Happy Birthday Neil Young!

Happy Birthday Neil!

In 1966, while languishing in the clubs with poor reviews for his solo act, he was invited to join the Mynah Birds, an R&B band featuring Rick James. Shortly after Neil joined the band, they signed a deal with Motown. Things were looking up; they were recording their first album – Neil was finally making it. But Ricky, who was on the lam from the navy, was arrested and dragged off. The band fell apart, Motown dropped them and the album never got finished. Neil was at the crossroads again – more blood was required.

Neil had heard that Stills was in LA looking to form a band. The logical thing to do, obviously, was to pawn the Mynah Birds equipment, bought for them by their manager John Craig Eaton, buy a 1952 Pontiac hearse, Mort 2, and head for California where it was all happening. So that’s what he and Bruce Palmer did.

Stills had been doing session work in LA and had been promised a deal if he could put a band together. He’d already recruited one member – Richie Furay. The winds of fate blew a pleasant breeze, tinged with LA smog, onto Neil’s face as he sailed into Los Angeles looking for Stills. One can only imagine what was going through the minds of those young 21-year-olds: cool, hip, running on dreams and optimism. I can visualise the two of them floating down the fabled Sunset Boulevard in LA in their hearse – digging all the possibilities that lay ahead – cruising along the most famous boulevard in the world, grooving on the vibe, soaking up the scene. They were two young, hip and horny lads in the heart of where it was happening, with pockets full of possibilities, looking for fun and adventure, looking to seize every opportunity coming their way in a hearse. Pretty cool. This is where the hearse plays an important part in the story.

They searched the clubs for a week and were running out of luck and money, but there was no sign of Stills. Broke and bereft of ideas, they finally decided that the only thing left to do was to cut their losses and head back to Toronto. Neil and Bruce were downhearted, heading out of LA, dreams shattered, with one last drive down Sunset. Who should come cruising by in the opposite direction? – none other than Stephen Stills and Richie Furay. They recognised the black hearse with the Ontario plates and both realised that it could be none other than Neil. Stills threw his car into an illegal U-turn and caught up with that hearse. Neil heard this voice bellowing out, ‘Neil. Is that you?’ They pulled off the road into a supermarket car park. I can picture that joyous reunion. A meeting of minds. They’d finally reconnected.

Stills was super excited about putting the band together. They played Neil their arrangement of ‘Nowadays Clancy Can’t Even Sing’ and it clicked. They dragged in Dewey Martin, already a veteran from various garage rock bands, having played with Roy Orbison and country bands like the Dillards and Patsy Cline. The line-up was complete and they set about producing music. The chemistry worked.

Neil Young – On Track – excerpt

The Squires had a local hit with a single they put out featuring two instrumentals written by Neil – ‘The Sultan’ b/w ‘Aurora’. It was while with the Squires that he bumped into and befriended Stephen Stills, who was playing with a band called The Company. That was a crucial component in the serendipity that led to so much more. That encounter formed the basis of a friendship and musical adventure that persists up until today. It formed the nucleus of three incredible bands: Buffalo Springfield, Crosby, Stills, Nash and Young and the Stills-Young Band.

   But the Squires only lasted two years – 1963-1965 – and soon split up. Its other members were not as committed as Neil and life and careers soon got in the way. The band eventually ended up skint and destitute in Fort Worth. Mort dropped its transmission on the road and Neil just split for Toronto, leaving everyone in his wake.

   This was the mid-sixties and the 20-year-old Neil was, like most others, totally smitten with Dylan and his poetic innovations in songwriting. Unlike most, Neil was as greatly impressed by Dylan’s contemporary Phil Ochs, who he rated just as highly.

   Instead of seeking to form another band, Neil decided to go solo, develop his songwriting and perform in the folk clubs. It was here that he developed his lyrical style and also met Joni Mitchell, who had a big impact on him and his writing. That encounter also led to the involvement of another character, who was destined to have a huge bearing on his music and career – his later manager Elliot Roberts.

   That songwriting of Neil’s was beginning to take off. The Guess Who, featuring a friend from the early days, Randy Bachman (a local muso who created a unique echo effect, much coveted by Neil, by passing sound through a tape recorder and went on to form Bachman Turner Overdrive), had a Top 40 hit with one of Neil’s songs, ‘Flying On The Ground Is Wrong’, which gave him some encouragement.

   In the course of this solo period, Neil went to New York and met up with Richie Furay, who was playing folk in the clubs. Richie was smitten with Neil’s ‘Nowadays Clancy Can’t Even Sing’ and Neil taught him the song, which became a part of Richie’s solo act. Richie would later share the song with Stephen Stills. This would turn out to be another vital cog in the machine that became Buffalo Springfield.

Today’s Music to keep me IiiInnNnnsSsAaaaaNnnNEe – Buffalo Springfield – Broken Arrow

The Neil Young/Jack Nitzsche opus masterpiece – a six-minute musical journey through hopelessness, emptiness and genocide.

https://www.bing.com/videos/search?q=Buffalo+Springfield+Broken+Arrow&docid=608015001439831397&mid=E5DBD8CD37FA43038679E5DBD8CD37FA43038679&view=detail&FORM=VIRE

Today’s Music to keep me SsssAaaaannnnnNEeee – Neil Young – Cortez The Killer

Cortez – the destroyer of civilisations. To think that we still put these murderers, racists and cruel, violent scum on plinths and venerate them.

Neil Young 1963 to 1970: Every Album, Every Song: Amazon.co.uk: Opher Goodwin: 9781789522983: Books