I wrote this novel in an attempt to capture reality. A stream of consciousness about the things going on in my head, life and death. This is what reality looks like. This is life.
53 and imploding
I live in a nice house that is three hundred years old. The doorways and ceilings are low because people were smaller back then. Even I have to occasionally duck. It used to be a farm, a pair of two-up two-down cottages, and a shop and now it is my home. The mortgage is completely paid off. I own it. Except in reality I am merely passing through. I will leave it to my wife and then my children. It will be lived in by others after me. It will be altered, decorated, knocked around, improved and no evidence of me will remain. I am passing through.
I love this house. It is warm and cosy. It has room to stretch out. We have invested much time and energy into making it a home. It houses my books, records, CDs and computers. I am comfortable here. There is a sense of history in the walls. They lean and tilt, the floorboards creak, and the ceilings sag. It is happy with the way it has settled into itself and redolent with the memories of unseen people. I have grown into it and lean and sag to the same extent in sympathy.
I am passing through.
Some people are artists with words, creating pictures and stories out of static neuronal sparks. They structure and craft their words to tell tales and plug into that primitive need of all humans. But I am no artist. I have tried that and failed. I admire their skills. I enjoy the stories they weave. But to me they are sanitised. No matter how intricate or complete they cannot capture the real textures of life; they cannot even capture a brief moment in its entirety. A novel is a distillation; at best a selection of highlights. I am no storyteller, wordsmith or creator of tales. My words are not crafted, not honed; they escape on the run. I let them free.
I am no writer; I am a liberator of ideas.
53 and imploding eBook : goodwin, opher: Amazon.co.uk: Kindle Store
