My First Captain Beefheart gig + more photos from the 2011 La Scala gig.

To complete the tale of my first Beefheart gig back in the sixties – on the eve of my crucial A-Level exam.

Well I did think about it for a minute or two. My whole future rested on that exam. To go to the gig meant no last-minute revision (the only type I ever did) and going in knackered with a few hours kip. It was a no-brainer. This was the original Beefheart Magic Band – Captain Beefheart and his Magic Band (Alex St. Clair Snouffer, Jerry Handley, Jeff Cotton and John French/Drumbo). A must see.

The atmosphere was electric. The place was heaving. The band on top form. The music pulsated with throbbing power. Drumbo’s drumming was a thunderstorm of complex rhythms. The bass throbbed right through you vibrating all your internal organs with powerful waves of physical energy. The guitars were strident, weaving magic with intricate interconnecting patterns. Then that voice!! The Captain was like a demented Howlin’ Wolf powering over the top with an avalanche of sheer power, an unleashed cosmic force! The whole band thundered along like a stampeding herd of buffalo, a runaway express, and we were all riding it like on the crest of a giant wave, a wave that roller-coasted along and crashed all around us in an aural explosion.

There’s something incredibly different about Beefheart and the Magic Band. The music is unbelievably complex, yet simple. Once you immerse yourself in its mesmerising groove it transports you. There is primitive magic at work with a sophisticated intricacy. The power is immense. It operates on so many levels – the blues-ridden beat, the basic pulse that drives, underpins a multi-layered mesh of interweaving patterns. Bo Diddley and Howling Wolf melded to abstract art in music form, Dali and Picasso expressed in sound. Once you experience it live and connect with the primeval force alloyed to the twenty-first century esoterics you become lost in it.

I was caught up in the throng, bouncing and jumping in time as the incredible waves flowed through me. We were all connected by some unifying mystical force – the power of music. The whole audience was one superbeing feeding off the energy the band was delivering. There’s nothing gets close! This is the energy that bound our primitive ancestors together when they danced themselves into trances around their camp fires. This was the energy of the brotherhood of the hunting group, the ecstatic festivals, the village celebrations. A music creating unity and excitement!

Life changed! I was not destined to be a doctor!

Best gig ever!

Of course, I didn’t get back until three in the morning, I missed out on my uni place by one grade!

The Magic Band at La Scala London in 2011 + Background

I thought you might have had enough of the Duchess – though I’ve got a lot more photos. Here’s some from London.

Excitement raged. I was taking my youngest son and his friends to see the Amazing Magic Band playing at La Scala in London! It was going to be epic!

It was epic!

More background.

I’m thinking back through fifty five years. Some memories are still vivid.

The Middle Earth gig was scheduled for a couple of weeks before my important A-Level exams. I needed a place at uni for three more years in London! Those exams were crucial. I knew that a trip to Middle Earth meant not getting to be before three. But with a couple of weeks to go that wasn’t even a consideration.

I turned up at Middle Earth to find that the band had cancelled, Drumbo was sick. They put Aynsley Dunbar on instead. Now I liked Aynsley but it was a poor substitute. My expectations had been mounting for weeks.

The good news was that they had rescheduled and were going to perform a double-header with none other than John Mayall with the great Peter Green. A fabulous prospect.

The bad news was that it was the night before my important A Level exam starting at nine in the morning.

Magic Band – Dorchester 2012

A fabulous gig!!

When I heard that the Magic Band were reforming and touring I was ecstatic. My favourite band! After the initial euphoria, I was much more circumspect. How could anybody possibly substitute for Don Van Vliet? Don probably had the best (and loudest) voice in Rock Music history. He gave Howlin’ Wolf a run for his money. I checked out the line-up and it looked great. There was Gary Lucas, John ‘Drumbo’ French, Denny ‘Feeler’s Rebo’ Walley and Mark ‘Rockette Morton’ Boston. Even so I was expecting little more than a tribute band. How wrong I was. They not only had the vibe and the excitement of the original incarnations but somehow Drumbo turned out to be a dynamic frontman and even carried the vocals to within a gnat’s crotchet. Amazing. After that the band toured regularly and I got to as many gigs as I could, took my younger son and his friends and introduced them to real music. They were blown away. Gary Lucas unfortunately, dropped out (Oh, if only he had been replaced with Zoot Horn Rollo) but Eric Klerks came in and did a fine job. The standard didn’t drop. I even liked the Henry Kuttner incarnation (though I sorely missed both Mark and Denny). Far from a tribute act – they were indeed Magic! Here’s a number of shots of John and the band in action at the Duchess York in 2012.

Captain Beefheart Radar Station – Review by Steve Froy.

On Track … Captain Beefheart. Every album, every song by Opher Goodwin

BY: STEVE 

ON: 28 JANUARY 2023 

IN: BLOGBOOKSBY OR ABOUT DON VAN VLIET 

TAGGED: ON TRACKOPHER GOODWIN 

WITH: 4 Comments

Publisher ‏: ‎ Sonicbond Publishing
Date of Publication : 26 August 2022
Language : ‎ English
Paperback‏ : ‎ 160 pages
ISBN-10 : ‎ 1789522358
ISBN-13 : ‎ 978-1789522358
Dimensions : ‎ 14.96 x 1.24 x 20.57 cm

Extract from blurb:

Few Bands are as influential. The Beatles, The Fall, PJ Harvey and Tom Waits all pay homage, while The Magic Band have inspired a myriad of tribute bands and created a mythology like no other. This book sets the history of the band in context, analysing every track and interpreting the music with its poetic content. It is essential reading for diehard fans and the Beefheart-curious alike

Review by Steve Froy

I don’t know how many books there are in the ‘On Track’ series but it has been going a while and is a well established brand. It was only a matter of time before the Captain received the ‘On Track’ treatment. I’d even thought of doing it myself but never seemed to find the time but I was pleased to see that my good friend and fellow Beefheart fan, Opher Goodwin, has taken it on.

Opher has been a fan since the early days of the band and was one of the lucky few to see the band perform their legendary 1968 gig at the Middle Earth. He’s lived through the ups and downs of Don’s career and recorded output and he brings this perspective to bear on his analysis of each track and album.

I know some people don’t see the point of books like this, as far as they’re concerned they know the albums and all the tracks so why bother reading about them too. If that’s your view, them fair enough but I have to disagree with you. Sometimes you can be too familiar with the music and a book like this gives you the chance to distance yourself slightly and see it through someone else’s eyes, giving you the chance to reassess what you think about the songs and maybe seeing them afresh.

All the studio albums are included plus the few official live releases. Opher also looks at some of the many unofficial live and outtake albums, as well as Magic Band members solo efforts, the Magic Band reunion albums and a few of the many cover versions of the Beefheart songbook.

Opher takes you on a wild ride. His writing style is highly enthusiastic and entertaining which amazingly he maintains throughout the book. The only time the book doesn’t work so well is in the section about compilation albums which is mainly lists of tracks and doesn’t have much in the way of the author’s comments.

Factually there is little to quibble about, a couple of mistakes have crept in despite proof-reading but these are probably due to the publisher not correcting the proof.

Overall this is a nice addition to the Beefheart library, and isn’t very expensive so why not treat yourself to a copy.

Thanks to Steve Froy ( a good friend) who runs the super Captain Beefheart Radar Station site with everything you might need to know on the good Captain.

Steve is a great friend and helped me enormously in the production of this book. Thanks Steve.

https://burningshed.com/opher-goodwin_captain-beefheart-on-track_book

Captain Beefheart book now complete!

Earlier this week I sent in the last edits to complete the book.

The publisher selected the photos he wanted to use and I have just completed writing the captions.

Everything is now ready to go to publishing and distribution. Hopefully, there will be sufficient time to meet the publishing deadline of the 28th of this month!

I am presently 60 pages into the Bob Dylan book – another major project! That should be ready for next year.

Poetry – EGG POOT FROTH

EGG POOT FROTH

Egg poot froth

          Egg poot froth

                   Masticated in magenta mandibles

Egg poot froth

                   Migrating magnificently

                                                          Nowhere

Tooth drip spew

          Tooth drip spew

                   Grips the tortured trebles

Tooth drip spew

                   Tangibly trembling

                                                          In the air

Egg poot     Tooth drip

While the tragic hobo jungle bum

                   Constructs the new day

                                      And rambles on his way

                                                          Egg poot froth

                                                                             Egg poot froth

Egg poot

          Tooth drip

                   Froth spew

While the hobo bum

          Creates the day anew

Gypsy Queen Princess

          Illuminates the new day

                   Dancing through magenta dawn

                             To where the hoboes play

                   Egg poot froth

                             Egg poot froth

She chooses wisely

          As the magic hoboes pose

Evades the tooth and spew

          That every pooter knows

                                      Tooth drip spew

                   Maxillae clatter

                   And labia vibrate

                   Hoboes spurt

                   Pooters can’t wait

Egg poot froth                         Egg poot froth

Young dudes rush and prance

          While claw and tooth cleave

Old jungle bums

          Reap the day and leave

Tooth drip            Spew

The Gypsy Queen Princess

                   Discards her froth and poots

                                      Another day is born

                                                          Another pooter shoots

Egg poot froth

                                      Egg poot froth

                                                                             That’s all there is!

Egg poot froth

                                      Evolution’s come to this!

Opher 12.7.00

All this talk of Captain Beefheart took me back to this poem I wrote back in 2000. It is an attempt to capture something of his inimitable style. So obviously it failed horribly as nobody can ever come close.

But it was fun. I visualised it as a performance piece. At one time I was discussing dressing up as a pantomime horse with my mate Rich, walking around Hull with me reciting this through the horses backside.

Somehow he wasn’t keen.

Poetry – Vliet

VLIET

Looking through Vliet’s eyes at scrawny black crows

Perched on jagged cactus vantage points

Before daubed hills and scrawled figures

Carved with sweeping strikes of thick textured colour

On a timeless backdrop of infinity.

Staring at distorted garish dreams of reality

Timelessly floating towards forever ……………forever……….

Along the tides of an invisible desert sea

And wishing we were caught within the waters of his eyes

In neon magic,

Breathing the ocean bottom together,

As we watched the sun slowly set

And sipped a beer.

Opher 4.10.97

I was entranced by Don Vliet the moment I heard him way back in 1967. Captain Beefheart and his Magic Band created some of the greatest music ever. That first album was just a taster. The live performance that year was probably the best I have ever seen.

Some find him discordant. But for me it gels together into the most original music ever recorded. His poetry was the same, that rich imagery and invented words.

Live the band were amazing. The Magic band still are but I can’t help but miss the Captain.

Way back in 1981 he gave the music up forever. He turned his attention to his other love – art, with equal brilliance.

His paintings from the deserts of California were carved from slabs of colour that sang with their own fluorescence. I could lose myself in those paintings in the same way I did the music.

It would have been good to sit out on the steps in the desert and watch that sun slowly sink towards the horizon. I can imagine it.