‘China Girl’
The opening track of Roy’s career is remarkable. People expecting some type of folk song were about to be amazed. This song is much rockier than they would’ve expected – not Roy with a guitar, but Roy with a whole band.
This was only 1966 but listen to that phasing as Roy makes the music into a psychedelic masterpiece. This was the very dawn of psychedelia, and Roy was riding it.
The song was written about a beautiful Chinese girl he used to see in Soho. The lyric’s willow patterns, dragons and sunsets, create a magical landscape. It is an example of the way Roy was merging his poems with music.
The track set the tone for the rest of the album.
In contrast to ‘China Girl’, ‘Goldfish’ has a catchy tune and is a much simpler acoustic number. It starts with a basic melody plucked out on guitar, the vocal then mirroring it – the song changes at the chorus, with the backing growing in symphonic effect.
Written for Roy’s baby son Nick, ‘Goldfish’ is a fine example of a contemporary folk song. The deft poetic touch makes it much more than a lullaby. The second guitarist on this track is Lon Goddard.
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