside. An ambitious Phil, always eager to deliver to an enthusiastic audience, and eager for publicity, would drop in to the offices regularly to share his latest song and lay down a demo. Those demos would later come out on a couple of CDs. Phil said in a Broadside interview that ‘every newspaper headline is a potential song.’ He thought that songs should say something or they were useless. ‘It never ceases to amaze me how the American people allow the hit parade to hit them over the head with a parade of song after meaningless song about love.’ Broadside agreed.

   The other important outcome of this validation was that Phil was invited to perform at the prestigious 1963 Newport Folk Festival and that brought him to the attention of an even wider audience.

   The two biggest labels in the folk sphere were Elektra and Vanguard. By 1964 the folk scene had, following the success of Bob Dylan, taken off to extraordinary heights. Folk singers were flavour of the month and in great demand.

  In 1961 Vanguard had put together an album called New Folks that was intended to highlight a number of up and coming folk singers. It included The Greenbriar Boys, Jackie Washington, Hedy West and David Gude.

   By 1964 folk music had changed beyond all recognition and Vanguard decided to put out a second volume. These four artists selected demonstrated how much things had changed in such a short while. The second album featured more broody topical songwriters and Phil led the pack.

   Before that, however, there was a slight aberration.

Phil Ochs On Track: Every Album, Every Song: Amazon.co.uk: Opher Goodwin: 9781789523263: Books

The Beatles White Album – Extract

  The Beatles White Album – Extract

I was almost the right age for the Beatles. A couple of years older would have been good, but I can’t complain. I started getting into rock and pop at the age of ten when an older friend, Clive Hansell, introduced me to the delights of Adam Faith and Buddy Holly. That was back in 1960. Over the next few years, I extended my appreciation to include the wonders of the Shadows, Eddie Cochran, the Everly Brothers and Little Richard, with a smattering of Elvis. I liked my music fast and rockin’. Even at the age of twelve the likes of Bobby Vee, Bobby Darin and Bobby Ridell sounded too tame. The charts were far too poppy.

   By the time I was thirteen I was ripe for something to explode and explode it did.

   On the day that the album Please Please Me came out I was more than ready. Somehow ‘Love Me Do’ had passed me by but it hadn’t gone unnoticed by my mate Tony Hum. He’d gone out and bought the album the day it came out. On that fateful day my life changed forever, Tony took me into his room, we sat on the bed and he ceremoniously placed the album on his Dansette record player, lowered the stylus and the universe shifted.

   ‘I Saw Her Standing There’ stormed out. My ears were blasted with the rawest, most exhilarating sound I had ever experienced. That was it. I was hooked. We were there all afternoon playing the album over and over as I absorbed every track. The most exciting afternoon of my life.

   The next day I went and bought the album and ‘From Me To You’. After that the world shifted. I bought every Beatles album and single on the day of release. Still got them all!

   The Beatles formed the backdrop to my youth. They grew and developed and I grew with them. From a spotty fourteen-year-old, feasting on the pop charts; a lad with greased back hair, skin-tight jeans and sideburns, who had a liking for blues, folk, Dylan and beat groups, I grew into a Kerouac-drenched long-haired denizen of the London underground scene. I moved on from the Yardbirds, Animals and Stones to Roy Harper, Hendrix, Floyd, Beefheart and Country Joe & the Fish. As I progressed from rock and beat to psychedelia and acid, the Beatles were right there with me, leading the way.

   At the age of eighteen I was an aging raver frequenting UFO, Middle Earth and Les Cousins. Sgt Peppers sat side by side with Fleetwood Mac, Notorious Byrd Brothers, Drop Out Boogie, The Piper at the Gates of Dawn, Axis Bold As Love, Strange Days, Come Out Fighting Ghenghis Smith, The Hangman’s Beautiful Daughter, Forever Changes and Buffalo Springfield.

   As I say, a couple of years older might have been advantageous. I was somehow too young to get to see the Beatles live. As a kid I had no transport and it always seemed too big a thing to actually go to a Beatles concert. They were too special. That seemed unattainable and never even crossed my mind. By the time I bought my first motorbike at the age of sixteen, in 1965, they were coming to the end of touring. I’d missed my chance.

The Beatles: White Album – Rock Classics: Amazon.co.uk: Opher Goodwin: 9781789523331: Books

Two Teslas

Tax Evasion

Just imagine if these billionaires started paying the millions they owed – we’d have more than enough for the schools and hospitals.

So why do they scapegoat the poor??

They should be going after the rich and close all those loopholes!

Billionaire Trump has paid less tax than a nurse!!

What happens if a nurse doesn’t pay his/her taxes?

Billionaires

No matter how much they have they still want your money!!

You don’t ‘earn’ a billion. You can’t ‘earn’ a billion.