Extract; Phil Ochs On Track: Every Album, Every Song

Extract; Phil Ochs On Track: Every Album, Every Song

   There were a number of factors that helped form Phil’s personality, the pacifism, sense of compassion and. desire for equality and justice.

   The first of these was his father’s health. Jack was a physician, which should have been the basis for a very stable, prosperous family situation. That was far from the case. He had worked for the military in the Second World War and had to treat horrific injuries following the Battle of the Bulge. The experience traumatised him. He was discharged from the army and came back home severely depressed and suffering a debilitating bipolar condition. Despite trying to operate as a local physician he had episodes where he could not function and ended up hospitalised. His regular struggles with mental illness meant that he had to take appointments on the lowest rung in the medical profession – working in TB clinics. Although they were a middle-class family things were not as financially secure as they might have been.

   The effect of his father’s condition on Phil was enormous. The first impact was financial. Due to regular bouts of hospitalisation and inability to work the family was thrown into a degree of poverty. That was going to have unexpected consequences. Secondly, there was the psychologically delicate nature of his father who had to be tip-toed around and was usually very withdrawn, so his mother took on the responsibility of running things. Thirdly, the family moved around a lot chasing new positions for his father whenever his condition improved.

   This resulted in Phil retreating into himself, becoming a daydreamer and making very few friends.

   It also meant that they lived in interesting settings, first in New York, in Queens at Far Rockaway beach, and then Columbus Ohio. Both places left him with deep impressions that came out later in songs.

   Being part of a non-practicing Jewish family also had an effect. Being Jewish provided the insight of an immigrant outside that probably fed into his politics. Phil was obviously affected. As a child he had a thing about his big nose and actually had an operation to reduce its size which had the effect of boosting his confidence.

   Another unusual consequence of his family situation came to the fore in the realm of child-minding.

Phil Ochs On Track: Every Album, Every Song: Amazon.co.uk: Opher Goodwin: 9781789523263: Books

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New York and Early Forays

Having arrived in New York Phil started to hustle. His first paid job was opening for John Hammond Jr. and he soon built up a reputation for himself, getting work at a number of the burgeoning folk clubs like Sam Hood’s The Gaslight and The Third Side.

   The strength of his songwriting was soon noticed. Sis Cunningham and Gordon Friesen ran a magazine that specialised in printing the song lyrics of socially motivated folk singers. They regularly printed songs by the likes of Bob Dylan and Pete Seeger. They also recorded demos of these songs in their offices in order to transcribe the lyrics.  Bob Dylan, under the name Blind Boy Grunt, recorded for them.

   Phil knew he was on the way when he was invited to contribute. His songs began to appear in Broadside. An ambitious Phil, always eager to deliver to an enthusiastic audience, and eager for publicity, would drop in to the offices regularly to share his latest song and lay down a demo. Those demos would later come out on a couple of CDs. Phil said in a Broadside interview that ‘every newspaper headline is a potential song.’ He thought that songs should say something or they were useless. ‘It never ceases to amaze me how the American people allow the hit parade to hit them over the head with a parade of song after meaningless song about love.’ Broadside agreed.

   The other important outcome of this validation was that Phil was invited to perform at the prestigious 1963 Newport Folk Festival and that brought him to the attention of an even wider audience.

   The two biggest labels in the folk sphere were Elektra and Vanguard. By 1964 the folk scene had, following the success of Bob Dylan, taken off to extraordinary heights. Folk singers were flavour of the month and in great demand.

  In 1961 Vanguard had put together an album called New Folks that was intended to highlight a number of up and coming folk singers. It included The Greenbriar Boys, Jackie Washington, Hedy West and David Gude.

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