A Rock Music Memoir – In Search of Captain Beefheart – another short extract.

From when I was a small boy I found myself enthralled. I was grabbed by that excitement. I wanted more. I was hunting for the best Rock jag in the world! – The hit that would send the heart into thunder and melt the mind into ecstasy.

I was hunting for Beefheart, Harper, House, Zimmerman and Guthrie plus a host of others even though I hadn’t heard of them yet.

I found them and I’m still discovering them. I’m sixty four and looking for more!

Forget your faith, hope and charity – give me Sex, Drugs and Rock ‘n’ Roll and the greatest of these is Rock ‘n’ Roll!

I was a kid in the Thames Delta, with pet crow called Joey, 2000 pet mice (unnamed), a couple of snakes, a mammoth tusk, a track bike with a fixed wheel, a friend called Mutt who liked blowing up things, a friend called Billy who kept a big flask of pee in the hopes of making ammonia, and a lot of scabs on my knees.

My search for the heart of Rock began in 1959 and I had no idea what I was looking for when I started on this quest. Indeed I did not know I had embarked on a search for anything. I was just excited by a new world that opened up to me; the world of Rock Music. My friend Clive Hansell also had no idea what he was initiating when he introduced me to the sounds he was listening to. Clive was a few years older than me. He liked girls and he liked Popular Music. Yet he seemed to have limited tastes. I can only ever remembering him playing me music by two artists – namely Adam Faith and Buddy Holly. In some ways it was a motley introduction to the world of Rock ‘n’ Roll.

A slice of the Rock Music memoir ‘In Search of Captain Beefheart – The Rolling Stones in the Park

A jaunt in the park

In Search of Captain Beefheart: Amazon.co.uk: Goodwin, Opher: 9781502820457: Books

I had mixed feelings about the Stones in the Park in 1969. It was like they were taking it away from us. We’d grown used to the small crowds of regulars coming along to frolic in the everlasting sunshine, listening to Roy Harper and outing the odd demon or two. The Hyde Park Free concerts were suddenly becoming mass events and that is not really what they were about. It was nowhere near as much fun being part of such a huge crowd. Those small crowds had felt like family.

We got their early and had a paddle in a boat on the serpentine before making our way into the hollow that formed the natural amphitheatre. It was already packed.

 Opher in the Serpentine at the Stones in the Park

We got in as close as we could but were still a little way back to the right of the stage. We had a good view but I really liked being right at the front.

The concert was OK. I thought Alexis Korner was OK but nothing outstanding. Roy Harper did a good set. The Battered Ornaments lacked Pete Brown. Barking College. King Crimson did a great 20th Century Schizoid Man and a good set. Family were fabulous. But everyone was there for the Stones!

It was a strange one. Brian Jones had been kicked out of the band and replaced by Mick Taylor. Then Brian had been found dead in his swimming pool. There have been all sorts of conspiracy theories going round about that one!

The Stones came on and loads of butterflies were released from cardboard boxes. They seemed reluctant to go and the boxes were shaken and banged. A few fluttered up but it was hardly the spectacle hoped for. Most of them seemed dead.

The band came on and looked a bit nervous with Mick in his white frock. They started off with Mick reading a Shelley poem in memory of Brian and then they kicked in. They sounded a bit ragged to me and the texture was not great. It all sounded a bit thin. I liked Mick’s guitar and really like Honky Tonk Women. I also thought the African drummer was looking and sounding the part.

All told it was a bit disappointing though I’ve heard the soundtrack and that sounded OK. Perhaps it was that the equipment back then was rarely adequate for a big outdoor event. Or perhaps it was that the Stones were under rehearsed and hadn’t quite gelled together yet. Or were they just nervous and defensive following what had happened to Brian. Whatever – it was a start! Their time with Mick Taylor was arguably the best and most creative of their whole career.

Every time the film comes on the telly I look for us. I can see where we were but I can’t find us. It would be quite a shock to see us at that time in all our glory. I was so full of life, optimism and energy. I’d love to go back for a day or two just to feel what it was like to be so naïve and happy.

At the end of the gig we were all told that anyone who picked up two bags of litter would get a free Honky Tonk Women single. Liz and I picked up two bags of said litter and duly presented it to the caravan. A grumpy guy told us there were no more singles. I protested and he went off and got me one from somewhere.

I still have it!

More from my Rock Music memoir ‘In Search of Captain Beefheart’ – Sixties Festivals

In Search of Captain Beefheart: Amazon.co.uk: Goodwin, Opher: 9781502820457: Books

FESTIVALS

I have Hat to thank for organising a lot of these. Hat’s real name was Francis Jacques but because Hattie Jacques was such a household name everyone called him Hattie and that became Hat. When I was sixteen, seventeen and eighteen Hat always knew where it was happening, who was on and how to get there.

Hat was the epitome of cool back then. At fourteen he had this bit quiff and sideburns. His hair was long enough to reach his chin. He wore skin tight jeans and Cuban heeled boots and not only that but he kept trying to nick all my girlfriends.

Hat and Booker had customised these old LD scooters by taking all the fairing off them, dropping the seat, putting a motorbike petrol tank on and ape-hangers. It created a really low-slung oddity. Hat then put a car windscreen washer on so he could go past people and squirt them. It was particularly effective against bus queues.

Hat organised us going down to Brighton camping after our O Levels. We went to the notorious Brighton Shoreline club and got thrown out. There was this big sign saying ‘WAY OUT’ and Oz thought it was an exit and was yanking at this door. Needless to say it was supposedly cool poster and not an exit. A bouncer took a dislike to Oz’s antics and threw us out.

We picked up three girls camping in the tent next to us and almost got to see Heinz and the Wildcats. It was quite a week.

Hat took me and Liz out on our first date in 1967 to see the Dream at Middle Earth. It was very weird and far out with its lightshow.

Hat organised to go to the Windsor Jazz and Blues festival. I think it was the first festival I had ever been to. I was disappointed that Pink Floyd cancelled but it was an incredible line up the Small Faces were great, the Move were incredibly loud, and Tomorrow were very trippy. I don’t remember anything about Marmalade, Zoot Money, Aynsley Dunbar, Amen Corner or Time Box. I should have paid more attention. I certainly paid attention to PP Arnold though. She performed in a white crocheted dress with black undies (or was it a black crotched dress and white undies?) anyway she was the sexiest thing I’d ever seen and was backed by the Nice. The Nice replaced Floyd and did a great show complete with knives and flag burning. I then didn’t remember Arthur Brown.

It was the final day that stood out for me. Not only were there the wonderful Fleetwood Mac but also John Mayall and Chicken Shack. Then there was Jeff Beck. On top of that we had Donovan and Denny Laine, Blossom Toes and Pentangle.

What a line-up. But it wasn’t that which sticks in my memory. Headlining was none other than the great Cream at the very height of their power. But even that was not the thing that made it so special. It was 1967 and I was 18 years old and out with a couple of mates (Hat and Booker). So we got this empty fag packet and ripped it up into oblongs. Then we wrote PRESS on them with black biro and pinned them on our jackets with safety pins. We walked up to the front and presented ourselves to the security heavies who, unbelievably, waved us through. We spent the entire day in the Press enclosure in front of the stage. We popped backstage to grab a bite to eat and take a pee. Hat had a pee next to Ginger Baker. We didn’t dare go out because we knew we’d never get back in. I got to stand right in front of Clapton as Cream did the best set of their entire lives. I watched the sweat on Jack’s brow and every expression on Ginger’s face as he worked those drums. It was the most awesome gig ever, mainly I think, not just because it was such a brilliant gig, which it was, but because we shouldn’t have been there. Stolen fruit always tastes better!

Can you imagine in this day and age of top security that anyone would wave through a few young kids with biroed name tags? Not in a million years!

Festivals were social events. You went there to hang out, meet people, rap all night, smoke and chill out. The music was as much a backdrop as a focus.

Opher circa 1971

Hat organised us to get to loads, Windsor, Bath, Plumpton, Woburn and Hyde Park. I can’t remember how we got there, who we saw, or where we stayed. I can remember meeting loads of people, sitting around talking and sharing and having a great time. The festivals were a great part of the culture of the day. The music was the backdrop, the atmosphere was brilliant and the vibe was all important.

Festivals were our celebrations when we all came together and were invigorated.

The next slice of ‘In Search Of Captain Beefheart’ A Rock Music Memoir

In Search of Captain Beefheart: Amazon.co.uk: Goodwin, Opher: 9781502820457: Books

The Beat goes on

By 1964 we had all grown. Our hair, in particular had grown. I was fourteen and fifteen which was a good if difficult age to be. I was full of hormones, frustration and increasing angst which was beginning to bring me into conflict with authority. Rock Music was much more important than school. The commercial chirpiness of Merseybeat had been replaced by a harder, more individualistic and aggressive sound. Seemingly every week a new band burst upon the scene complete with a new sound, image and style.

Our TV programme ‘Ready Steady Go’ (A little bit of ‘Thank your lucky Stars’ and ‘Juke Box Jury’) featured them live. The Beeb was still too matronly to put on anything so we tuned in to Radio Luxembourg. Its sound kept phasing in and out but at least you could hear the stuff you wanted. Then it was the pirate radio stations with ‘Caroline’, ‘Atlantis’ and ‘London’.

Music was our life. We lived it.

The Stones burst upon the scene, closely followed by the Animals, Them, Yardbirds, Who, Smallfaces, Kinks, and Downliners Sect. Hardly a week went by without another one showing up. These were the days of the Mods and Rockers, scooters, Parkas and layered hair.

The toilets were always crowded with boys preening their hair and moulding it into shape. I went for a distinctive look. My hair was combed back at the sides and carefully arranged to cover my forehead with a long quiff. I tried to get it to create a unique wave. That was really difficult with only greasy brylcream and none of these modern day styling waxes. But I had the longest hair in school. It hung down to my shoulders. Hat was one of the coolest kids. He had a greasy rockers hairstyle with a quiff that he could pull down to his chin.

Hat and I were into motorbikes and that made us Rockers. We liked leather jackets, jeans and motorcycle boots. Hat wore really tight jeans and long winkle-picker boots.

  Opher & Liz on my first motorbike 1967

I idolised Phil May. He had the longest hair of any of the guys in the bands. My appearance caused some consternation among some staff. My Physics teacher affectionately called me ‘Squirrel’ but the Deputy Head took me on as a project. She was determined to get me to toe the line. I was even more determined to do the opposite. We had fun and games.

I also came into conflict with the prefects. They were worse than the teachers. They tried to intimidate and control you. I developed a nice line in smart repartee and sarcasm. It infuriated them even more which was the whole point. Bowyer was a particularly snooty prat who swanned around the school like some bantam pretending to be a peacock. He gave me a four sided essay to do because I refused to pick some milk bottles out of a puddle when ordered. He was a pretentious sod who thought he was at Eton complete with quilted waistcoat. The title of the essay he set me (bear in mind I was fourteen at the time) was ‘Should psychoanalysis be used as evidence in courts’. I wrote in big letters – ‘No! But those in positions of authority should be psychoanalysed before being put in that position!’ He was incensed and wanted to take me under the school and have me caned – prefects were allowed to give three lashes. I explained to him that he could try but either then or later I would beat him to a pulp. I was always a quiet, peaceful young lad. It was out of character – but he was a smarmy geek (reminds me of Cameron) who got right up my nose. He took me to the Head. I exceedingly calmly explained to our illustrious Headmaster that the next time Mr Bowyer asked me to pick up dirty milk bottles out of a muddy puddle would be the day he would be operated on to have them de-inserted. The Head was a wise man and figured out what was going on here. He put oil on the troubled water.

I wasn’t interested in school; I was only interested in girls and music.

One week there’d be the Kinks bursting on the scene with ‘You Really got me’ and then the next it’d be the Who with ‘I can’t Explain’ and Them with ‘Baby please don’t go’, the Prettythings with ‘Don’t bring me down’, the Yardbirds with ‘Good morning little school girl’ the Animals with ‘Baby let me take you down’ and the Small Faces with ‘What you gonna do about it’. It seemed inexhaustible.

We used to watch them on TV and marvel at the length of their hair. Ray Davies’ hair flicked up, Brian Jones’ fringe hung over his eyes and Phil May’s hair was down to his shoulders. We used to comment on the size of the zits on display. Eric Burdon had loads but Phil May came out tops again because he had a particularly big one on his forehead.

At the time the newspapers were trying to create a story by describing the nice cuddly mop-top Beatles as the good guys and the scruffy disgusting Stones who peed against garage walls as the bad guys. Ho hum. We didn’t fall for it.

At half term I used to go round my friend Mutt’s. His mum was out at work and he lived next to a school that had a different half term. We took it on ourselves to entertain the girls by playing music at full volume out of the window. We got quite a fan club. I can remember the two tracks we played endlessly as being ‘Everything’s alright’ by the Mojos and ‘Tobacco Road’ by the Nashville Teens.

I never got to see a lot of these bands play. I was fourteen and fifteen and the Yardbirds and Stones both had residencies in Richmond which was really just down the road but when you are that age without transport that might as well have been on the moon.

The first live gig I ever got to was the British Birds at the Walton Hop. The Walton Palais was supposedly where Jonathan King used to groom and pick up young boys. He never tried to pick me up I was much too ugly.

The Birds featured Ron Wood, later of the Stones, and were incredible.

I can’t remember who I went with. I was too boggled by the whole experience. It was another world.

As I arrived there was a whole bunch of jeering Teddy Boys in the car park. They were all shouting and pushing and the girls, still in bee-hive hair-dos and full long flouncy skirts were shrieking encouragement. I sidled up and looked in and there were two Teds slashing at each other with long vicious stiletto flick-knives.

That was quite a start.

Inside the big hall was dark with a big staircase leading off to the sides. There were a group of Teds on the landing taking turns to shag a rather large, blousy bee-hived girl. Her skirt and petticoats were up round her chest and her legs were up in the air as she was held up by the supporting cast. The boys were all around offering encouragement and jeered as they took turns and a bunch of girls, all similarly attired stood and watched looking bored, chewing gum and smoking.

When the band came on I got to the front. See – I was there right from the off! They looked the part in their waistcoats, beat boots, skin tight trousers and mod haircuts. They played this heavy riffed beat music, stamping in time with their Cuban heeled Chelsea boots. Someone was flicking the lights on and off in time to the beat. It was undoubtedly the most exciting thing I had ever seen.

In July 1964 I went off to France and spent the summer hitch hiking round with my mate Foss. I was just fifteen and he was sixteen so he had to look after me. We had big rucksacks with all our clothes (both lots of underwear – we were only away six weeks) and a tent which did not have a front. By this time I had really long hair and a beard. Wherever we went the local kids, who seemed to be dressed in jeans with leather jackets and short hair, all stepped aside yelling after us – ‘Les Beatles’ and ‘Yeah, Yeah, Yeah’. We loved the adulation.

Somehow I had just bought the Stones first album and the ‘It’s all over now’ single and took it with me. I had them in a bag that dangled from the back. Miraculously they didn’t get wrecked and I still have them.

We didn’t get many lifts but got quite fit walking around with big rucksacks on our backs. In fact I got very fit. We stayed in Youth Hostels camping in the back gardens with the rats. Our tent had no front and the rats scampered over us in the night. Foss lay awake one night waiting for one of the rats to come into the tent holding a big knife aloft so that he could stab it. He must have dozed off though and found the razor sharp knife in his sleeping bag the next morning.

The other youth hostellers either loved us or hated us. I got fed by these Romania girls who decided I was much too skinny. They introduced me to French cheese, bread and yoghourt. Bread for me had been either sliced white or a white bloomer and cheese was either cheddar or gorgonzola (gorgonzola was still a rarity in England but was a regular with us because Dad had been stationed in Italy in the war) and I’d never tasted yoghourt. I started with the chocolate flavour but was soon working my way through them all. I couldn’t believe the bread and cheese. There was black bread, brown bread and French sticks. It came in all shapes and sizes. There was cheese with holes in, bits in and all different flavours. England was so bland compared to the continent but that was about to change.

All the Youth Hostels had record players and I played my Stones album and single to mixed reaction. There was this huge German kid called Hans who must have been six foot eight and built with it. He would make a sandwich by cutting a whole loaf in half, stuffing it with cheese and sausage and eating it all. He loved the Stones. Whenever he came in he demanded we put the album on and played it loud.

There were these two Viennese girls who, rather stereotypically used to timidly sit around the record player and listen to Strauss. Hans would stride over to the record player, bang his fist on the table so that the needle jumped across the record and say ‘Walking the dog!’ which was his favourite track. The girls gathered up their things and scuttled for cover. Hans loved us. He was always giving us big hugs.

What a summer. That album is etched into my brain.

I later played rugby for the University Vandals team in Walton. I was the hooker and my prop was none other than Ian Stewart the Rolling Stones pianist. He was a big angular guy and Andrew Loog Oldham had decided that his image did not fit in with the rest of the band so he had him side-lined. Image was everything! Ian played on the albums and actually played in live concerts in the wings but was not photoed with the band. He seemed happy with the arrangement. At least he had a life and didn’t get mobbed all the time. I spent my Saturday afternoons with my arm round him.

In later years Ian put a band together called Rocket 88. They played Hull a few times and I always wanted to go along and say hello and see if he remembered his old happy hooker. Something always came up and I never did – I always thought I’d catch him later. Then he went and died! It’s amazing how often later never happens.

The Kinks were one of my favourite bands and in particular the numbers ‘Well respected man’ which seemed to sum up everything I felt about the society I had been born into with its class structure and inbuilt unfairness and disparity, and ‘I’m not like everybody else’ which summed up how I perceived myself. I would sit in my bedroom with the arm raised on the Dansette and let it play endlessly. It fed my mood – music to feed your angst with. I was nurturing my rebelliousness from the beginning.

 The second band I got to see live was Them with Van Morrison. ‘Baby please don’t go’ was still in the charts and ‘Here comes the night’ had just been released. They were brilliant but I was a bit disappointed that Van didn’t jump about more. I’d been a little spoilt by the Birds lively act. All Van did was stand there and belt out the songs. His voice was amazing and the band was great and they did all the songs with a brilliant ‘Gloria’ but only once did Van jump in the air.

After the show I went backstage and the band all signed these postcard size photos of themselves. I got two of them and got to talk to the band. I wish I still had those signed photos. They’d be worth a bob or two. I gave one away to Phil when I worked as a Lab Tech in the early 70s. He was a big Van fan. The other one my mum threw away when she had a clear out of my room.

The Nashville Teens were a local band and I got to see them play. They had an amazing dual vocal attack that made them very powerful.

My favourite Beat band was the Downliners Sect. I found their first album in a rack in Rumbelows – a department store on Walton High Street. They were more of an electrical goods/hardware shop with a small rack of albums at the back. I loved the cover. There was no way I could play it as the shop had no listening booth  but the image of the guys looked just up my street and the track listing with Jimmy Reed, Chuck Berry, Bo Diddley and Muddy Waters looked spot on. I took a chance. It sounded exactly how I knew it would. They were the best R&B Beat band of the time. I caught them live and they were brilliant. They thrashed and wailed better than anyone. What a shame that they then tried to jump every trend going and produced their ‘sick’ songs EP, Country album and Rock album instead of sticking to what they were so good at which was raw R&B. But hey – I’m still a Sect maniac!

I remember an old girlfriend of mine (she will, like me, be old by now!) sending me a valentine with a little poem in it. 

Little lad with long fair hair

I’ve got you on the brain

Becoming Sectomaniac

Is driving me insane

See I still remember it. At the time I was trying to decide whether to go out with her or this other girl. She’d already sent me the Kinks single ‘Tired of waiting’. The poem made up my mind for me. Anyone who was into the Sect was OK with me!

By the end of 1964 the quest had thrown up all sorts but none of my heroes. They were still in the future waiting for me. I was trying to assimilate the music that was coming at me, cope with girlfriends and always looking for new musical developments. You never knew what was going to turn up next – all I knew was that it was already one hell of an exciting journey.

My personality was interacting with the music I was listening to. It’s debatable as to whether I listened to the stuff that reflected me or whether it was changing me to mirror it?

We are products of our environment. I chose to be different. Yet I epitomised the era I lived through.

I wasn’t like everybody else and I knew I was going to resist leaving the house at six thirty every morning like my old man. The Kinks summed it up so well.

I learnt a lot from my school days which I later took into my teaching career – mostly about how not to do things! The education system was very good at demonstrating how not to do things.

I learnt that corporal punish certainly warms the backside but it heats the heart more. The internalised fury and rage will find its way out in violence, insolence and aggression.

I learnt that you can say ‘sir’ in a number of ways some of which are worse than telling someone to go fuck themselves.

I learnt that stuffing facts in kids’ heads for them to regurgitate for examinations is not education.

I was one madly rebellious child.

Sixties in Context – a small chunk of biography.

Sixties in Context – a small chunk of biography.

In 1968, with a rucksack on my motorbike, I moved up to London to begin a degree in Zoology.

These were the carefree days of freedom and time. I had a grant of £333 to live on. I shared a room in a grotty part of Ilford with my genius of a friend Pete. A hundred and eleven pounds a term had to provide food, rent and petrol. We started the day with a mug of cocoa and had one meal a day – usually a mound of cheese potato with onions. We sometimes made Irish stews from sheep’s heads and brawn from pig’s heads. A pig or sheep’s head cost one and six (seven and a half pence). It was all the protein we could afford. We kept a bit pot going and added veg (we scrounged outside leaves and half rotten veg from the local shops). We sometimes got bacon or cheese ends or stale bread from the supermarket to augment our diet. I was extraordinarily thin! I weighed around 9 stone.

£333 wasn’t a lot but we made it go a long way. To put this in context: an ounce of hash was £6; a top gig (Pink Floyd, Traffic, Cream, Fleetwood Mac, John Mayall, Roy Harper) was twelve and a half pence to twenty five pence.

My days were spent reading a lot of books from Kerouac to Sci-fi. The nights were spent with friends playing records, talking madly about lyrics, music, philosophy, the environment, infinity, books, art, and spirituality.

I went to at least three gigs a week and all the free festivals in Hyde Park, then the summer festivals – (the likes of Windsor Jazz and Blues, Woburn Abbey, Glastonbury). My haunts were Les Cousins, Middle Earth, UFO, Marquis, Eel Pie Island, Toby Jug, college gigs and Fishmonger’s Arms and hosts of others. I was heavily into the full range of underground bands – Hendrix, Free, Cream, Mothers, Beefheart, Country Joe and the Fish, Bonzos, John Mayall, Fleetwood Mac, Pink Floyd, Edgar Broughton, Dylan, Doors and hundreds more. At places like Cousins there was wizardry in the form of Jackson C Frank, Bert Jansch, John Renbourn and Davy Graham.

Having discovered the genius of Roy Harper in 1967 at least twice a week, sometimes four times a week, I’d go and catch a Harper gig. He invited me round, gave me his number and we became friends. That added a new dimension to my crowded schedule.

In the day I’d wander around town, buying the underground paper IT, checking out gigs, looking through second-hand albums for bargains (original remaindered cardboard sleeve Folkways albums of Woody Guthrie and Sleepy John Estes), West Coast acid rock, progressive rock, blues, folk, singer songwriters and psychedelic. We starved so we could go to gigs and buy albums. Well worth it!

In those halcyon days of 1967/68/69 Harper was on fire! – A fiery ball of anarchic wisdom, beat poetry, vitriolic social comment and musical genius. Those early gigs were fantastic. They melted my brain. His poetry was in a different realm. Nobody was as insightful or scathing – not even Dylan.

Those days were mind blowing. I was eighteen/nineteen. Full of energy. My mind was incandescent.  Gigs back then were amazing. You could be bouncing around all night at Middle Earth to Edgar Broughton or sitting in wonder in the cellar at Les Cousins watching Bert, John or Davy weave their magic.

I remember going to Eel Pie Island to see Pink Floyd. A lady collected a penny off us to cross the bridge. It cost a ridiculous seventeen and a half pence (price went up from twelve and a half pence because there was a double header with Blossom Toes). We bounced around on the old rotten floor that swayed and bounced along with us.

Roy played anywhere that would have him. He did the folk clubs, college circuit, festivals and all manner of small clubs. He hitched to gigs or went by train. Occasionally I’d give him a lift on the back of my motor bike or in my beat-up old Ford popular.

When I first started following Roy his audience was often only around twenty or thirty. By the end of 1968 they were queuing around the block. I was lucky. Roy put me on the door!  Being put on the door was a great help to my limited finances.

Roy was often on with other people – Free, Al Stewart, Bonzos, Ralph McTell, John Renbourn and Bert Jansch come to mind. Always a joy. I got to see and meet a lot of great musicians.

Somehow, I managed to fit in a lecture or two (I actually attended under half) and actually finished with a BSc in Zoology!! Phew!! Mind you, I could have got a PhD on Harper and the songwriting or the sixties underground!! They didn’t do degrees in that though!

Two Novels straight out of the 60s Underground culture.

I have just rewritten these two novels. They are both based in the sixties and reflect the life and attitude that pervaded the time. I guess I’m still living it! Fancy some nostalgia? Want to learn more about the reality of living in the sixties?

301 Bedsit Land

It is the sixties, bedsit land, 301 Green Lanes, and the story of a moment in time, a building and a colourful assortment of characters, some good, some bad.
It is also Danny’s story: how he stumbled upon a place to live and a series of unlikely friendships that saved his life.
This is the story of a house that became a home.
It is the story of an assortment of desperate people who were all lost and some became found.
It is a real story of how people who are worthless and have no respect for themselves yet came together to form a community.
It is a story that tells us that there is a reason for everything; that chance works in strange ways and that often salvation appears out of the strangest circumstance.
This is the story of Danny Charles.
It’s also a love story.

301 Bedsit Land: Amazon.co.uk: Goodwin, Opher: 9798853928572: Books

Goofin’

This is the ultimate sixties book – a novel from the British Underground with all its sex, drugs, dreams and music; those times of crazy people high on life and mad for experience – from a time when anything was possible.
Capturing that idealistic naïve impossibility permeated with vitality and careering love and dreams, the wild rush for adventure without a thought for the future because the dream was going to last forever.
– Seemingly, as Love said: Forever Changes!
It spans continents as it trips its way through time, space and minds in a mad rush to discover life and experience everything or die trying.

Goofin’: Amazon.co.uk: Goodwin, Opher: 9798854960403: Books

Goofin’ – Now Available in Paperback!!

My sixties novel about life, rock, and road trips back in the sixties is now available in paperback!!

This is the ultimate sixties book – set in the British Underground with all its sex, drugs, dreams and music; those times of crazy people high on life and mad for experience – when anything was possible.
It captures that idealistic naïve impossibility permeated with vitality and careering love and dreams, the wild rush for adventure without a thought for the future because the trip was all there was and it was going to last forever.
– Seemingly, as Love said: forever changes!
The story spans continents as it trips its way through time, space and mind, in a mad rush to discover life and experience everything or die trying.
It’s Jack’s story.

Goofin’ eBook : Goodwin, Opher: Amazon.co.uk: Kindle Store

In Search of Captain Beefheart – A Memoir of a life in Rock Music – The Foreword.

I wrote this foreword as a paraphrase of Linton Kwesi Johnson. The photo was taken by some random photographer in Boston Massachusetts without our knowledge. For some reason, (must have been a slow news day) they put it on the front page of the Boston Evening Globe.

Foreword

Fight for what you believe with passion not violence.

Be prepared to take some heavy blows!!

Liz & Opher walking down Massachusetts Avenue in Boston 1971 – featured on the front page of the Boston Evening Globe

If anybody wants a signed copy I can oblige!