Bob Dylan 1962 to 1970 On Track – Part of the intro

Introduction  

I was fortunate to be introduced to Bob Dylan’s music at the young age of thirteen, though I did not fully appreciate that at the time.

    A good friend of mine by the name of Charlie Mutton had purchased Bob’s debut album shortly after it was released and he was smitten. That was peculiar. Up to that time we had been listening to chart material and old rock ‘n’ roll.  Heaven knows where Mutt picked up on Dylan’s first album. I don’t remember it being either popular or available in my neck of the woods. We weren’t big on ‘folk’ music. However, my ears weren’t tuned in to the raw, nasally sound of Bob’s folk-blues and, although I listened all the way through and even appreciated a number of the tracks, I was not greatly impressed. Mutt was more clued up and assured me that Dylan was going to be huge and if he’d only release a single it would be a top ten hit. I remained quietly sceptical.

   Mutt was incredibly prophetic. Subsequent albums and the ‘Times They Are A Changin’’ single did just as he had predicted. Bob Dylan went on to become one of the most important figures in the history of rock music. Not only did he change the face of rock music but he also had a profound effect on the direction of youth culture. Once I’d ‘got it’, and my ears became more accustomed, I too was utterly smitten.

   As with Dylan I was caught up in the zeitgeist of the time. These were the days of great divisions in society, a rising rebellious youth, the threat of instant annihilation from nuclear war, great changes in attitudes. The traumas of the second world war were still fresh but the economy and world were opening up. Change was in the air. Our parents represented something we did not want to be. Bob was riding that wave of change.

DPRP Prog Magazine – Martin Burns review of ‘Bob Dylan – On Track 1962-1970 every album, every song’

Opher Goodwin — Bob Dylan 1962 to 1970

country:

 UKyear:

 2023

Opher Goodwin - Bob Dylan 1962 to 1970

info:

 sonicbondpublishing.co.ukInstagramophersworld.com

8

Martin Burns

Another in the Sonicbond’s On Track series; this time looking at Bob Dylan’s work from his beginnings as a Woodie Guthrie acolyte, through the media-driven frenzy of the “Voice of a Generation” (an epithet that annoyed him enormously), onto the drug-fuelled, electric “Judas period”. We finish in the rehab of the reclusive family man and his temporary re-invention as a country singer.

Opher Goodwin, author of 2022’s On Track: Captain Beefheart book, has now tackled the thornier topic of Bob Dylan 1962 to 1970. He goes album-by-album through the eleven studio releases in that period, as well as covering additional tracks associated with those albums. He also has a chapter on the welter of bootlegs (official and unofficial) that has followed Dylan through his career.

Goodwin starts with an excellent, short introduction. Fleshing out the origins of the Dylan persona. A persona that is slippery and hard to pin-down fully. He is a character that evolved through a lot of self-mythologising. Goodwin tries hard with the unenviable task of trying ‘to unravel the man from the myth’ but it is near impossible to find a complete solution to this conundrum.

There is little connection between Dylan’s music and progressive rock, as his focus was and is on blues, r&b, folk, 1950s rock’n’roll and the American song book. However, arguably, there is a link between his masterful lyrical wordplay, and in his opening-out frol the three-minute straight-jacket of popular music.

From the release of Like A Rolling Stone, a 6 minute 11 second single, the world of popular music rapidly began to blossom and become more complex. Witness the change in The Beatles, who, influenced by Dylan, moved from their rock’n’roll and pop to (four years or so later) releasing Strawberry Fields Forever and more.

Dylan’s lyrics may have had an influence on prog-rock in that I can’t imagine the flights of wordsmithery of Jon Anderson in Yes, nor the prose poems of Peter Hammill‘s solo and with Van Der Graaf Generator, without the freedom afforded by the general changes in popular music, helped in no small way by Dylan.

Goodwin gives a readable and concise take on Dylan’s music, not hiding his fandom, nor so blinkered that he can’t criticise the poor albums Dylan released in the last years of the 1960s. If you want to dip into Dylan, but don’t know where to start, then Opher Goodwin’s On Track…Bob Dylan 1962 to 1970 is a great roadmap to the commencement and growth of the Dylan enigma.

A Review of my Captain Beefheart Book for Penny Black Music

Always gives me a boost to read a review of one of my books. Somehow it makes all those hundreds of hours worthwhile!!

Opher Goodwin – Captain Beefheart On Track; Every Album, Every Song (pennyblackmusic.co.uk)

Bob Dylan – back cover blurb – what do you think?

I have just completed the rewrite of my Bob Dylan On Track book and am tempted to send it off to the publishers. I think it has come out really good. My head tells me to sit on it a little longer and give it another edit. I’m resisting the temptation.

I’ve been working on the back cover blurb this morning. What do you think??

Bob Dylan blurb

Bob was the catalyst that sparked a revolution, the magician who sprinkled poetic fairy-dust on to rock ‘n’ roll to transform ‘She Loves You’ into ‘Strawberry Fields Forever’, the fulcrum around which rock music turned.

He headed for the sixties as a Little Richard rock ‘n’ roller, morphed into an acoustic folkie, absorbed Woody Guthrie, Robert Johnson and Brecht to become a vagabond social troubadour, basked in Rimbaud to become a poetic symbolist, immersed himself in lysergic beat surrealism to become a strung-out polka-dotted rock star, crashed, and left the sixties as a clean-cut country crooner. He mutated more times than a trilobite.

This diminutive poet/singer, vacillating between impostor syndrome and arrogance, claimed he was merely a ‘song and dance man’ but single-handedly took popular music from being an intellectually bereft teenage rebellion into a serious adult art form worthy of academic study.

This amazing story can be traced through the eleven albums and handful of singles he released between 1962 and 1970 – ground-breaking music that changed the world.