How I write
I do not have a standard way of writing. Usually I write from an inspiration. Sometimes I plan meticulously. Often I write a stream of consciousness.
- Torture – was thoroughly researched. I spent ages checking out the Quran, quotes, factions, terrorism and torture. A lot of that was not pleasant reading. I mapped out each chapter and wrote it slowly.
- Anthropocene Apocalypse – was written in sections. It was a series of my personal observations and thoughts that stemmed from my life and travels around the world and personal witnessing of the destruction of the natural habitat around the world.
- Sorting the Future – came from a dream. I was on board the Marco Polo and had a weird dream about aliens who came to Earth on a mission to save nature and intelligence, equipped with rejuvenating machine and advanced technology. It was a bit of wishful thinking. I wrote the first draft in five days in one long stream of consciousness. It just flowed. The rewrites took a lot longer but I tried to keep the light touch and flow and think I have been successful
- New Eden – was mapped out very carefully with the plot sorted. I had the outline written out but did not write it for about twenty years. When I did it came out as one of my best Sci-Fi novels
- In Search of Captain Beefheart – was a memoir of my life with Rock Music. It charts my love of Rock from my first singles, albums and gigs through to now. It straddles the fifties, sixties, seventies and eighties. I did not want it to be a boring chronological run through but I had this idea of a quest that brought it to life. It is my most popular book.
- A Passion For Education – this was another memoir. I wanted to put my philosophy of education down in black and white but I did not want it to be a boring academic book. I had the idea of explaining why I believed in the various aspects of my reasoning through anecdotes and experiences that brought it to life. It tells the inside story of Headship. I have had many people not in education tell me how interesting they found it. That was good. I wrote it in sections. It was easy to do. The content provided the structure. I had to marry the anecdotes and stories to the theory.
- Danny’s Story – is a story about a house I lived in in the early seventies. It was full of characters and incidents. I sat on it for forty years. I could not think how to write it in an interesting way. Then I read John Steinbeck’s Tortilla Flat and it inspired me. I saw a way of doing it. I fictionalised myself and the characters so that they were removed from it. It flowed out ion one great stream of consciousness that worked for me. I am now going through and knocking the raw, rough descriptions and sentences into better shape.
As you can see – I tend to suddenly get an inspiration and that is it – I’m off. I write hard and fast until it is complete. I then hone. Sometimes I plan and map. Sometimes I research. But often it comes pouring out of my head in one long splurge. All I have to do is get an insight into how to structure it. It’s like pouring cement. When I get going my mind churns. I find myself waking in the night to head off to the computer to write another section that has materialised in my sleep. I have been known to write through the night for twenty four hours without a break. I enjoy writing more than reading. It’s like solving some huge jigsaw puzzle, a massive suduko or crossword. There’s nothing quite like it. It gives me a reason to get up!
I have written 100 books.
My Sci-Fi books I write under the name Ron Forsythe, the rest are Opher Goodwin.